Affect,infrastructure and activism: The House of Brag's London Queer Social Centre in Brixton,South London

The House of Brag was a queer, anti-racist, feminist squatting collective active between 2012 and 2014. This article pieces together an affective and infrastructural geography of the House of Brag's last project: a squatted social centre in Brixton, south London, in the summer of 2014. Drawing on interviews with members of the collective, this article argues that efforts to think and live social and political alternatives – and the affective dimensions of these efforts – cannot be abstracted from their infrastructures. The material space and infrastructure of the squatted social centre, this article contends, shaped the House of Brag's dynamics and work in crucial ways. In foregrounding these issues, this article contributes to literature on geographies of affect, emotions and social movements, in which conflict and ‘negative’ affects and emotions are often minimised, and which largely overlook the complex material geographies of spaces of activism. In exploring a queer, anti-racist, feminist squatted project in 2010s London, this article also contributes to literature on squatting by focusing on a time period, on politics and on locations largely overlooked.     

The affect heuristic,mortality salience,and risk: Domain‐specific effects of a natural disaster on risk‐benefit perception

We examine how affect and accessible thoughts following a major natural disaster influence everyday risk perception. A survey was conducted in the months following the 2004 south Asian Tsunami in a representative sample of the Swedish population (N = 733). Respondents rated their experienced affect as well as the perceived risk and benefits of various everyday decision domains. Affect influenced risk and benefit perception in a way that could be predicted from both the affect‐congruency and affect heuristic literatures (increased risk perception and stronger risk‐benefit correlations). However, in some decision domains, self‐regulation goals primed by the natural disaster predicted risk and benefit ratings. Together, these results show that affect, accessible thoughts and motivational states influence perceptions of risks and benefits.     

Considering an affect regulation framework for examining the association between body dissatisfaction and positive body image in Black older adolescent females: Does body mass index matter?

The present study provided an initial evaluation of an affect regulation model describing the association between body dissatisfaction and two contemporary measures of positive body image among 247 Black college-bound older adolescent females. We further tested whether possessing a higher body mass index (BMI) would strengthen these associations. Self-reported height and weight were used to calculate BMI. Respondents also completed a culturally-sensitive figure rating scale along with assessments of body appreciation and body image flexibility. Results indicated a robust positive association between the two measures of positive body image; BMI was the strongest predictor of both body appreciation and body image flexibility with body size discrepancy (current minus ideal) contributing incremental variance to both models tested. Implications for improving our understanding of the association between positive and negative body image and bolstering positive body image to promote health-protective behaviors among Black young women at this developmental juncture are discussed.     

Experiencing affect through site-specific dance

Our embodied experiences of affect, feeling and emotion within the context of site-specific dance are the focus of this article. The specific sites of our dance are designed gardens and our performances are offered within the context of an arts festival. In performing within these gardens, we aim to complement and enhance the site through our embodiment. Both as dancers in, and as audience members of dance, we recognize that affect, feeling and emotion arise during special live performance events. We understand affect as a fluid and relational, collective experience that extends beyond our individual experiences as performers to being shared with and between particular audiences at particular times and places. However, it is often difficult to express these embodied, collective experiences. Drawing on a feminist and phenomenological approach, we offer vignettes of key moments in these performances to illustrate the affective practices in our work. These vignettes draw on moments when we felt we shared an experience with audiences, supported by written responses, recorded anecdotal comments from audience members, and discussions between performers. We conclude by reflecting on how we might offer our community an enhanced emotional experience of the gardens.     

Mr. Richie and the tourists

This paper tracks the affective intensity and emergent potential that is part of making contact with Richie, a local Creole villager from Walliceville, Belize. Tourists and expats are drawn to Richie and seduced by him, his colorful language and personality. My attention in this paper is directed to the spatialized force fields of contact between tourists, expats and local creole villagers, like Richie, by attending to the way these contact fields conjure forces of wild vitality that both agitate and fascinate social life in Belize. I focus on how Richie acts as a powerful representation of tropical “no worries” Creole life. But more than that, he carries a sensory charge, seducing tourists and expats into crazy moments of abandon, a “sensing beyond security” (Manning, 2007: 134–161), that exceeds the work of Caribbean tourist representations to become moments when forces are activated as impacts that provoke things, for better or for worse. I argue that such moments spawn worlds that build forms of attachment and become the vital fields of sensations that incite life as emergent forces coming into play in this postcolonial state of emergency taking shape as neo-liberal exception, on the edge of global empire, in Belize.     

A politics of affect: Re/assembling relations of class and race at the museum

This article takes as its focus a politics of affect and its potentially transformative effects. Drawing on feminist new materialism and the process philosophy of Deleuze, I map moments in which this politics is enacted as school children encounter museum exhibits designed to address issues of class and race. Taking affect to be a matter of the capacity of bodies to affect and be affected, I attend to how the body's power of acting is increased or diminished through these encounters. Affect emerges as central to negotiations around issues relating to class and race, with some assemblages produced being particularly able to effect changes in capacities. Politics presents as a process of affective encounter through which dominant cultural norms of class and race can be contested and their exclusions ‘undone’. The argument is made that a politics of affect has the potential to unsettle normative power relations and address issues of social inequality and do so in an affirmative way. And, that attending to affect extends identity-based framings of class and race by bringing the constitutive role and contribution of the material, the micropolitical and the radically relational into view.     

Modelling audiovisual integration of affect from videos and music

Two experiments examined how affective values from visual and auditory modalities are integrated. Experiment 1 paired music and videos drawn from three levels of valence while holding arousal constant. Experiment 2 included a parallel combination of three levels of arousal while holding valence constant. In each experiment, participants rated their affective states after unimodal and multimodal presentations. Experiment 1 revealed a congruency effect in which stimulus combinations of the same extreme valence resulted in more extreme state ratings than component stimuli presented in isolation. An interaction between music and video valence reflected the greater influence of negative affect. Video valence was found to have a significantly greater effect on combined ratings than music valence. The pattern of data was explained by a five parameter differential weight averaging model that attributed greater weight to the visual modality and increased weight with decreasing values of valence. Experiment 2 revealed a congruency effect only for high arousal combinations and no interaction effects. This pattern was explained by a three parameter constant weight averaging model with greater weight for the auditory modality and a very low arousal value for the initial state. These results demonstrate key differences in audiovisual integration between valence and arousal.     

Lifeboat politics in the Pacific: Affect and the ripples and shimmers of a migrant saturated future

Affect is explored in relation to the governance of irregular migrants and asylum seekers that turn such vulnerable individuals into a feared category. How are emotions as practices developed, fostered and enacted? The examples developed in the article focus on ‘illegal maritime arrivals’ (asylum seekers arriving by boat) and the emotionally charged response to them in Australia. The article argues that the state, far from embodying a detached and neutral arbiter utilising various steering mechanisms of care and due process, instead governs through fear and anxiety generated in relation to outsiders. The state draws on, and indeed creates, dispositions and feelings, generating a distinct politics of affect. The motif of the lifeboat is an example of a diversion from the anxieties and fears in everyday life; a metaphor for scarcity and a battle for survival. The asylum seeker as ‘illegal maritime arrival’ (boat person) is the exemplar of such a lifeboat politics in the Australian case.