Psychologie du frisson esthétique

This study concerns the problem of aesthetic emotions and that of aesthetic chills in particular. We asked thirty subjects to describe a narrative structure (film, play, book) eliciting chills and the phenomenology of the aesthetic experience. A number of non-random redundancies are observable. The stimuli eliciting positive aesthetic chills in our population have a sensorial dimension and their particular properties are often the selfless actions, existential considerations of a very general nature (e.g., the meaning of life), moments of inner recollection or quiet reflection, situations of solidarity and communion (family, couple, friends) or, on the contrary, situations of violent separation (family, couple, friends). In general, when real events are at stake (and not fictional scenes as in a film or a novel), subjects describe situations where they are safe, where they trust the environment.     

Intrinsic Versus Extrinsic Motivation in Schools: A Reconciliation

This article explores the nature of the relationship between intrinsic and extrinsic motivation in schools, and in particular examines critically the assertion that these processes are necessarily antagonistic. The weight of evidence suggests that rewards in the form of school grades and the focus of many students on doing well, gradewise, need not necessarily interfere with learning for its own sake. Educational implications of these findings are considered. One such implication is that focusing on students' interests can be a valuable motivational strategy.     

Dynamics of the knowledge instinct: Effects of incoherence on the cognitive system

We successfully replicated a study about aesthetic emotions in a different socio-cultural environment. The present results suggest that incoherence is a strong inhibitor for aesthetic chills and verify a positive correlation between pleasure and meaning. These results allow for a scientific study of aesthetic emotions as it is now possible for the experimenter to have two groups of subjects, both exposed to the same stimulation, one group experiencing measurable aesthetic emotions whereas the other does not. We review the literature on the problem of both positive and negative psychogenic shivering and relate this phenomenon to the instinct of knowledge. We discuss the implications of our findings, stress the importance of studying the psychological and physiological effects of incoherence on the central nervous system, introduce a series of hypotheses to be tested in further research and conclude with a plausible explanation for the relation between temperature and cognition in humans.     

Domain generality and domain specificity in aesthetic appreciation

Aesthetic appreciation is looked at with respect to domain generality and domain specificity. Within the classic cognitive paradigm, modality- and domain-specific receptive processes are explored. These are then complemented with central processing structures. These reveal domain-specific as well as domain-general processing. Extending the classic cognitive science approach, the role of emotion in aesthetic appreciation is also explored. While domain-specific models of aesthetic appreciation are clearly called for, there are also numerous domain-general subprocesses and structures.     

Measuring Processing Fluency: One versus Five Items

While there is an ample amount of consumer behavior research that recruits processing fluency as an explanatory construct, the question how to best measure the fluency experience has received little attention. Therefore, there is a lack of consistency in measuring the construct, particularly with regard to the use of single‐item versus multi‐item measures. The current research, thus, aims to investigate how processing fluency can be consistently measured across different experimental fluency manipulations and which type of measure has the highest validity. Based on classic scale development procedures, we propose a reliable and valid multi‐item measure and compare this measure against a single‐item measure in terms of predictive validity. We show that both measures mediate the effect of five established fluency manipulations and that the single‐item measure is sufficient. In addition to providing a measure for future research that can be adapted to different empirical settings, we provide empirical evidence on the replicability of fluency effects and on the theoretical conjecture that people have a uniform fluency experience across different manipulations of fluency.     

On modeling the creativity and the concept of Chef-D’oeuvre

The problem of modeling the creativity is shown to be entirely connected with another mysterious challenge — the “Explanatory Gap” between the concepts of “Brain” and “Mind”. We use the Natural Constructive Cognitive Architecture, with its important feature being the combination of two subsystems, for generation of new information and for its conservation. “Brain” is considered as records of the raw images of real objects (individual objective information), while “Mind” refers to individual subjective information created inside the cognitive system (symbols). We argued that creativity can be treated as “an effort to bring a piece of personal “Brain” into the “Mind” and World”. Specific thinking mode (intellectual panic or throes of creativity) is shown to enhance the creative work resulting in over-mobilization and even enriching personal deep inside (“Brain”) experience. It is simulated by chaotic jumps of the noise amplitude around abnormally high value. The nature of Aesthetic Emotions and the concept of Chef-D’oeuvre are analyzed. It is shown that they are caused by the “recognition paradox”: an object seems both, familiar but unusual. This occurs if the “Brain” does see its subtle features, while the “Mind” does not realize. Bright aesthetic emotions (goosebumps) are caused by irregular excitation of implicit associations provided by weak (“gray”) connections of the halo neurons (simulating the subconsciousness). General formula for Chef-D’oeuvre in science and art could be expressed as “condensed capacity to see the invisible, to combine the incompatible”.     

《易经》:人类科学思维和审美思维方式的精典阐释

一本诞生于五千年前的中国古书《易经》,已经包含着深刻的现代科学数理逻辑原理,且与美学的审美逻辑原理互为支持、互为表里,使这两大类本来被认为水火不相容的领域及其独具的思维方式得到了高度完善统一的阐释。从这样的角度来看《易经》,也许会有助于目前心理学界对思维方式及逻辑问题的研究,拓开一条崭新的思路。     

Preference for human or algorithmic forecasting advice does not predict if and how it is used

Past research has found that people treat advice differently depending on its source. In many cases, people seem to prefer human advice to algorithms, but in others, there is a reversal, and people seem to prefer algorithmic advice. Across two studies, we examine the persuasiveness of, and judges' preferences for, advice from different sources when forecasting geopolitical events. We find that judges report domain-specific preferences, preferring human advice in the domain of politics and algorithmic advice in the domain of economics. In Study 2, participants report a preference for hybrid advice, that combines human and algorithmic sources, to either one on it's own regardless of domain. More importantly, we find that these preferences did not affect persuasiveness of advice from these different sources, regardless of domain. Judges were primarily sensitive to quantitative features pertaining to the similarity between their initial beliefs and the advice they were offered, such as the distance between them and the relative advisor confidence, when deciding whether to revise their initial beliefs in light of advice, rather than the source that generated the advice.     

The poet,the child and the blackbird: aesthetic reading and spiritual development

This article explores the potential and limitations of Louise Rosenblatt's account of aesthetic reading as a basis for understanding the relationship between literary experience and spiritual development. It does so by examining a particular act of reading involving a poem by Ernst Jandl in the light of Rosenblatt's account of ‘aesthetic reading’ and Kierkegaard's categories of the poet and the child. It is argued that an account of the relationship of spirituality to the reading of literature needs to go beyond the immediate experience of the act of reading and take into account the way that literary meanings are responded to in later living and the way in which attentiveness to textual detail can be rooted in spiritual attitudes.