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11.
Carol L Smith 《Journal of experimental child psychology》1980,30(2):191-205
Two hypotheses were tested about how young children answer questions with the quantifiers all and some: (a) that children use syntactic cues in determining which noun phrase is quantified, and (b) that children evaluate a some-statement as part of evaluating an all-statement. To test these hypotheses, the same group of 60 4- to 7-year-olds were asked four contrasting types of quantitative questions. The results indicated that children can use syntactic cues under some presentation conditions. However, there was no evidence for an asymmetry between the all-and some-questions. A model of how young children might answer quantitative questions was then considered. 相似文献
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M G Clarkson R K Clifton B A Morrongiello 《Journal of experimental child psychology》1985,39(1):20-36
Two experiments assessed the importance of sound duration for eliciting head orientation responses from newborn infants. In Experiment 1, thirty infants turned with equal frequency toward 20-s continuous rattle sounds and 20-s trains of rattle segments. The duration of the rattle segments--14 and 100 ms (2/s), or 500 ms (1/s)--did not influence the likelihood of turning. Response latencies and durations proved quite similar for all stimuli. In Experiment 2, twenty-four infants heard continuous rattle sounds of four different durations: 1, 5, 10, and 20 s. They turned reliably to all stimulus durations; furthermore, the magnitude and temporal characteristics of head orientation responses did not differ for the four stimulus durations. These results suggest that the newborn's head orientation response may reflect a motor program that is initiated by auditory input and then executed in a similar fashion regardless of further stimulation. 相似文献
13.
Leslie Zebrowitz McArthur David L. Post 《Journal of experimental social psychology》1977,13(6):520-535
Based on Jones and Nisbett's (1972) proposition that actor-observer differences in causal attributions derive from differences in attentional focus, it was hypothesized that observers' focus of attention would influence their causal attributions for an actor's behavior. More specifically, it was predicted that the behavior of an actor who was the focus of attention by virtue of some salient physical attribute would be attributed by observers more to dispositional causes and less to situational causes than would the behavior of a less physically salient actor. The manipulations of physical salience were based upon Gestalt laws of figural emphasis in object perception. They included brightness (Study I), motion (Study II), pattern complexity (Study III), and contextual novelty (Studies IV and V). The results revealed that the salinece of the actors' environments (i.e., the other people present) rather than the salience of the actor him/herself had the most consistent influence on causal attributions. When environmental salience was high, behavior was attributed relatively more situationally than when it was low. Prior research findings are considered in light of the proposition that causal attributions for an actor's behavior vary only with the salience of his/her environment, and additional implications of this phenomenon are suggested. Some ambiguities in the application of Gestalt principles to the perception of people are discussed. 相似文献
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The development of children's dimensional coordination was investigated using kindergarten, second, fourth, and sixth grade subjects (Ages 5, 7, 9, and 11 years, respectively), and an adult sample, by means of a perceptual estimation task requiring the subjects to match in total area a stimulus rectangle to an adjustable square stimulus. The problem was formulated using information integration theory, and the procedures and techniques of functional measurement were used in the analysis. Dimensional coordination was found to develop from a stage of total centration on one dimension to a stage of total decentration with equal weighting applied to both dimensions.Contrary to extant hypotheses, the vertical dimension was not the salient dimension for single dimension centerers. Rather, the spatial axis on which the compared-objects were placed determined the displacement of attention. When this frame of reference effect was controlled, the longer of the two dimensions was the salient dimension for centering subjects. 相似文献
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16.
Carol L. Krumhansl 《Cognitive psychology》1979,11(3):346-374
In this series of experiments, evidence was found for a complex psychological representation of musical pitch. The results of a scaling study, in which subjects judged the similarities between pairs of tones presented in an explicitly tonal context, suggest that musical listeners extract a pattern of relationships among tones that is determined not only by pitch height and chroma, but also by membership in the major triad chord and the diatonic scale associated with the tonal system of the context. Multidimensional scaling of the similarity ratings gave a three-dimensional conical structure around which the tones were ordered according to pitch height. The major triad components formed a closely related cluster near the vertex of the cone; the remaining diatonic scale tones formed a less closely related subset farther from the vertex; and, the nondiatonic tones, still farther from the vertex, were widely dispersed. The results also suggest that, in the psychological representation, tones less closely related to the tonality are less stable than tones closely related to the tonality, and that the representation incorporates the tendency for unstable tones to move toward the more stable tones in time, reflecting the dynamic character of musical tones. In the similarity ratings of the scaling study, tones less related to the tonality were judged more similar to tones more related to the tonality than the reverse temporal order. Furthermore, in a delayed recognition task memory performance for nondiatonic tones was less accurate than for diatonic tones, and nondiatonic tones were more often confused with diatonic tones than diatonic tones were confused with nondiatonic tones. These results indicate the tonality-specific nature of the psychological representation and argue that the perception of music depends not only on psychoacoustic properties of the tones, but also on processes that relate the tones to one another through contact with a well-defined and complex psychological representation of musical pitch. 相似文献
17.
Nancy L. Etcoff 《Brain and cognition》1984,3(4):385-412
Patients with lesions to either the right or left hemisphere and control subjects were asked to judge the similarity of pairs of photographs of a person displaying different emotions, and of pairs of emotion words. The results were submitted to a multidimensional scaling analysis. Right-hemisphere-damaged subjects were found to be more impaired at perceiving facial emotions than were left-hemisphere-damaged subjects or controls, and this impairment was not confined to the perception of a subset of facial emotions nor to judging emotional valence (Pleasantness versus Unpleasantness). Rather, subtle impairments in perceiving a wide range of facial emotions were found, mostly concerning differentiation of the Positive-Negative and Attention-Rejection dimensions, and concerning the strategies the subjects used to make their judgments. The right-hemisphere-damaged subjects performed comparably to controls in their ratings of emotion words, suggesting that their ability to conceptualize emotional states was intact and that their impairment was strictly in the perception of emotion. 相似文献
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Eye movements were recorded as subjects read sentences containing temporary structural ambiguities. In accord with the garden-path theory of sentence comprehension, shorter reading times were found for sentences conforming to certain independently motivated parsing strategies (late closure and minimal attachment) than for comparable sentences which violate these strategies. Further, longer fixation durations were associated with the very first fixation in the region of the sentence which disambiguated the sentence, suggesting that the human sentence-parsing mechanism operates in a rather systematic fashion, immediately computing the structural consequences of fixated material for the analysis of preceding material. The pattern of regressive eye movements did not conform to the view that the parsing mechanism automatically returns to the beginning of the sentence to revise an incorrect analysis of linguistic material nor did it support the view that the parsing mechanism systematically backtracks through the sentence until the source of the erroneous analysis is located. Rather, the pattern of regressions indicated that the parsing mechanism typically engages in selective reanalysis, exploiting whatever information it has available about the type of error it has committed to guide its reanalysis attempts. Finally, it is emphasized that an understanding of the parser's revision procedures is essential to an explanation of why certain linguistic structures cannot be successfully parsed by humans. 相似文献
19.
Thirty-six 3- and 4-year-old children were given a battery of six metalinguistic tasks and two measures of language development: the Peabody Picture Vocabulary Test and a sentence comprehension test. The results clearly showed that the majority of preschoolers were able to make at least some metalinguistic judgments, and that metalinguistic performance improved with age. Furthermore, overall performance on the metalinguistic tasks was significantly correlated with each language measure when the effects of age were partialed out. In contrast, the correlation between age and metalinguistic performance was not significant once the effects of both language measures were partialed out. These data demonstrate that preschoolers' metalinguistic abilities are more extensive than has been previously acknowledged, and that they are closely tied to other aspects of language development at this time. 相似文献
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