The double-edged pen: Omnipotent fantasies in the creativity and addictions of Stephen King

The legendary debate over whether a connection between creativity and addictions exists is one that is shrouded in mystery and intrigue, but also one that continuously returns to the circuitous metaphor of the chicken and the egg. In an effort to better understand nuances in the relationship between creativity and addictions, this paper examines the life of Stephen King, and the omnipotent fantasies from which both his creative processes and addictive behaviours emerged. Since the early twentieth century, psychodynamic thinkers have highlighted omnipotent fantasies as a psychological force driving creative processes as efforts towards personal transformation. Similarly, numerous psychodynamic theories have highlighted omnipotent fantasies as playing a cardinal role in the psychological processes that propel substance abuse. And yet, the construct of omnipotence has yet to be examined as a theoretical bridge to bind such theories of creativity and substance abuse together. While fostering personal meaning and self-transformation when manifested in his creative writing processes, omnipotent fantasies have also lead Stephen King down a precarious path of addictive behaviours. Through a narrative analysis of the life of Stephen King, who has written in great depth about both his creativity and substance abuse, I will illustrate how omnipotent fantasies often shape and foster both healthy, creative processes towards growth and maladaptive, addictive impulses towards self-destruction.     

《周易》与《文心雕龙》研究的回顾与展望

<周易>经传及<易>学对<文心雕龙>产生了很大的影响.多年来,许多专家、学者对这一问题进行了深入的研究,取得了丰硕的成果.本文对其中主要的研究论著作了回顾和评述,并对"<周易>与<文心雕龙>"研究的前景进行探索.     

论“帝乙归妹”与商周联姻无关

本文对“商王帝乙嫁女于周文王”的说法提出质疑,认为《易经》的“帝乙归妹”与《诗经·大明》描写的周文王迎娶“大邦”之女一事无关,不宜将两者联系起来理解并据以说明其他历史问题。     

‘God's hangman’: James VI,the divine right of kings,and the Devil

This article considers James VI and I's treatise on the divine right of kings, The Trew Law of Free Monarchies (1598), in relation to his earlier treatise on witchcraft Daemonologie (1597). James's articulation of divine right kingship not only served to refute the arguments of his former tutor, George Buchanan (1506–1582), and the Jesuit, Robert Persons (1546–1610), but also served as a bulwark against the perceived threat of the supernatural to his rule. James incorporated the ideal of a stoic subject previously put forward in his Daemonologie into the Trew Law, offering a doctrine of non-resistance that both Catholic and presbyterian subjects were expected to follow. The ideal stoic subject would remain firmly in command of their passions, enduring the ‘curses’ of tyranny or of witchcraft without actively seeking relief for their circumstances.     

Ethical leadership resources in southern Africa's Sesotho-speaking culture and in King Moshoeshoe I

The problem addressed in this paper is the need for fresh resources for enhanced ethical leadership in South Africa and elsewhere in Africa. To respond to that problem the paper uses two valuable but insufficiently known sources from the culture of the Sesotho-speaking people of southern Africa, now found in Lesotho and much of South Africa's Free State province. The first one is a set of concepts that pertain to sound human relationships. The second one is Basotho history in the persons of the founding monarch of the Basotho nation, King Moshoeshoe I (ca. 1786–1870) and to a lesser extent his remarkable mentor, Chief Mohlomi (ca. 1720–1815). A final section of this paper draws these sources together into a set of contentions about successful leadership in which ethical quality is seen as paramount.     

Social metrics of song learning

Five metrics of song learning are described for brown-headed cowbirds (Molothrus ater). The intent of these metrics is to capture not only the behavior of the song learner but the social context in which song learning occurs. Playback procedures, observations of mating, and acoustic and functional assessment of song content are combined to yield measures of song potency, functional validity, social dynamics, vocal flexibility, and social reactivity. Taken as a whole, the results revealed by these metrics indicate that males learn to be effective singers by attending to the social consequences of their behavior.     

That <Emphasis Type="Italic">F</Emphasis>

Jeffrey King’s principal objection to the direct-reference theory of demonstratives is analyzed and criticized. King has responded with a modified version of his original argument aimed at establishing the weaker conclusion that the direct-reference theory of demonstratives is either incomplete or incorrect. It is argued that this fallback argument also fails.

ROY SCHAFER: A BEGINNING

The author provides a biographical overview of Schafer's life, culled from his published work and focused primarily on his professional development. This biography is used to demonstrate some of Schafer's central theoretical insights on narrativity and language, and reveals the consistency of his thinking over his long career. A brief discussion of his writing on King Lear provides a bridge between theoretical and biographical material.     

INSIGHT AGONISTES: A READING OF SOPHOCLES'S OEDIPUS THE KING

In this reading of Sophocles's Oedipus the King, the author suggests that insight can be thought of as the main protagonist of the tragedy. He personifies this depiction of insight, calling it Insight Agonistes, as if it were the sole conflicted character on the stage, albeit masquerading at times as several other characters, including gods, sphinxes, and oracles. This psychoanalytic reading of the text lends itself to an analogy between psychoanalytic process and Sophocles's tragic hero. The author views insight as always transgressing against, always at war with a conservative, societal, or intrapsychic chorus of structured elements. A clinical vignette is presented to illustrate this view of insight.