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11.
Because fragmentary evidence linking outstanding intellectual achievement to Protestant and Jewish family background has left unclear how far any general relationship between religious background and historical creativity holds across arts and sciences, the relative fruitfulness of western religious traditions was explored by regression analysis on a data-base of nearly 1,400 notable 19th and 20th century achievers in six science-related and three arts domains.It was hypothesized that (1) religious traditions are each equipotential across countries, national totals of exceptional achievers in any domain depending simply on the numerical strength of each tradition; (2) Protestant fruitfulness is greater in the sciences, Catholic in the arts and (3) differences will have declined over time.The first two hypotheses were confirmed. More variance was explained by Protestant and Catholic totals separately than by overall population size and Protestant fractions were more productive in all sciences than Catholic, which fared better in the arts. However, no reduction was found in these differences over time. Jewish fractions showed the highest incidence of creativity, but less equipotentiality and no general arts–science difference.It is concluded that creativity in arts and sciences depends strongly on increasingly hidden cultural roots in western society.  相似文献   
12.
David R. Breed 《Zygon》1990,25(4):469-491
Abstract. This second installment from the author's book-length study of Ralph Wendell Burhoe's life and thought details the background of the establishing of the Institute on Religion in an Age of Science in 1955 and its intellectual rationale. A group of clergy from the Coming Great Church Conference and scientists who were members of the Committee on Science and Values of the American Academy of Arts and Sciences came together to form the new Institute on Star Island, off the coast of Portsmouth, New Hampshire. From the beginning, with the guidance of Burhoe, the chief concern of these scientists and clergy was the need to regenerate a contemporary civilization that was on the brink of danger due to its inability to discipline its own burgeoning scientific and technological prowess. Revitalizing religion was deemed essential to this regeneration of society. Since religion is largely destabilized by science, the major task is to emphasize how contemporary scientific understandings support religious wisdom and accentuate its importance. This task is to be accomplished through a science-based theology which reformulates religious wisdom for a culture that accepts science as the most reliable form of knowledge. This rationale for IRAS also articulates the program to which Burhoe committed himself.  相似文献   
13.
In a dichotic listening experiment white noise was played to one ear and either music or poetry to the other ear. Subjects rated the stimuli on each of three dimensions. The results showed that both music poetry were judged as more pleasant when heard at the left than the right ear. In addition the music, but not the poetry, was perceived as more soothing at the left ear. The findings are discussed in relation to other indications in the literature that left and right cerebral hemispheres differ in their emotional make-up.  相似文献   
14.
This study compares the syntactic structure of the spontaneous speech of a small group of stutterers and nonstutterers, using a method of constituent analysis. Speech samples were taped during play sessions with subjects, and the tapes were then transcribed and analyzed according to preselected constituent criteria. The stutterers were in the early stages of stuttering and had been diagnosed as stutterers by experienced clinicians. The method of analysis proved to be highly reliable. Differences were found in the number of complete clauses, the number of complex sentences, and in clause types between the two groups.  相似文献   
15.
《艺概》风格论的阴阳辩证精神   总被引:1,自引:0,他引:1  
邓军海 《周易研究》2004,1(3):73-80
对于<艺概>一书中的辩证精神,学术界一般习惯于用我们所掌握的辩证法去分析,而未注意中国自<易经>而来的辩证精神的特质.本文从成中英教授对中西辩证精神之差异的分析入手,以<艺概>中的风格论为主,对其中的"阴阳辩证法"作了一番讨究,意在指出:<艺概>中的辩证精神是自<易经>而来的"阴阳辩证法"的精神,而非西方自柏拉图始,完备于马克思的"冲突辩证法"的精神.  相似文献   
16.
An experiment was conducted to determine whether children at different ages (3-5 vs 9-11) differ in their tendency to share the emotion of a television character. Subjects were shown a videotape of either a frightening stimulus alone or a character's fear in response to a threatening stimulus that was suggested rather than shown directly. Contrasting predictions were made based on a cognitive-developmental view of the process of empathy vs an automatic conception. Both self-reported emotional reactions and physiological responses were consistent with the cognitive-developmental approach: The younger children were less emotionally aroused by the character's fear than by the fear-provoking stimulus, while the older children responded emotionally to both versions of the videotape. The younger children's lack of empathy was not due to a failure to recognize the nature of the character's emotion. There was some evidence that the older children exhibited a greater tendency to role take than did the younger children.  相似文献   
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18.
Historically more attention has been focused on the adult stutterer than on the young stutterer. This article discusses three key issues in the differential diagnosis of normal childhood nonfluencies and childhood stuttering. The three issues are (1) whether early childhood disfluencies are heterogeneous or homogeneous phenomena, (2) whether the relationship between normal childhood nonfluencies and early stuttering is continuous or dichotomous, and (3) whether normal nonfluencies and stuttering differ quantitatively or qualitatively. Theoretical research as well as clinical implications of these issues are discussed.  相似文献   
19.
Abstract: This article charts the rise and fall of the Modern System of the Arts and the failure of the aesthetic theory of art to define membership in the so-called system, which, instead, I argue, is and has been, for a long time, merely a historically evolved collection. Rather than endorsing the continued attempt to define Art with a capital A in terms of aesthetic experience, I recommend alternative lines of research for contemporary philosophers of the arts.  相似文献   
20.
Although arts‐based programming is shown to positively influence the development of youth exposed to adversity, little is known about the influence these programs have on formerly incarcerated emerging adult Black men enrolled in an alternative school. With educational resilience as a guiding framework, this qualitative case study explored the ways in which an arts‐based program in the context of an alternative school designed for formerly incarcerated young people facilitates emerging adult Black men's academic and social–emotional development. Data collection consisted of observations and interviews with school personnel and formerly incarcerated Black male students. Analysis and interpretation included a range of inductive techniques (coding, constant comparisons, and memoing). Results indicate that offering arts‐based activities fostered an environment where students could build caring and supportive relationships with peers and school personnel. Instructional practices that integrated music and poetry provided meaningful opportunities for the young men to participate, which appeared to enhance their motivation and attitudes (self, others, learning, and school) and academic self‐efficacy, and lessen their psychological and emotional distress. Study findings provide insights into how an arts‐based program in an alternative school can improve healthy development and academic achievement among formerly incarcerated young Black men transitioning into adulthood.  相似文献   
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