排序方式： 共有147条查询结果，搜索用时 0 毫秒
81.
The ongoing generation of expectations is fundamental to listeners’ experience of music, but research into types of statistical information that listeners extract from musical melodies has tended to emphasize transition probabilities and n-grams, with limited consideration given to other types of statistical learning that may be relevant. Temporal associations between scale degrees represent a different type of information present in musical melodies that can be learned from musical corpora using expectation networks, a computationally simple method based on activation and decay. Expectation networks infer the expectation of encountering one scale degree followed in the near (but not necessarily immediate) future by another given scale degree, with previous work suggesting that scale degree associations learned by expectation networks better predict listener ratings of pitch similarity than transition probabilities. The current work outlines how these learned scale degree associations can be combined to predict melodic continuations and tests the resulting predictions on a dataset of listener responses to a musical cloze task previously used to compare two other models of melodic expectation, a variable-order Markov model (IDyOM) and Temperley's music-theoretically motivated model. Under multinomial logistic regression, all three models explain significant unique variance in human melodic expectations, with coefficient estimates highest for expectation networks. These results suggest that generalized scale degree associations informed by both adjacent and nonadjacent relationships between melodic notes influence listeners’ melodic predictions above and beyond n-gram context, highlighting the need to consider a broader range of statistical learning processes that may underlie listeners’ expectations for upcoming musical events. 相似文献
82.
Laurent Bonnasse-Gahot 《Cognitive Science》2020,44(4):e12826
Since its inception, Shannon's information theory has attracted interest for the study of language and music. Recently, a wide range of converging studies have shown how efficient communication pervades language, from phonetics to syntax. Efficient principles imply that more resources should be assigned to highly informative items. For instance, average information content was shown to be a better predictor of word length than frequency, revisiting the famous Zipf's law. However, in spite of the success of the efficient communication framework in the study of language and speech, very little work has investigated its relevance in the analysis of music. Here, we examine the organization of harmonic information in two large corpora of Western music, one made of MIDI files directly sequenced from scores, and the other made of MIDI recordings of live performances of highly skilled piano players. We show that there is a clear positive relationship between (contextual) information content of harmonic sequences and two essential musical properties, namely duration and loudness: the more unexpected a harmonic event is, the longer and the louder it is. 相似文献
83.
Humans report imagining sound where no physical sound is present: we replay conversations, practice speeches, and “hear” music all within the confines of our minds. Research has identified neural substrates underlying auditory imagery; yet deciphering its explicit contents has been elusive. Here we present a novel pupillometric method for decoding what individuals hear “inside their heads”. Independent of light, pupils dilate and constrict in response to noradrenergic activity. Hence, stimuli evoking unique and reliable patterns of attention and arousal even when imagined should concurrently produce identifiable patterns of pupil-size dynamics (PSDs). Participants listened to and then silently imagined music while eye-tracked. Using machine learning algorithms, we decoded the imagined songs within- and across-participants following classifier-training on PSDs collected during both imagination and perception. Echoing findings in vision, cross-domain decoding accuracy increased with imagery strength. These data suggest that light-independent PSDs are a neural signature sensitive enough to decode imagination. 相似文献
84.
Rhythm and metrical regularities are fundamental properties of music and poetry - and all of those are used in the interaction between infants and their parents. Music and rhythm perception have been shown to support auditory and language skills. Here we compare newborn infants’ learning from a song, a nursery rhyme, and normal speech for the first time in the same study. Infants’ electrophysiological brain responses revealed that the nursery rhyme condition facilitated learning from auditory input, and thus led to successful detection of deviations. These findings suggest that coincidence of prosodic cue patterns and to-be-learned items is more important than the format of the input. Overall, the present results support the view that rhythm is likely to create a template for future events, which allows auditory system to predict prospective input and thus facilitates language development. 相似文献
85.
87.
Tobias Greitemeyer 《Journal of experimental social psychology》2009,45(1):186-190
Previous research has shown that exposure to violent media increased aggression-related affect and thoughts, physiological arousal, and aggressive behavior as well as decreased prosocial tendencies. The present research examined the hypothesis that exposure to prosocial media promotes prosocial outcomes. Three studies revealed that listening to songs with prosocial (relative to neutral) lyrics increased the accessibility of prosocial thoughts, led to more interpersonal empathy, and fostered helping behavior. These results provide first evidence for the predictive validity of the General Learning Model [Buckley, K. E., & Anderson, C. A. (2006). A theoretical model of the effects and consequences of playing video games. In P. Vorderer, & J. Bryant, (Eds.), Playing video games: Motives responses and consequences (pp. 363-378). Mahwah, NJ: Lawrence Erlbaum Associates] for the effects of media with prosocial content on prosocial thought, feeling, and behavior. 相似文献
88.
This study investigated the interaction between sampling behavior and preference formation underlying subjective decision making for like and dislike decisions. Two-alternative forced-choice tasks were used with closely-matched musical excerpts and the participants were free to listen and re-listen, i.e. to sample and resample each excerpt, until they reached a decision. We predicted that for decisions involving resampling, a sampling bias would be observed before the moment of conscious decision for the like decision only. The results indeed showed a gradually increasing sampling bias favouring the choice (73%) before the moment of overt response for like decisions. Such a bias was absent for dislike decisions. Furthermore, the participants reported stronger relative preferences for like decisions as compared to dislike decisions. This study demonstrated distinct differences in preference formation between like and dislike decisions, both in the implicit orienting/sampling processes prior to the conscious decision and in the subjective evaluation afterwards. 相似文献
89.
《Quarterly journal of experimental psychology (2006)》2013,66(10):2054-2072
In two experiments, we examined the effect of intensity and intensity change on judgements of pitch differences or interval size. In Experiment 1, 39 musically untrained participants rated the size of the interval spanned by two pitches within individual gliding tones. Tones were presented at high intensity, low intensity, looming intensity (up-ramp), and fading intensity (down-ramp) and glided between two pitches spanning either 6 or 7 semitones (a tritone or a perfect fifth interval). The pitch shift occurred in either ascending or descending directions. Experiment 2 repeated the conditions of Experiment 1 but the shifts in pitch and intensity occurred across two discrete tones (i.e., a melodic interval). Results indicated that participants were sensitive to the differences in interval size presented: Ratings were significantly higher when two pitches differed by 7 semitones than when they differed by 6 semitones. However, ratings were also dependent on whether the interval was high or low in intensity, whether it increased or decreased in intensity across the two pitches, and whether the interval was ascending or descending in pitch. Such influences illustrate that the perception of pitch relations does not always adhere to a logarithmic function as implied by their musical labels, but that identical intervals are perceived as substantially different in size depending on other attributes of the sound source. 相似文献
90.
Empirical studies of creativity have focused on the importance of divergent thinking, which supports generating novel solutions to loosely defined problems. The present study examined creativity and frontal cortical activity in an externally-validated group of creative individuals (trained musicians) and demographically matched control participants, using behavioral tasks and near-infrared spectroscopy (NIRS). Experiment 1 examined convergent and divergent thinking with respect to intelligence and personality. Experiment 2 investigated frontal oxygenated and deoxygenated hemoglobin concentration changes during divergent thinking with NIRS. Results of Experiment 1 indicated enhanced creativity in musicians who also showed increased verbal ability and schizotypal personality but their enhanced divergent thinking remained robust after co-varying out these two factors. In Experiment 2, NIRS showed greater bilateral frontal activity in musicians during divergent thinking compared with nonmusicians. Overall, these results suggest that creative individuals are characterized by enhanced divergent thinking, which is supported by increased frontal cortical activity. 相似文献