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111.
本研究考察了50~80岁说普通话的中老年人对普通话声调T2—T4的范畴化感知表现,探究影响声调范畴化感知老化的因素。采用经典范畴感知范式。结果显示,(1)中老年组所有年龄段(50~60岁、60~70岁、70~80岁)的范畴边界宽度都显著大于年轻组,但中老年组间差异不显著。(2)中老年人范畴边界宽度与记忆广度测试得分呈显著负相关,而与年龄的相关性不显著。(3)和年轻组相比,中老年组范畴内识别函数的斜率差异显著,而范畴间差异不显著。结果表明,中老年人声调感知范畴化程度下降,音系层面的加工能力发生衰退,记忆广度的衰退与声调范畴化感知老年化之间存在关联。此外,50到80岁间,年龄不会直接影响声调感知范畴化程度。  相似文献   
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This study investigated whether and how a person's varied series of lexical categories corresponding to different discriminatory characteristics of the same colors affect his or her perception of colors. In three experiments, Chinese participants were primed to categorize four graduated colors—specifically dark green, light green, light blue, and dark blue—into green and blue; light color and dark color; and dark green, light green, light blue, and dark blue. The participants were then required to complete a visual search task. Reaction times in the visual search task indicated that different lateralized categorical perceptions (CPs) of color corresponded to the various priming situations. These results suggest that all of the lexical categories corresponding to different discriminatory characteristics of the same colors can influence people's perceptions of colors and that color perceptions can be influenced differently by distinct types of lexical categories depending on the context.  相似文献   
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How are accuracy and assumed similarity associated in first impressions of personality? In a large-scale video perception study, accuracy and assumed similarity were strongly negatively associated across traits, consistent with past research (e.g., Beer & Watson, 2008). However, across perceivers and perceiver-target dyads, the ability to perceive others accurately was independent of the tendency to assume similarity with others. Thus, viewing others in general or specific others as overly similar to the self does not imply viewing them inaccurately. In sum, accuracy and assumed similarity are inversely related when examined across traits but are independent across perceivers and dyads.  相似文献   
116.
In social dilemmas, negotiations, and other forms of strategic interaction, mind-reading—intuiting another party’s preferences and intentions—has an important impact on an actor’s own behavior. In this paper, we present a model of how perceivers shift between social projection (using one’s own mental states to intuit a counterpart’s mental states) and stereotyping (using general assumptions about a group to intuit a counterpart’s mental states). Study 1 extends prior work on perceptual dilemmas in arms races, examining Americans’ perceptions of Chinese attitudes toward military escalation. Study 2 adapts a prisoner’s dilemma, pairing participants with outgroup targets. Study 3 employs an ultimatum game, asking male and female participants to make judgments about opposite sex partners. Study 4 manipulates perceived similarity as well as counterpart stereotype in a principal–agent context. Across the studies, we find evidence for our central prediction: higher levels of perceived similarity are associated with increased projection and reduced stereotyping.  相似文献   
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Iacobucci (2012) provides a conceptually appealing, readily implemented measure to assess mediation for a far wider range of data type combinations than traditional OLS-based analyses permit. Here, we consider potential applications and extensions along several lines, particularly in terms of random utility models, simulation-based estimation, and potential nonlinearities, as well as some methodological and cultural impediments.  相似文献   
118.
方燕红  张积家 《心理学报》2013,45(5):523-537
采用基本水平命名和类别水平命名任务, 通过2个实验, 考察了图-词之间的语义相似性与类别大小对图-词干扰范式下语义效应的影响。实验1发现, 图片命名时间在语义相似性高的干扰词条件下显著快于在语义相似性低的干扰词条件下, 但这种效应只出现在基本水平命名任务中, 未出现在类别水平命名任务中。图-词之间的语义相似性高低对低熟悉图片命名影响大, 对高熟悉图片命名影响小。实验2显示, 语义关联的干扰词对图片的基本水平命名产生了语义干扰效应, 对图片的类别水平命名产生了语义促进效应。类别大小强化了语义效应:类别大, 图片的基本水平命名的语义干扰效应更大, 图片的类别水平命名的语义促进效应更强。整个研究表明, 图-词之间的语义关联的强度影响语义效应的方向, 图-词之间的语义关联的广度影响语义效应的强弱。需要结合多种理论来解释图-词之间的语义相似性和类别大小对图-词干扰范式下语义效应的影响。  相似文献   
119.
This study addressed the question of how artists differ from non-artists in visual cognition. Four perception and twelve drawing tasks were used. Artists outperformed non-artists on both kinds of tasks. Regression analyses revealed common visual processes in the two kinds of tasks and unique variance in the drawing tasks. The advantage of artists over non-artists was apparently in the way they perceptually analysed as well as in how they drew. The perceptual advantage seems to be closely linked to the activity of drawing and is discussed with reference to artists' extensive experience in visual interaction with objects and images during drawing. Artists appear to be more proficient at using visual analytic procedures that are qualitatively similar to those of novices, unlike experts in many other domains.  相似文献   
120.
Rachael E. Jack 《Visual cognition》2013,21(9-10):1248-1286
With over a century of theoretical developments and empirical investigation in broad fields (e.g., anthropology, psychology, evolutionary biology), the universality of facial expressions of emotion remains a central debate in psychology. How near or far, then, is this debate from being resolved? Here, I will address this question by highlighting and synthesizing the significant advances in the field that have elevated knowledge of facial expression recognition across cultures. Specifically, I will discuss the impact of early major theoretical and empirical contributions in parallel fields and their later integration in modern research. With illustrative examples, I will show that the debate on the universality of facial expressions has arrived at a new juncture and faces a new generation of exciting questions.  相似文献   
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