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111.
In this article I show that David Novak's natural law theory precedes his encounter with Judaism. That is to say, the theory is the product of a theological viewpoint consisting of three components—createdness, commandedness, and response—that is then found by Novak in a number of areas of Jewish thought and practice that admit of the same three parts. As a result of this interpretation, I posit that Paul Nahme, who argues for a pragmatic reading of Novak's theory, as well as Martin Kavka and Randi Rashkover, who offer a political understanding of it, do not account for the theological richness and metaphysical basis of Novak's natural law theology.  相似文献   
112.
ABSTRACT

Scholars often analyze houses’ “Jewishness” vis-à-vis Jewish law and rituals. For Dutch Sephardic Jews during the long eighteenth century, however, identity is better understood using a model of rhizome in which “Jewishness” consists of the deliberate interbraiding of multiple traditions. Jewish identity was inextricable from the cultures in which Jews lived. Jewish homes along the Vecht River near Amsterdam exemplify the rhizome model. They embody the same braided pastoral ideal found in eighteenth-century Dutch Sephardic literature and material culture. As Sephardic Jews relocated to Netherlands Antilles, the rhizome present in country houses shifted, taking into account Jews’ new role as slave owners. Thus while buitenplaatsen along the Vecht embraced the Jewish pastoral ideal of a retreat from mercantile life, landhuizen in Curaçao evoked a georgic ideal that channelled the residents’ gaze not on rivers, gardens, and grottos, but on guard stations, slave huts, and enslaved workers. Leisure became redefined as an ability to watch rather than retreat from labour. Taken together, Dutch Jewish country houses along the Vecht and in Curaçao challenge the notion that Jewish material culture has a “single root system.”  相似文献   
113.
Disability dance lays claim to the provocative possibilities of the disabled body, raising profound questions about the politics of art, affect, and embodiment. For scholars of religion, disability dance is a powerful—and as yet unrecognized—site for probing the sacrality and ethics enacted in disability culture. This article brings the biblical tale of Jacob and the angel into conversation with a contemporary performance, “The Way You Look (at me) Tonight,” an intimate duet between choreographer and performer Jess Curtis and Clare Cunningham, an internationally acclaimed dancer who explores the artistry of lived disability experience. Using dance as a hermeneutic invitation to draw out ethical insights into risk, consent, and intimacy, I offer a disability‐sensitive reading of Genesis 32—reading the angel as a body whose presence attests to the brilliant shock of disability difference and probing the psychic and somatic transformation that unfolds when Jacob comes into kinesthetic contact with disability and the sacred.  相似文献   
114.
ABSTRACT

Although the vast majority of modern country houses built or refurbished in the long nineteenth century were owned by non-Jews, Jews owned some of the most magnificent. Thus, these dwellings pose the same question that historians have raised about other aspects of diasporic Jewish practices: Was there anything particularly “Jewish,” about country houses owned by Jews? In this essay I propose a hypothesis – that Jewish country houses were the ideal-type of the modern country house. On the one hand, super-elite Jews took their capital, both cultural and real, their family networks, and their long experience interpreting and navigating the often-hostile worlds in which they found themselves and created country houses that were the model of the genre. On the other hand, I argue that Judaism itself mattered as much as the social and economic positioning of Jews produced by discrimination. Uniquely Jewish conceptualizations, and practices, of home, of time, and of space rendered Jews particularly comfortable with the complex interweaving of public and private intrinsic to the country house.  相似文献   
115.
An analysis of the contemporary moral debate over price gouging can advance multiple readings of the challenging biblical episode which depicts Jacob's purchase of the birthright. Ethical considerations, such as the maximization of welfare, preservation of choice, and promotion of virtue are evaluated and then applied to the biblical text recounting the sale of Esau's birthright. Did Jacob act ethically in his purchase of ravenous Esau's birthright, or did he seize a propitious opportunity to exploit Esau's predicament? Is Esau responsible for spurning his birthright, or was he misled as he claims Jacob had “supplanted me these two times: he took away my birthright; and, behold, now he has taken away my blessing” (Genesis 27:36)? An ethical analysis of Jacob's and Esau's intentions and actions in the transaction uncovers the Bible's position on the sale and on the larger moral debate.  相似文献   
116.
ABSTRACT

In 1835 Nathan Rothschild purchased Gunnersbury Park. Set in only 75 acres, this Regency villa in Ealing, just outside London, was the antithesis of a landed estate. The house remained in the family until 1925. This article argues that the architecture, interior decoration, garden and social use of Gunnersbury Park, although consonant with villa tradition, were shaped by the choices of this Jewish mercantile family, instrumental in Rothschild self-fashioning and their pursuit of acceptance by the social elite. As Gunnersbury evolved to serve the changing needs of successive generations, it invited the outside world in, redefining the family through new interests in sport, the garden and collecting, all nurtured there. Remarkably this acculturation took place within, not outside the Jewish context, the ties of family and religion remaining vital influences. In tracing this social rite of passage, it emerges that by the twentieth century the Rothschilds, now enmeshed in upper-class society, defined themselves not simply as Jews but as British Jews. Gunnersbury Park, neglected in Rothschild historiography, facilitated this transformation while remaining a family home of lasting resonance for all who had known it.  相似文献   
117.
ABSTRACT

This article contributes to the expanding field of trans-Jewish-feminist studies in general, and to the scholarship about Jewish law in particular, by analyzing the ways in which the Reform movement has gradually legitimized transgender people and accepted them fully. Applying Judith Butler's ideas about the heterosexual matrix as an analytical tool, the article demonstrates how the Reform movement, in a slow and gradual process, has left the entire heterosexual matrix behind, although it can be claimed that the process (of leaving behind the heterosexual matrix) has not run all the way to a complete dissolution.  相似文献   
118.
ABSTRACT

At the dawn of the twentieth century, styles synonymous with the French Old Regime were hailed as the epitome of good taste. French fashions from the reigns of Louis XIV, Louis XV, and Louis XVI were an international luxury brand, the proliferation of which seemed to announce the rise of “new money” and transatlantic alliances. This was a defiantly cosmopolitan and opulent mode of building and decorating, which was often dissonant with its immediate surroundings. Taking the example of Oldway Mansion in Devon – created by the American entrepreneur Isaac Merritt Singer in the 1870s and transformed by his son Paris Eugène Singer in the 1890s into a the “Versailles of the West Country” – this article reflects on the elusive but pervasive contribution of Jews to the popularity of French revivalism in the fin-de-siècle. It argues for the entanglement of Jewishness with other national and class identities and insists on considering not just the identity of the patron or the architect, but the wider network of artists, decorators and art dealers who specialized in recreating the elegance of the Old Regime. It explores what role Jewish patrons and art professionals played in disseminating French historicist styles among a dynamic, global elite.  相似文献   
119.
Scott Spector 《Jewish History》2006,20(3-4):349-361
Between the Enlightenment and the Holocaust, a wide range of German-speaking Jewish subjects shared certain assumptions about a problematic associated with being Jewish and living in a non-Jewish German society (and the concomitant process of relative “assimilation”). The categories of identity and culture that undergirded this problematic became part of a shared lexicon of a German-Jewish “identity crisis”—a lexicon that was handed down to the historiography of German Jews that would develop after the community’s destruction. The author of this contribution challenges the validity of some of these categorical assumptions by setting them against the varied background of German-Jewish experience in the nineteenth and twentieth centuries, offering a model of subjectivity (rather than identity) that might allow the historiography to break out of the cyclical repetition in which it currently finds itself. By examining specific exemplars, including Gershom Scholem, Edith Stein, Martin Buber, and others, the author models a reading strategy that would be appropriate for German-Jewish subjectivity.  相似文献   
120.
In 1952, Rabbi Eliezer Yehudah Waldenberg (a member of the Supreme Rabbinical Court of Israel) and Rabbi Ben Zion Meir Chai Uziel (the Rishon LeTziyon and Sephardic Chief Rabbi of Israel) addressed the question of incarceration in a Jewish state according to the halakhic tradition. A generation later, Rabbi Chaim David Halevi the Chief Rabbi of Tel Aviv-Yaffo) also addressed this question. Their approaches shed light on the way we should be thinking about incarceration in general, and the overwhelming problem of the current moment in the United States: mass incarceration.  相似文献   
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