Psychologie du frisson esthétique

This study concerns the problem of aesthetic emotions and that of aesthetic chills in particular. We asked thirty subjects to describe a narrative structure (film, play, book) eliciting chills and the phenomenology of the aesthetic experience. A number of non-random redundancies are observable. The stimuli eliciting positive aesthetic chills in our population have a sensorial dimension and their particular properties are often the selfless actions, existential considerations of a very general nature (e.g., the meaning of life), moments of inner recollection or quiet reflection, situations of solidarity and communion (family, couple, friends) or, on the contrary, situations of violent separation (family, couple, friends). In general, when real events are at stake (and not fictional scenes as in a film or a novel), subjects describe situations where they are safe, where they trust the environment.     

Combining two separate series into a single ordering: Testing the local and global distinctiveness theories with absolute and relative judgments

This study examined the differential effects of an absolute versus a relative judgment task on the retrieval of the border-position items after the combining of two separate serial lists. Under the absolute judgment condition (Experiment 1), the border-position items showed a local distinctiveness effect (faster judgment on these items than on the neighboring items), consistent with the prediction of the local distinctiveness theory of order memory, but not under the relative judgment condition (Experiment 2). The absence of the local distinctiveness effect under the relative judgment condition was consistent with the prediction of the global distinctiveness theory that a midseries item cannot be remembered better than its neighbors. The causes of the differential effects of the two judgment tasks were discussed.     

Are consonant intervals music to their ears? Spontaneous acoustic preferences in a nonhuman primate

Humans find some sounds more pleasing than others; such preferences may underlie our enjoyment of music. To gain insight into the evolutionary origins of these preferences, we explored whether they are present in other animals. We designed a novel method to measure the spontaneous sound preferences of cotton-top tamarins, a species that has been extensively tested for other perceptual abilities. Animals were placed in a V-shaped maze, and their position within the maze controlled their auditory environment. One sound was played when they were in one branch of the maze, and a different sound for the opposite branch; no food was delivered during testing. We used the proportion of time spent in each branch as a measure of preference. The first two experiments were designed as tests of our method. In Experiment 1, we used loud and soft white noise as stimuli; all animals spent most of their time on the side with soft noise. In Experiment 2, tamarins spent more time on the side playing species-specific feeding chirps than on the side playing species-specific distress calls. Together, these two experiments suggest that the method is effective, providing a spontaneous measure of preference. In Experiment 3, however, subjects showed no preference for consonant over dissonant intervals. Finally, tamarins showed no preference in Experiment 4 for a screeching sound (comparable to fingernails on a blackboard) over amplitude-matched white noise. In contrast, humans showed clear preferences for the consonant intervals of Experiment 3 and the white noise of Experiment 4 using the same stimuli and a similar method. We conclude that tamarins' preferences differ qualitatively from those of humans. The preferences that support our capacity for music may, therefore, be unique among the primates, and could be music-specific adaptations.     

Mirror,mirror on the wall,who is the fairest dancer of them all? A naturalistic lens model study on the judgment of dance performance

Success as a dancer is closely associated with positive dance judgments by perceivers. Although dancers’ physical appearance (attractiveness, style) might affect dance judgments beyond dance-specific attributes (technique, expression), they have largely been unconsidered in previous studies. To contribute to a comprehensive explanation of real-life dance judgments, we applied the lens model, an approach explicitly developed to explain the emergence of social judgments by multiple attributes. Therefore, video-records of 70 solo performances were (1) rated regarding dancers’ physical appearance, technique, and expression and (2) judged by 33 perceivers. Results of cross-classified mixed-effects models revealed that attributes of all domains were significantly related to dance judgements. Considered simultaneously, however, only dance-specific attributes contributed to the prediction of dance judgments. Additional moderation analyses underscored the importance of perceivers’ expertise in judging dance. We discuss the lens model as suitable framework for a naturalistic approach to the study of aesthetic experiences and sports performances.     

Towards a pattern-based logic of probability judgements and logical inclusion “fallacies”

Probability judgements entail a conjunction fallacy (CF) if a conjunction is estimated to be more probable than one of its conjuncts. In the context of predication of alternative logical hypothesis, Bayesian logic (BL) provides a formalisation of pattern probabilities that renders a class of pattern-based CFs rational. BL predicts a complete system of other logical inclusion fallacies (IFs). A first test of this prediction is investigated here, using transparent tasks with clear set inclusions, varying in observed frequencies only. Experiment 1 uses data where BL makes dominant predictions; Experiment 2's predictions were less clear, and we additionally investigated judgements about the second-most probable hypotheses. The results corroborated a pattern-probability account and cannot be easily explained by other theories of CFs (e.g. inverse probability, confirmation). IFs were not limited to conjunctions, but rather occurred systematically for several logical connectives. Thus, pattern-based probability judgements about logical relations may constitute a basic class of intuitive but potentially rational probability judgements.     

Measuring metaaesthetics: Challenges and ways forward

A growing body of psychological research seeks to understand how people's thinking comports with long-standing philosophical theories, such as whether they view ethical or aesthetic truths as subjective or objective. Yet such research can be critically undermined if it fails to accurately characterize the philosophical positions in question and fails to ensure that subjects understand them appropriately. We argue that a recent article by Rabb et al. (2020) fails to meet these demands and propose several constructive solutions for future research.     

Dynamics of the knowledge instinct: Effects of incoherence on the cognitive system

We successfully replicated a study about aesthetic emotions in a different socio-cultural environment. The present results suggest that incoherence is a strong inhibitor for aesthetic chills and verify a positive correlation between pleasure and meaning. These results allow for a scientific study of aesthetic emotions as it is now possible for the experimenter to have two groups of subjects, both exposed to the same stimulation, one group experiencing measurable aesthetic emotions whereas the other does not. We review the literature on the problem of both positive and negative psychogenic shivering and relate this phenomenon to the instinct of knowledge. We discuss the implications of our findings, stress the importance of studying the psychological and physiological effects of incoherence on the central nervous system, introduce a series of hypotheses to be tested in further research and conclude with a plausible explanation for the relation between temperature and cognition in humans.     

Domain generality and domain specificity in aesthetic appreciation

Aesthetic appreciation is looked at with respect to domain generality and domain specificity. Within the classic cognitive paradigm, modality- and domain-specific receptive processes are explored. These are then complemented with central processing structures. These reveal domain-specific as well as domain-general processing. Extending the classic cognitive science approach, the role of emotion in aesthetic appreciation is also explored. While domain-specific models of aesthetic appreciation are clearly called for, there are also numerous domain-general subprocesses and structures.     

Measuring Processing Fluency: One versus Five Items

While there is an ample amount of consumer behavior research that recruits processing fluency as an explanatory construct, the question how to best measure the fluency experience has received little attention. Therefore, there is a lack of consistency in measuring the construct, particularly with regard to the use of single‐item versus multi‐item measures. The current research, thus, aims to investigate how processing fluency can be consistently measured across different experimental fluency manipulations and which type of measure has the highest validity. Based on classic scale development procedures, we propose a reliable and valid multi‐item measure and compare this measure against a single‐item measure in terms of predictive validity. We show that both measures mediate the effect of five established fluency manipulations and that the single‐item measure is sufficient. In addition to providing a measure for future research that can be adapted to different empirical settings, we provide empirical evidence on the replicability of fluency effects and on the theoretical conjecture that people have a uniform fluency experience across different manipulations of fluency.