Domain generality and domain specificity in aesthetic appreciation

Aesthetic appreciation is looked at with respect to domain generality and domain specificity. Within the classic cognitive paradigm, modality- and domain-specific receptive processes are explored. These are then complemented with central processing structures. These reveal domain-specific as well as domain-general processing. Extending the classic cognitive science approach, the role of emotion in aesthetic appreciation is also explored. While domain-specific models of aesthetic appreciation are clearly called for, there are also numerous domain-general subprocesses and structures.     

Lateral biases and reading direction: a dissociation between aesthetic preference and line bisection

Perceptual asymmetries for tasks involving aesthetic preference or line bisection can be affected by asymmetrical neurological mechanisms or left/right reading habits. This study investigated the relative contribution of these mechanisms in 100 readers of Japanese and English. Participants made aesthetic judgments between pairs of mirror-reversed pictures showing: (a) static objects, (b) moving objects and (c) landscapes. A line bisection task was also administered. There was a strong effect of reading direction for static and mobile objects whereby Japanese readers preferred objects with a right-to-left directionality (and vice versa for English readers). In contrast, similar patterns were observed for the Japanese and English readers for the landscape and line bisection tasks. The results show that reading habits affect aesthetic judgments for static and moving object tasks, but not the landscape and line bisection tasks. The difference between the tasks may be related to the horizontal/vertical geometry of the stimuli, which makes the landscape and line bisection tasks more prone to universal effects related to cerebral dominance.     

Beyond the Crisis of the Globalized “World System”: the Need For a New Civil Society

In my view, we need a sociological analysis to show how the crisis stemmed from a certain set-up of the so-called global society. Such a set-up is the product of a long historical development, which goes beyond the financial crisis’ outbreak in 2008. The question I ask is the following: from a sociological standpoint, why did this crisis break out? And what remedies can be put in place? The measures adopted these days cannot solve the crisis, but, for a number of reasons, they can at most provide temporary stoppers and remedies.     

On modeling the creativity and the concept of Chef-D’oeuvre

The problem of modeling the creativity is shown to be entirely connected with another mysterious challenge — the “Explanatory Gap” between the concepts of “Brain” and “Mind”. We use the Natural Constructive Cognitive Architecture, with its important feature being the combination of two subsystems, for generation of new information and for its conservation. “Brain” is considered as records of the raw images of real objects (individual objective information), while “Mind” refers to individual subjective information created inside the cognitive system (symbols). We argued that creativity can be treated as “an effort to bring a piece of personal “Brain” into the “Mind” and World”. Specific thinking mode (intellectual panic or throes of creativity) is shown to enhance the creative work resulting in over-mobilization and even enriching personal deep inside (“Brain”) experience. It is simulated by chaotic jumps of the noise amplitude around abnormally high value. The nature of Aesthetic Emotions and the concept of Chef-D’oeuvre are analyzed. It is shown that they are caused by the “recognition paradox”: an object seems both, familiar but unusual. This occurs if the “Brain” does see its subtle features, while the “Mind” does not realize. Bright aesthetic emotions (goosebumps) are caused by irregular excitation of implicit associations provided by weak (“gray”) connections of the halo neurons (simulating the subconsciousness). General formula for Chef-D’oeuvre in science and art could be expressed as “condensed capacity to see the invisible, to combine the incompatible”.     

《易经》:人类科学思维和审美思维方式的精典阐释

一本诞生于五千年前的中国古书《易经》,已经包含着深刻的现代科学数理逻辑原理,且与美学的审美逻辑原理互为支持、互为表里,使这两大类本来被认为水火不相容的领域及其独具的思维方式得到了高度完善统一的阐释。从这样的角度来看《易经》,也许会有助于目前心理学界对思维方式及逻辑问题的研究,拓开一条崭新的思路。     

The Behavioral Logic of Collective Action: Partisans Cooperate and Punish More Than Nonpartisans

Laboratory experiments indicate that many people willingly contribute to public goods and punish free riders at a personal cost. We hypothesize that these individuals, called strong reciprocators, allow political parties to overcome collective action problems, thereby allowing those organizations to compete for scarce resources and to produce public goods for like‐minded individuals. Using a series of laboratory games, we examine whether partisans contribute to public goods and punish free riders at a greater rate than nonpartisans. The results show that partisans are more likely than nonpartisans to contribute to public goods and to engage in costly punishment. Given the broad theoretical literature on altruistic punishment and group selection as well as our own formal evolutionary model, we hypothesize that it is being a partisan that makes an individual more likely to be a strong reciprocator and not vice versa.