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Research demonstrates that within‐category visual variability facilitates noun learning; however, the effect of visual variability on verb learning is unknown. We habituated 24‐month‐old children to a novel verb paired with an animated star‐shaped actor. Across multiple trials, children saw either a single action from an action category (identical actions condition, for example, travelling while repeatedly changing into a circle shape) or multiple actions from that action category (variable actions condition, for example, travelling while changing into a circle shape, then a square shape, then a triangle shape). Four test trials followed habituation. One paired the habituated verb with a new action from the habituated category (e.g., ‘dacking’ + pentagon shape) and one with a completely novel action (e.g., ‘dacking’ + leg movement). The others paired a new verb with a new same‐category action (e.g., ‘keefing’ + pentagon shape), or a completely novel category action (e.g., ‘keefing’ + leg movement). Although all children discriminated novel verb/action pairs, children in the identical actions condition discriminated trials that included the completely novel verb, while children in the variable actions condition discriminated the out‐of‐category action. These data suggest that – as in noun learning – visual variability affects verb learning and children's ability to form action categories.  相似文献   
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Crossed categorization studies investigate intergroup attitudes in situations when two categorization dimensions are simultaneously salient, often looking at artificial groups in laboratory settings. The current study tests (a) patterns of evaluation in crossed categorization scenarios when more than two real-life categorization dimensions are crossed, and (b) the moderating role of identity importance. We conduct a factorial survey experiment with a diverse sample (N = 524), crossing eight categorization dimensions. The results provide strong support for the additive pattern of crossed categorization, challenging the view that with an increased number of categories category-based information processing will not be used. Identity importance predicts the strength of intergroup bias only on the dimension of religion, which was the dominant dimension in this sample. The study contributes to multiple and crossed categorization literature by testing some of its key assumptions using a design that increases the ecological validity of the findings.  相似文献   
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Accumulating evidence suggests that there is a spontaneous preference for numerical, compared to non-numerical (e.g., cumulative surface area), information. However, given a paucity of research on the perception of non-numerical magnitudes, it is unclear whether this preference reflects a specific bias towards number, or a general bias towards the more perceptually discriminable dimension (i.e., number). Here, we found that when the number and area of visual dot displays were matched in mathematical ratio, number was more perceptually discriminable than area in both adults and children. Moreover, both adults and children preferentially categorized these ratio-matched stimuli based on number, consistent with previous work. However, when number and area were matched in perceptual discriminability, a different pattern of results emerged. In particular, children preferentially categorized stimuli based on area, suggesting that children's previously observed number bias may be due to a mismatch in the perceptual discriminability of number and area, not an intrinsic salience of number. Interestingly, adults continued to categorize the displays on the basis of number. Altogether, these findings suggest a dominant role for area during childhood, refuting the claim that number is inherently and uniquely salient. Yet they also reveal an increased salience of number that emerges over development. Potential explanations for this developmental shift are discussed.

Research Highlights

  • Previous work found that children and adults spontaneously categorized dot array stimuli by number, over other magnitudes (e.g., area), suggesting number is uniquely salient.
  • However, here we found that when number and area were matched by ratio, as in prior work, number was significantly more perceptually discriminable than area.
  • When number and area were made equally discriminable (‘perceptually-matched’), children, contra adults, spontaneously categorized stimuli by area over number (and other non-numerical magnitudes).
  • These findings suggest that area may be uniquely salient early in childhood, with the previously-observed number bias not emerging until later in development.
  相似文献   
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The present research examines the extent to which the recognition of creative performance is structured by social group membership. It does this by analysing the award of merit prizes for Best Actor and Actress in a Leading Role for the international award of US‐based Oscars and British‐based BAFTAs since BAFTA's inception of this category in 1968. For both awards, the exclusive assessment criterion is the quality of artists’ performance in the international arena. Results show that US artists won a greater proportion of Oscars than BAFTAs (odds ratio: 2.10), whereas British artists won a greater proportion of BAFTAs than Oscars (OR: 2.26). Furthermore, results support the hypothesis that these patterns are more pronounced as the diagnostic value of a quality indicator increases – that is, in the conferring of actual awards rather than nominations. Specifically, US artists won a greater proportion of Oscar awards than nominations (OR: 1.77), while British artists won a greater proportion of BAFTA awards than nominations (OR: 1.62). Additional analyses show that the performances of in‐group actors in movies portraying in‐group culture (US culture in the case of Oscars, British culture in the case of BAFTAs) are more likely to be recognized than the performances of in‐group actors in movies portraying the culture of other (out‐)groups. These are the first data to provide clear evidence from the field that the recognition of exceptional creative performance is enhanced by shared social identity between perceivers and performers.  相似文献   
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