On the Emotions

Art historians and philosophers often talk about the interpretive significance of titles, but few have bothered with their historical origins. This omission has led to the assumption that an artwork's title is its proper name, since names and titles share the essential function of facilitating reference to their bearers. But a closer look at the development of our titling practices shows a significant point of divergence from standard analyses of proper names: the semantic content of a title is often crucial to the identification, individuation, and interpretation of its associated artwork. This paper represents a first step towards an empirically centred study of our titling practices. I argue that, in order to accept titles as proper names, we must first recognize the social, rather than the referential, function of naming.     

Regina Jonas: forgetting and remembering the first female rabbi

Regina Jonas (1902–44), who was ordained in Germany in 1935, is now widely recognised as the world's first female rabbi. However, for almost 50 years after her death at Auschwitz in 1944, she was given very little, if any, public recognition. Based on archival research, interviews and critical engagement with secondary literature, this paper investigates a range of explanations why Jonas was nearly lost to historiography. It also considers the circumstances of the rediscovery of this controversial figure in the early 1990s and explores how she is remembered today. This paper raises important issues in relation to historiography and the connection between processes of remembering, forgetting and identity formation, particularly in relation to the history of the ordination of female rabbis and the history of Jewish communities in Germany.     

The theme of love in Henrik Pontoppidan's Nattevagt (Night watch) and other short novels

The subject of love may not seem an appropriate topic of scientific discourse, for we prefer turning to poetry to learn something meaningful about love. Nonetheless, we find three texts on the subject in Freud's work, all of which underline an internal division in love. He discussed the contrast between the affectionate and sensual aspects of love, while Lacanian writers have supplemented by pointing to the division between pleasure and desire. This article illustrates these concepts with cases taken from the Danish author Henrik Pontoppidan, one of the most prominent Danish writers from the turn of the 19^th century. He is well-known for his novels and for his short novels. One of these, Nattevagt, from 1894, has been read by critics as a marital conflict between the painter Jørgen Hallager and his fragile wife Ursula Branth, who succumbs to the brutality of her husband. The author supplements this simple version of the story with aspects made visible through the idea of an internal division in sexuality, which Freud elaborated into his theory of the death drive around 1920. By way of introduction, a few words are said about Pontoppidan, focusing on the theme of love in his short novels. Following is a brief summary of the plot of Nattevagt. Finally a more detailed reading of the dialogue between the two protagonists, Jorgen and Ursula, opens the way for a psychoanalytic interpretation of the tragic outcome of their love.     

Focusing and Expressive Arts Therapy as a Complementary Treatment for Women with Breast Cancer

Abstract

This pilot study (N = 18) explored the effectiveness of focusing and expressive arts therapies intervention on the quality of life of women with breast cancer. The format was a 2-day (7 hours per day) retreat/support group in which complementary treatments (focusing, writing, art, and movement) were provided in an intensive format. Our hypothesis was that an integrated approach of multimodal expressive arts therapy would result in improvements in several measures of the participants' qualities of life. There was a 6-week post-group follow-up telephone interview, during which several participants reported positive results. This suggests that the intervention was beneficial.     

Symbols of Diaspora Jewish identity: An international survey and multi-dimensional analysis

Symbols are important in representing religious and ethnic identity, particularly in the postmodern age. Using a case study of Jewish adolescents, this article explores the use of symbols in expressing identity. A structural typology of symbols is developed, based on responses to a list of 20 symbols of Jewish identity by over 40,000 Jewish youth from around the world, who were surveyed during educational tours to Israel. The multi-dimensional smallest space analysis (SSA) technique is used to develop the typology by graphically representing the correlations between the symbols. Symbols representing the struggle of the weak against the strong are at the core of the typology. This core is surrounded by sets of symbols related to religion, family, Israel, the Holocaust, justice, and contribution to world culture. A parallel centre–periphery structure indicates that people are more central symbols than places or objects. Sub-populations of self-defined “religious” and “non-religious” Jewish youth are compared in relation to this typology of symbols by introducing them into the SSA as “external variables”. Applications of the typology of symbols to other ethnic and religious groups are explored.     

Psychoanalysis as a creative shaping process2

The author first explains the concepts of creativity, play and aesthetic experience. He then outlines the psychoanalytic process as a creative one that shapes reality. Making a link between psychoanalysis and the humanities, he demonstrates that creative play is a fundamental aspect of the human experience of reality. Aesthetic experiences during the psychoanalytic process are comparable to the play by which children structure their world and artists' activity in following their urge to shape. Furthermore it is shown that creative actualisation testifies to a quasi‐biological need for coherence and structure. Through modern hermeneutics, the truth claims of aesthetic shaping can be established in epistemological terms. The basic principles of hermeneutics‐historicity, linguisticity and communicative experience‐find their psychoanalytic counterparts in memory, representational shaping and transference‐countertransference. Psychoanalysis is demonstrated to be simultaneously a science and an art. On the basis of a case history, aesthetic experience is shown to constitute a specific and unique form of access to psychic reality. Aesthetic experience and creativity do not only aid recovery from ‘bad psychological states’, they are also indispensable for the entire understanding of internal and external reality. It is possible to develop this understanding through a creative psychoanalytic attitude.     

Dreaming woman: Image,place, and the aesthetics of exile

Looking closely at an Argentine dream interpretation column published in a popular women's magazine from 1948 to 1951, this article examines the role of the dream image in shaping psychoanalytic discourse on femininity and national identity. The column, ‘Psychoanalysis Will Help You,’ emerged during Juan Domingo Perón's first presidency, featuring verbal interpretations written under the pen name ‘Richard Rest,’ as well as surreal photomontages by Grete Stern, a German‐born, Bauhaus‐trained photographer living in exile since 1936. While the column's Jungian text encourages readers’ adaptation to the external reality of their social situation, Stern's droll images emphasize the disjuncture between subject and environment, exposing tensions between the experience of exile and the Peronist mission to consolidate an Argentine national identity. Experimenting formally with European avant‐garde techniques, Stern presents femininity and nation as conflictive imaginary configurations. This theme resurfaces at the 2013 Venice Biennale, where Nicola Costantino's multimedia installation Eva – Argentina: A Contemporary Metaphor was exhibited alongside Carl Jung's Red Book. Formal contrasts between Stern's use of photomontage, Costantino's projection technique, and Jung's theory of mandala symbolism indicate the divergent ways in which their artwork posits the therapeutic function of the dream image, as well as the role of aesthetic production in psychoanalytic care.     

A Return to Musical Idealism

In disputes about the ontology of music, musical idealism—that is, the view that musical compositions are ideas—has proven to be rather unpopular. We argue that, once we have a better grip on the ontology of ideas, we can formulate a version of musical idealism that is not only defensible, but plausible and attractive. We conclude that compositions are a particular kind of idea: they are completed ideas for musical manifestation.     

Prevalence and correlates of tattooing in Norway: A large‐scale cross‐sectional study

To our knowledge, no previous large‐scale study has examined the prevalences and correlates of having only easily concealed tattoos, or readily visible tattoos. We conducted an exploratory online survey in Norway asking 15,654 (6,151 females) persons aged 16–91 (m = 33.65 ± 12.27) about various demographic, sports, substance use, mental health, personality, and tattooing questions. The estimated prevalence of tattooing was 20.8% (females: 23.8%, males: 17.9%), of which 13.3% had readily visible tattoos. Results of multivariate logistic regression analysis indicated that females, being older than 19 years, higher body mass index, lifetime anabolic‐androgenic steroid use (AAS), and higher scores on extraversion were associated with higher odds of having a tattoo. Factors associated with higher odds of having only easily concealed tattoos were being 40–49 (versus those ≤ 19) years old, being only high school or tertiary (versus being only primary school) educated, often or not (versus always) exercising in a gymnasium, and high scores on agreeableness. Females, and higher scores on extraversion and neuroticism were associated with higher odds of having at least one readily visible tattoo. Our findings delineate the significance of demographic variables, gymnasium exercise, AAS, and personality in the practice of tattooing.