Margolis Looks at the Arts

This paper examines the early aesthetic writings of Joseph Margolis from the late 1950s to the mid-1960s in order to argue for the relevance of these works in understanding Margolis’s later, more well-known views in the philosophy of art. Specifically, the paper addresses Margolis’s early essays on the definition and ontology of art and aesthetic perception. These essays not only show Margolis engaged in the most significant debates in mid-century analytic aesthetics but also provide important indications of the limitations of that approach to thinking about the arts that informs the development of Margolis’s later cultural realism.     

审美的测量:美术能力倾向测验的回顾与展望

美术能力倾向测验对美术人才的识别和选拔具有重要意义。现有测验可分为审美能力测量和艺术创作能力测量两种,其中审美能力测量的测验又可以分为审美判断测验和判断后选择判断理由的两种形式。但以往研究缺乏对审美知觉能力维度的实证研究、没有区分“主观美”和“客观美”,以及缺乏对各类型美术能力倾向测验效度的比较研究。未来可加深对审美知觉能力维度的实证研究,开发多类型美术能力判断测验并比较其效度,开发适用于小学生的美术能力倾向测验,以及开发适合我国国情的美术能力倾向测验。     

Peut-on réverser avant thrombolyse ? Que ferait le juge face à un infarctus cérébral ?

In an unpacified and somehow violent world, the judge is more and more advised to handle technical and often urgent cases. Committed to judge, the magistrate fulfilled its own mission disregarding the tempo of the uncommon life-threatening emergency. Considering the acute stroke for being one of the most important complications of atrial fibrillation shows how frail and uneasy is for the judge to build its decisions over a large amount of laws. In the case of an anticoagulated patient suffering an ischemic stroke, the practitioner is able to embrace a wide bunch of treatments leading to myriads of effects and modulating the medical responsibility. Adding up deontological aspects, ethics, scientific data (techniques and technology) to summarize medical engagement which stands just aside new patients’ rights leads to consider further the particular functional link between the patient, his disease, his physician and their judge.     

Good writers,bad Jews: the “Jewish Question” among Hungarian Jewish intellectuals of the interwar period

This paper investigates the perceived place of the Jewish writer in interwar Hungarian Jewish literature. Post-World War I Hungary suffered from the effects of a short-lived communist regime, and the Trianon Treaty by losing two-thirds of its territories and more than half of its population. Though previously Jewish communities had thrived in the country, these events caused resentment that manifested itself in the creation of anti-Semitic laws in 1920. Within this new context, assimilated liberal young Jewish writers posed the question of “what is a Jew,” reflecting on their Jewishness and Hungarianness at the same time and pondering about the value of each. They answered the question in their creative works, where they indirectly explored issues such as whether Jews are able to write Hungarian novels or whether only a Hungarian can do so; whether Jewish Hungarians could write Hungarian Jewish novels; whether Hungarianness and Jewishness are compatible or whether writing literature is preconditioned on identity. Through the lens of Aladár Komlós, this paper examines the way in which liberal and assimilated young Hungarian Jewish writers interpreted their place in Hungarian culture and society within the framework of these questions.     

Activist Theatre: The Effects of Community Performance on System Justification and Willingness to Engage in Activism

System justification is a motivation to legitimize the status quo that disables individuals from changing oppressive social systems. Community performance has long been used as a tool to illuminate and challenge such systems of power. The goal of the present study was to provide an empirical test of the effectiveness of community performance in the context of gender‐based oppression. Specifically, the present study tested whether a community performance could decrease audience members' system justification and increase intentions to engage in collective and virtual action to correct these oppressive systems. The performance consisted of 18 community‐created pieces performed by 11 actresses before an audience of 165 members of the college and local communities across three days. A total of 153 audience members participated in the study. Results indicated that a 50‐min performance reduced system justification while increasing willingness to take collective and virtual‐based action. Limitations and implications are discussed. Copyright © 2016 John Wiley & Sons, Ltd.     

Visible/invisible Herzl. The meaning of portrait and the quest for aniconism

At the end of the nineteenth century Theodore Herzl presented ideas that would embrace the visual arts in order to promote the new Zionist movement. Art was to play an important role in forming Zionist awareness, with Herzl's image expressing the ideas, as well as personifying Zionism and the Jews. However, a part of the Jewish religious community could not come to terms with the fact that Western European art had found its way into Jewish culture, therefore all debates on all visual aspects of Zionism were based on aniconism. This is why, some images of Herzl try to avoid direct visualization of the face, the most notable examples being profile pictures, silhouette images, micrographics, presenting him from behind or in dim light. All these modes of incomplete representation found their justification in traditional Jewish texts relating to the visual arts.     

Let sacred buildings speak: Durham Cathedral and the Jerusalem Temple

This article uses a comparison between Durham Cathedral and the Temple at Jerusalem to argue for the ability of sacred buildings to exercise a religious role in their own right. Although obviously initially dependent on human action for their existence, when built they can then, it is argued, take on a life of their own. While negative influences are frequently noted, here it is positive dimensions that are stressed: first, in respect of experiences of the divine; then, secondly, of their ability to encourage learning from outside the specific faith context; before, thirdly, note is taken of their potential to encourage appropriate moral and political action. Finally, a response is offered to the common objection to such positive evaluation based on the alleged indifference of the early church to sacred buildings.     

Ethnic Identity in Jewish Families

Forty-eight Jewish families living in Central New York were interviewed about the development of their ethnic identity. Within each family, parents and children were asked about how they developed their ethnic identity to explore qualitatively how Jewish identity shapes and influences family dynamics. The semi-structured family interviews were coded using a constant comparison methodology. Seven qualitative categories emerged (gendered decisions, negotiating continuity, family of origin, survivors, active learning, traditions, and cultural religion). Jewish identity formation in families and the implications for clinical practice are explored.     

Psychoanalysis,science, and art: Aesthetics in the making of a psychoanalyst1

This paper critically examines the relationship of psychoanalysis to science and art. Its point of departure is Michael Rustin's theorizing. Specifically, in considering the possibility of a psychoanalyst's having an aesthetic orientation, the author analyses: 1) the difficulty of there being any connection between psychoanalysis and science because science's necessarily presupposed subject‐object dichotomy is incompatible with transference, which, beginning with Freud, is basic to psychoanalysis; 2) the complex relationship between psychoanalysis and aesthetics using Maurice Merleau‐Ponty's philosophical perspective as well as Luigi Pareyson's theory of aesthetics; 3) the Kantian foundations of the psychoanalytic notion of art as the ‘containing form of subjective experience’ 4) intersubjectivity, without which clinical practice would not be possible, especially considering matters of identity, difference, the body, and of sensory experience such as ‘expressive form’; 5) the relationship of psychoanalysis and art, keeping in mind their possible convergence and divergence as well as some psychoanalysts' conceptual commitment to classicism and the need for contact with art in a psychoanalysts's mind set.     

外科决策的理念、技巧与艺术

影响外科决策的因素很多,每个因素都存在不确定性。在这诸多不确定中作出正确的决、策绝非易事。本文提出决策者要有正确的理念,要具备八个要素,要掌握决策的技巧与艺术,才能做好外科决策。为了便于理解,以一个决策案例来说明上述这些问题。