The Last Will and Testament in Literature: Rupture,Rivalry, and Sometimes Rapprochement from Middlemarch to Lemony Snicket

Although the psychological literature on the last will and testament is sparse, authors of fiction and memoir have filled the gap, writing in rich detail about the impact of wills on families. Henry James, George Eliot, J. R. Ackerley, and others reveal that a will is not only a legal document but a microcosm of family life: a coded and nonnegotiable message from the will's writer to its intended readers, the heirs, delivered at a stressful time and driving home the truth that options for discussion between testator and heirs are now gone, all factors which may intensify the ambivalence of grief and stall its resolution. Among the problems the authors chronicle: reinvigorated sibling rivalries, vindictive testators, and the revelation of traumatic family secrets. Writers also demonstrate how contemporary social factors, such as divorce, second families, and geographic distance between family members, may complicate wills and ensuing family relations. Exemplary wills, or will‐like documents, appear in fiction by Maria Katzenbach and Marilynne Robinson, allowing the living to make rapprochements with the dead, and pointing to testamentary strategies clinicians might develop to lead to a resolution of grief. The depth of these writers' accounts allows clinicians to imagine points at which they might productively intervene in matters pertaining to a will.     

理雅各宗教思想中的中西融合倾向

伦敦会传教士、汉学家理雅各(1815-1897)受其家乡苏格兰的神学思想和非国教家庭背景的影响而产生了独立、开放的宗教意识。尽管他以自身的信仰为本位,但在对中国文化的诠释和评价上表现出了明显的中西宗教融合的倾向,这使他在西方传教士中处于颇为孤立的境地。     

双螺旋的发现与生物学的统一

双螺旋的发现和遗传密码的破译是20世纪激动人心的大事。在生物学的这个发展过程中,洛克菲勒基金会对应用物理学方法研究分子生物学问题的资助以及大批物理学家向生物学的转移对分子生物学的发展起到了重要的推动作用。选择战略性的课题,善于学习和鉴别已有的研究成果,站在巨人的肩上,是沃森和克里克成功的关键。双螺旋的发现不仅揭示了遗传的奥秘,而且促进了生物学的统一。     

To feel is to know relations: James' concept of stream of thought and contemporary studies on procedural knowledge

The theory of William James concerning the temporal and dynamic nature of mind is analyzed as implying that thought is a flow of subjective experience that belongs to the material flow of living beings, and therefore, that knowledge is primarily affective and practical rather than declarative and contemplative. In this context, we will discuss contemporary theory and research relevant to the discussion about declarative and procedural knowledge, with the focus on a literature review in the neurosciences of knowledge. Then we reconstruct James' theory of mind as flow, in terms of relatedness, feeling, and temporality of experience. The Principles suggest that declarative knowledge is not independent, but derived and supported by a more basic knowledge that is both procedural and affective in nature. Finally, we discuss possible lesson for nowadays efforts to develop a dynamic account of the procedural nature of knowledge.     

“Our Fellow Creatures”

This paper defends “moral individualism” against various arguments that have been intended to show that membership in the human species or participation in our distinctively human form of life is a sufficient basis for a moral status higher than that of any animal. Among the arguments criticized are the “nature-of-the-kind argument,” which claims that it is the nature of all human beings to have certain higher psychological capacities, even if, contingently, some human beings lack them, and various versions of the idea that there is a special form of life that all human beings share but of which no animal can be a full participant. The paper concludes that none of these arguments succeeds in demonstrating that there are moral reasons to permit animals to be treated less well than members of our own species whose psychological capacities and potential are no higher than those of the animals.     

A Process Interpretation of Daoist Thought

Despite the fact that the Dao De Jing道德經 is one of the mos frequently translated texts in history,most of these translations share certain unexamined and problematic assumptions which often make it seem as though the text is irrational,incoherent,and full of non sequiturs.Frequently,these assumptions involve the imposition of historically anachronous,linguistically unsound,and philosophically problematic categories and attitudes onto the text.One of the main causes of the problem is the persistent tendency on the part of most translators to read the first line of the text as referring to or implying the existence of some kind of "eternal Dao." These are what I term "ontological "readings,as opposed to the "process" reading I will be articulating here.     

Faint voices from Greenwich Village: Jung's impact on the first American avant-garde

In 1913 Jung made a trip to New York which was to have an important impact on the creation of modern American culture. At the invitation of Beatrice Hinkle, the first Jungian analyst in the country, he spoke to the Liberal Club, a forum for discussing progressive topics. Jung was the leading spokesman for psychoanalysis and his ideas about creative fantasy resonated with popular interest in the ideas of William James and Henri Bergson. This paper will document that visit and the influence that Hinkle had on the young people who had gravitated to Greenwich Village. She promoted Jungian psychology through her analytical practice and her translation of Jung's Wandlungen und Symbole der Libido as Psychology of the Unconscious. Her influence is evident in four key neighbourhood institutions: The Masses, a socialist magazine, The Seven Arts, an avant-garde literary magazine, the Provincetown Players theatre ensemble, and the Heterodoxy Club, America's first feminist group. Her influence is also evident at The New School where several pioneering anthropologists employed the theory of psychological types as a tool for understanding social behaviour. This paper will demonstrate that a cultural moment usually seen through a Freudian lens had, in fact, a remarkably Jungian character.     

The Passing of Creativity: Two Histories: James Ensor and Arthur Rimbaud

This essay explores the passing of creativity in James Ensor, the artist and Arthur Rimbaud, the poet. The former was burnt out by his thirty-fifth year. The latter abandoned poetry at age nineteen. I argue that in both men, their art was driven by revengeful needs; Ensor never transcended that imperative; Rimbaud had said it all and quit the field.     

Toni Wolff-James Kirsch correspondence

This paper draws on the letters between Toni Wolff and James Kirsch from 1929-1933 and from 1949-1953 to highlight some aspects of Toni Wolff's relationship with her superviser and former analysand, James Kirsch. Her personality, her approach to her work as analyst, and her relationship with Jung and with colleagues are illustrated with selected quotes from the correspondence.