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331.
An analysis of the contemporary moral debate over price gouging can advance multiple readings of the challenging biblical episode which depicts Jacob's purchase of the birthright. Ethical considerations, such as the maximization of welfare, preservation of choice, and promotion of virtue are evaluated and then applied to the biblical text recounting the sale of Esau's birthright. Did Jacob act ethically in his purchase of ravenous Esau's birthright, or did he seize a propitious opportunity to exploit Esau's predicament? Is Esau responsible for spurning his birthright, or was he misled as he claims Jacob had “supplanted me these two times: he took away my birthright; and, behold, now he has taken away my blessing” (Genesis 27:36)? An ethical analysis of Jacob's and Esau's intentions and actions in the transaction uncovers the Bible's position on the sale and on the larger moral debate.  相似文献   
332.
ABSTRACT

In 1835 Nathan Rothschild purchased Gunnersbury Park. Set in only 75 acres, this Regency villa in Ealing, just outside London, was the antithesis of a landed estate. The house remained in the family until 1925. This article argues that the architecture, interior decoration, garden and social use of Gunnersbury Park, although consonant with villa tradition, were shaped by the choices of this Jewish mercantile family, instrumental in Rothschild self-fashioning and their pursuit of acceptance by the social elite. As Gunnersbury evolved to serve the changing needs of successive generations, it invited the outside world in, redefining the family through new interests in sport, the garden and collecting, all nurtured there. Remarkably this acculturation took place within, not outside the Jewish context, the ties of family and religion remaining vital influences. In tracing this social rite of passage, it emerges that by the twentieth century the Rothschilds, now enmeshed in upper-class society, defined themselves not simply as Jews but as British Jews. Gunnersbury Park, neglected in Rothschild historiography, facilitated this transformation while remaining a family home of lasting resonance for all who had known it.  相似文献   
333.
ABSTRACT

This article contributes to the expanding field of trans-Jewish-feminist studies in general, and to the scholarship about Jewish law in particular, by analyzing the ways in which the Reform movement has gradually legitimized transgender people and accepted them fully. Applying Judith Butler's ideas about the heterosexual matrix as an analytical tool, the article demonstrates how the Reform movement, in a slow and gradual process, has left the entire heterosexual matrix behind, although it can be claimed that the process (of leaving behind the heterosexual matrix) has not run all the way to a complete dissolution.  相似文献   
334.
ABSTRACT

This article assesses some recurrent criticisms based on respect for traditional culture levelled at artworks that thematise non-heteronormative gender positionalities in South Africa. More specifically, it reconsiders the stormy, local reception of the South African movie Inxeba (The Wound), a queer love story set in the context of the male initiation rites of the Xhosa community. The article focuses on criticisms of the movie based on the alleged misrepresentation and misappropriation of indigenous cultural practices. It aims to reflect on the complicated knot of problems that queer artists and activists have to navigate in South Africa, including entrenched heteronormative traditions, but also multiculturality and racial privilege. New ways of negotiating these problems are proposed through the development of a more complex topographical account of the intersections of multiple forms of marginality, as well as through the application of multiculturalist theories regarding ways to assist oppressed minorities in traditional cultures.  相似文献   
335.
ABSTRACT

At the dawn of the twentieth century, styles synonymous with the French Old Regime were hailed as the epitome of good taste. French fashions from the reigns of Louis XIV, Louis XV, and Louis XVI were an international luxury brand, the proliferation of which seemed to announce the rise of “new money” and transatlantic alliances. This was a defiantly cosmopolitan and opulent mode of building and decorating, which was often dissonant with its immediate surroundings. Taking the example of Oldway Mansion in Devon – created by the American entrepreneur Isaac Merritt Singer in the 1870s and transformed by his son Paris Eugène Singer in the 1890s into a the “Versailles of the West Country” – this article reflects on the elusive but pervasive contribution of Jews to the popularity of French revivalism in the fin-de-siècle. It argues for the entanglement of Jewishness with other national and class identities and insists on considering not just the identity of the patron or the architect, but the wider network of artists, decorators and art dealers who specialized in recreating the elegance of the Old Regime. It explores what role Jewish patrons and art professionals played in disseminating French historicist styles among a dynamic, global elite.  相似文献   
336.
Scott Spector 《Jewish History》2006,20(3-4):349-361
Between the Enlightenment and the Holocaust, a wide range of German-speaking Jewish subjects shared certain assumptions about a problematic associated with being Jewish and living in a non-Jewish German society (and the concomitant process of relative “assimilation”). The categories of identity and culture that undergirded this problematic became part of a shared lexicon of a German-Jewish “identity crisis”—a lexicon that was handed down to the historiography of German Jews that would develop after the community’s destruction. The author of this contribution challenges the validity of some of these categorical assumptions by setting them against the varied background of German-Jewish experience in the nineteenth and twentieth centuries, offering a model of subjectivity (rather than identity) that might allow the historiography to break out of the cyclical repetition in which it currently finds itself. By examining specific exemplars, including Gershom Scholem, Edith Stein, Martin Buber, and others, the author models a reading strategy that would be appropriate for German-Jewish subjectivity.  相似文献   
337.
In 1952, Rabbi Eliezer Yehudah Waldenberg (a member of the Supreme Rabbinical Court of Israel) and Rabbi Ben Zion Meir Chai Uziel (the Rishon LeTziyon and Sephardic Chief Rabbi of Israel) addressed the question of incarceration in a Jewish state according to the halakhic tradition. A generation later, Rabbi Chaim David Halevi the Chief Rabbi of Tel Aviv-Yaffo) also addressed this question. Their approaches shed light on the way we should be thinking about incarceration in general, and the overwhelming problem of the current moment in the United States: mass incarceration.  相似文献   
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