Pour une poétique des jeux de langage

Malgré le refus que Wittgenstein semble avoir toujours opposé à l'idée d'une esthétique philosophique, son oeuvre et les nombreuses suggestions que contiennent ses divers propos se révélent riches d'enseignements, en particulier pour ce qui concerne les voies dans lesquelles certaines formes de discours sur l'art se sot engagées. La notion wittgensteinienne dejeu de langage est, sous ce rapport, éclairante. Elle permet de mettre au jour, ou du moins d'entrevoir, deux catégories de faits. Tout d'abord, elle offre une perspective critique intéressante sur le programme de ce que l'on s'est plu à nommer une poétique, dans le prolongement d'Aristote, de Jakobson et de Valéry. La poétique structuraliste, en particulier, se révéle solidaire d'une philosophie que ses ambitions théoriques ne suffisent pas à occulter. En second lieu, la notion de jeu de langage, chez Wittgenstein lui-même, est associée à une pratique d'écriture originale qui obscurcit les frontiéres que la philosophie, depuis Platon, s'est toujours souciée de tracer. Pour une poétique des jeux de langage, il existe, entre la poétique et la philosophie une double symétrie. La premiére — celle des structuralistes ou des néo-structuralistes —obéit à un programme plus philosophique qu'on ne croit; la second, en revanche, comme on le voit avec Wittgenstein, intégr une démarche poétique qui nous invite à penser à nouveaux frais ce que nous faisons.     

Writing life narratives through art practice

This article shares some of my doctoral experiences in a practice-based PhD research in arts developed at the Chelsea College of Arts, University of the Arts London. It locates art practice within the academic research realm and contributes to researchers working on autobiographical studies and practice-based research methods. By offering an overview on my research topic focusing on the relationship between language and place in the life of Brazilian women living in London, I reflect on the relevance of “not-knowing” as a fruitful space for researching autobiographical and situated life narratives through art practice. The article concludes that qualitative methods are relevant for building passages from the individual to the collective sphere of an art practice developed within geographical displacement and in the context of academic research.     

Economy of Shadows: The Effects of Restrictive Regulation on Religiosity in China

Religion is permitted in China, but its practice is tightly regulated by the state. This paper uses individual-level longitudinal data to investigate the association between religious regulation and religious outcomes in China. Measures of regulation are constructed from instances of state action against Christians as well as Christian perceptions of unfair treatment by the government. In summary, as regulation increases, an individual is less likely to identify with a religion and less likely to say that religion is important. For those individuals without religious identification in either wave, regulation is negatively associated with religious importance. Yet, for those individuals with identification in one or two waves, regulation is either unassociated or even positively associated with importance. These findings contribute to research on regulation of religion and religion in China. More broadly, they demonstrate the state can wield considerable power over people's private lives but also that this power has limits.     

《孙子兵法》与商业经营散论

《孙子兵法》在商业经营中有着非常的启发作用。书中很多军事论断如兵为诡道、致人而不致于人、避实而击虚、不战而屈人之兵等等完全可以用来指导我们的商业活动。     

An examination of indexes for determining the number of clusters in binary data sets

The problem of choosing the correct number of clusters is as old as cluster analysis itself. A number of authors have suggested various indexes to facilitate this crucial decision. One of the most extensive comparative studies of indexes was conducted by Milligan and Cooper (1985). The present piece of work pursues the same goal under different conditions. In contrast to Milligan and Cooper's work, the emphasis here is on high-dimensional empirical binary data. Binary artificial data sets are constructed to reflect features typically encountered in real-world data situations in the field of marketing research. The simulation includes 162 binary data sets that are clustered by two different algorithms and lead to recommendations on the number of clusters for each index under consideration. Index results are evaluated and their performance is compared and analyzed.Author names are listed in alphabetical order.This piece of research was supported by the Austrian Science Foundation (FWF) under grant SFB#010 (Adaptive Information Systems and Modeling in Economics and Management Science).The authors would like to thank the anonymous reviewers and especially the associate editor for their helpful comments and suggestions.     

Mother,Melancholia, and Art in Erik H. Erikson’s <Emphasis Type="Italic">Toys and Reasons</Emphasis>

In three earlier articles (2007a, 2007b, 2007c), I focused on the theme of the relationship of melancholia and the mother, and suggested that the melancholic self may experience humor, play, and dreams as restorative resources. In this article, I want to make a similar case, based on Erik H. Erikson’s Toys and Reasons (1977), for art (in this particular case, a painting of the Annunciation). I have made a similar case for the restorative role of art in articles on Leonard da Vinci’s Mona Lisa (Capps, Pastoral Psychology, 53, 107–137, 2004) and James McNeill Whistler’s painting of his mother (Capps, Pastoral Psychology, 2007d). In the present article, however, I focus on the special biographical circumstances in Erikson’s own development of a melancholy self and the painting he discusses in Toys and Reasons, thereby suggesting that individuals may find a particular work of art especially relevant to their own experience of melancholy. I conclude with Erikson’s testimonial at the memorial service of a colleague and friend who translated her own melancholy into her service to others.

儒家和兵家治道思想的整合及其历史影响--从"儒兵家"看<十一家注孙子>

《十一家注孙子》汇集了自魏武帝曹操至北宋张预等11家对于《孙子》的注解。关于治国之道，孙子与儒家的思想多有相通之处，同时又各有侧重、各有特点。11位注家在注释《孙子》过程中，既阐发了孙子的原意，又融合了诸多儒家的思想观念，体现出“以儒释兵”、“兵儒整合”的思想倾向。这种思想倾向虽早已有之，但《十一家注孙子》的形成无疑又加强了这种倾向，它对历史上儒兵家的形成也有一定影响。     

The impact of within country heterogeneity in vocational specificity on initial job matches and job status

This paper analyses the impact of vocational specificity on school-to-work transitions in terms of initial job mismatches and socioeconomic status at the individual level. Considering heterogeneity amongst the various qualifications in Austria, the study finds that the positive impact of specificity on initial labour market placement known from cross-country research also holds within the highly stratified Austrian system in which various vocational specialisations are provided at the upper secondary level. Independent of the level and field of the qualification obtained, vocational specificity facilitates initial labour market placement, resulting in a reduced mismatch risk and an increase in initial jobs status. In the course of subsequent labour market adjustments, however, holders of general qualifications attain higher status gains when changing jobs. Likewise, the overqualified can make up for a good part of their initial status penalty on labour market entrance through job changes. Implications for policy and practice are discussed.     

Looking behaviour and preference for artworks: The role of emotional valence and location

The position of an item influences its evaluation, with research consistently finding that items occupying central locations are preferred and have a higher subjective value. The current study investigated whether this centre-stage effect (CSE) is a result of bottom-up gaze allocation to the central item, and whether it is affected by item valence. Participants (n = 50) were presented with three images of artistic paintings in a row and asked to choose the image they preferred. Eye movements were recorded for a subset of participants (n = 22). On each trial the three artworks were either similar but different, or were identical and with positive valence, or were identical and with negative valence. The results showed a centre-stage effect, with artworks in the centre of the row preferred, but only when they were identical and of positive valence. Significantly greater gaze allocation to the central and left artwork was not mirrored by equivalent increases in preference choices. Regression analyses showed that when the artworks were positive and identical the participants' last fixation predicted preference for the central art-work, whereas the fixation duration predicted preference if the images were different. Overall the result showed that item valence, rather than level of gaze allocation, influences the CSE, which is incompatible with the bottom-up gaze explanation. We propose that the centre stage heuristic, which specifies that the best items are in the middle, is able to explain these findings and the centre-stage effect.