The Legal Status of Transsexuals in Turkey

ABSTRACT

The development of the legal regulations concerning transsexuals in Turkey can be analysed in three phases. The first phase was prior to 1988 when there were no legal parameters at all. The second phase started in 1988 when certain changes made in the Turkish Civil Code (TCC) for the first time gave people who had already undergone sex reassignment surgery (SRS) the possibility to enter this change into the birth register. The third phase commenced in 2002 when the new Turkish Civil Code came into force.¹ Art.40 of the Code now regulates the pre-conditions for a surgery and the procedure for getting a court authorisation in order to be operated as well as the procedure for entering the sex change into the birth register after the operation. Following remarks aim at briefly explaining these historical developments in Turkish law and presenting the current legal situation in Turkey with respect to transsexuals. The deficiencies in the existing regulation and possible ways of surmounting these will also be examined.     

Art, self-censorship, and public discourse: contemporary Moroccan artists at the crossroads

Since the reign of King Mohammed VI in 1999, there has been a recent democratic trend in Morocco that has led to political liberalization and symbolic concessions. This essay explores how a new generation of artists is beginning to test the notions of the Islam, the monarch, and the rights of ethnic groups and women within Morocco. I argue that while they are beginning to test the limits of recent religious, social, and political reforms, these artists show self-restrain and selfcensorship, creating art that falls within the public discourse allowed by the new Moroccan king.

儒家和兵家治道思想的整合及其历史影响--从"儒兵家"看<十一家注孙子>

《十一家注孙子》汇集了自魏武帝曹操至北宋张预等11家对于《孙子》的注解。关于治国之道，孙子与儒家的思想多有相通之处，同时又各有侧重、各有特点。11位注家在注释《孙子》过程中，既阐发了孙子的原意，又融合了诸多儒家的思想观念，体现出“以儒释兵”、“兵儒整合”的思想倾向。这种思想倾向虽早已有之，但《十一家注孙子》的形成无疑又加强了这种倾向，它对历史上儒兵家的形成也有一定影响。     

《孙子兵法》的思维特征

《孙子兵法》的思维方式代表着我国先秦时期思维发展的正确方向,对构建现代科学思维方式具有重要的借鉴意义,学者们对此多有论述。本文从综合的角度,对《孙子兵法》七个方面的思维特征进行整理与探讨,以求教于方家。     

The Ethical Criticism of Art: A New Mapping of the Territory

The goal of this paper is methodological. It offers a comprehensive mapping of the theoretical positions on the ethical criticism of art, correcting omissions and inadequacies in the conceptual framework adopted in the current debate. Three principles are recommended as general guidelines: ethical amenability, basic value pluralism, and relativity to ethical dimension. Hence a taxonomy distinguishing between different versions of autonomism, moralism, and immoralism is established, by reference to criteria that are different from what emerging in the current literature. The mapping is then proved capable of (1) locating the various theories that have been proposed so far and clarifying such theories’ real commitments, (2) having the correct relationship with actual art making and art criticism practices, and (3) showing the real weight of the alleged counter-example to a moralist position of a work that succeeds artistically because of its immorality.

The intuitive concept of art

A great deal of work in analytic philosophy of art is related to defining what counts as art. So far, cognitive approaches to art have almost entirely ignored this literature. In this paper, I discuss the role of intuition in analytic philosophy of art to show how an empirical research program on art could take advantage of existing work in analytic philosophy. I suggest that the first step of this research program should be to understand how people intuitively categorize something as art. Drawing on results from cognitive science and analytic philosophy, I show that the intuitive categorization of an artifact as art rests on the intentions attributed (frequently implicitly) to the creator of the artifact based both on its appearance and on background knowledge. I discuss how the issue of categorization is related to other empirical issues concerning our relationship to works of art, such as perception, appreciation, interpretation, and evaluation.     

The ‘coming of age’ for Southern African psychobiography

This study investigated the effects of perceived values (personal, artistic, and sociocultural) of tourists’ attitude and behavioural intention to visit Africa. Participants were tourists (176 men and 124 women) who visited the Museum of African Art based on Jeju Island in the Republic of Korea. Results, following hierarchical analysis, suggest personal value and sociocultural value rather than artistic value to predict tourists’ attitude and behavioural intention to visit Africa. The findings of this study imply that personal and sociocultural predispositions lead to the tourists’ likely adoption of a tourist destination beyond familiarities with artistic works associated with the destination. Tourism promotion campaigns aimed at promoting African as a destination should customise messages to address the personal and sociocultural predispositions of would-be international tourists.     

The Care-Based Ethic of Nazi Medicine and the Moral Importance of What We Care About

This article reports on an inquiry into ideas used to justify the shift of medical ethos in Germany prior to and during the Nazi era, specifically the principles of care advocated by Erwin Liek and Karl Kötschau, the era's most influential medical theorists, who argued that commitments to care of individual sick persons (Fürsorge) had to give way to a preventive care that respects emerging needs of the entire society (Vorsorge). The article examines both the socio-cultural factors that shaped, and the far-reaching effects of, this manipulation of care. It argues that we should be attentive to the meaning and requirements of the care revealed in this debate, the ancient Greek idea of care as a concerned moral option.     

From bad to worse: Symbolic equivalence and opposition in fear generalisation

The present study compared the impact of symbolic equivalence and opposition relations on fear generalisation. In a procedure using nonsense words, some stimuli became symbolically equivalent to an aversively conditioned stimulus while others were symbolically opposite. The generalisation of fear to symbolically related stimuli was then measured using behavioural avoidance, retrospective unconditioned stimulus expectancy and stimulus valence ratings. Equivalence relations facilitated fear generalisation while opposition relations constrained generalisation. The potential clinical implications of symbolic generalisation are discussed.     

When a Picasso is a “Picasso”: The entry point in the identification of visual art

We investigated whether art is distinguished from other real world objects in human cognition, in that art allows for a special memorial representation and identification based on artists’ specific stylistic appearances. Testing art-experienced viewers, converging empirical evidence from three experiments, which have proved sensitive to addressing the question of initial object recognition, suggest that identification of visual art is at the subordinate level of the producing artist. Specifically, in a free naming task it was found that art-objects as opposed to non-art-objects were most frequently named with subordinate level categories, with the artist’s name as the most frequent category (Experiment 1). In a category-verification task (Experiment 2), art-objects were recognized faster than non-art-objects on the subordinate level with the artist’s name. In a conceptual priming task, subordinate primes of artists’ names facilitated matching responses to art-objects but subordinate primes did not facilitate responses to non-art-objects (Experiment 3). Collectively, these results suggest that the artist’s name has a special status in the memorial representation of visual art and serves as a predominant entry point in recognition in art perception.