音高和时长信息感知的范畴特异性及其发展

通过考察不同范畴间相同声音特征和同一范畴内不同声音特征的感知探讨了言语和音乐中音高和时长信息感知的特异性及发展模式。结果发现：同一范畴内不同声音特征的感知显著相关,支持音高和时长信息加工的范畴特异性理论;高一学生只在言语中的音高和时长信息的感知上具有明显的范畴特异性,说明范畴特异性的形成因声音范畴属性的不同而有所差异;高一学生言语中音高信息的感知能力好于对时长信息的感知,而成人却没有差异,可能是受到了母语和第二语言学习经验的影响。     

Perhaps Unidimensional Is Not Unidimensional

Miller (1956) identified his famous limit of 7 ± 2 items based in part on absolute identification—the ability to identify stimuli that differ on a single physical dimension, such as lines of different length. An important aspect of this limit is its independence from perceptual effects and its application across all stimulus types. Recent research, however, has identified several exceptions. We investigate an explanation for these results that reconciles them with Miller’s work. We find support for the hypothesis that the exceptional stimulus types have more complex psychological representations, which can therefore support better identification. Our investigation uses data sets with thousands of observations for each participant, which allows the application of a new technique for identifying psychological representations: the structural forms algorithm of Kemp and Tenenbaum (2008) . This algorithm supports inferences not possible with previous techniques, such as multidimensional scaling.     

MATURE CONTEMPLATION

Abstract. This chapter extends biogenetic structural theory to a consideration of the biopsychological principles underlying higher phases of consciousness, particularly those attained by the systematic exploration of consciousness called contemplation. The concepts of psychic energy, flow, centeredness, energy circulation, and dreambody are explored as presented in various mystical traditions, and a model of the underlying neurophysiology is presented in terms of ergotropic-trophotropic tuning. The psychophysiology of various forms of meditation together with emergent peak experiences is examined and integrated into the ergotropic-trophotropic tuning model. Structural invariance of ergotropic-trophotropic tuning as well as invariant aspects of contemplation across different cultures and associated with different symbol systems is considered. Finally the nature and implications of Void Consciousness, God Consciousness, or Abssolute Unitary Being are examined.     

Combining two separate series into a single ordering: Testing the local and global distinctiveness theories with absolute and relative judgments

This study examined the differential effects of an absolute versus a relative judgment task on the retrieval of the border-position items after the combining of two separate serial lists. Under the absolute judgment condition (Experiment 1), the border-position items showed a local distinctiveness effect (faster judgment on these items than on the neighboring items), consistent with the prediction of the local distinctiveness theory of order memory, but not under the relative judgment condition (Experiment 2). The absence of the local distinctiveness effect under the relative judgment condition was consistent with the prediction of the global distinctiveness theory that a midseries item cannot be remembered better than its neighbors. The causes of the differential effects of the two judgment tasks were discussed.     

汉语元音对声调感知边界的影响

本项研究基于现代汉语普通话声调感知具有范畴性这一结论(Wang, 1976), 以普通话中6个单元音(/a//?//F//i//u//y/, 即拼音a、o、e、i、u、ü)阴平(T1)到阳平(T2)调的连续统(continuum)为实验语料, 用专业语音学软件Praat合成连续统语音样本, 对20名平均年龄为22.90岁的普通话母语者进行声调感知实验, 即让被试对所听刺激进行T1或T2的二选一鉴别测试(identification test), 从而探究单元音的内在音高(intrinsic pitch)与声调感知边界(boundary)的关系。本文借鉴Wang (1976)和Peng等(2010)对元音/i/声调连续统的合成方法, 使声调感知研究拓展到普通话中除/i/之外的其他5个单元音, 对以上两项研究起到一定的对照作用。研究发现, 元音会对T1到T2的声调范畴感知边界位置产生影响, 低元音/a/的内在音高较低, 其边界位置亦始终低于其他元音, 且具有显著性差异, 实验结果证明, 内在音高会对感知边界产生影响, 从而支持了Ohala和Eukel (1976)的“舌位拉伸”假说。     

郑玄"爻辰"易例与古代乐律论探析

"爻辰",是东汉易学家郑玄所倡的重要易学条例。"爻辰"说承西汉京房《易》例而立,以乾、坤两卦的十二爻,与子、丑、寅、卯、辰、巳、午、未、申、酉、戌、亥十二辰相值配,并运用十二辰属相及其所值五行、方位、时令、二十八宿等各类物象解《易》,兼有诸多旁涉性的运用,其中,将"爻辰"与十二律吕相值配,乃接绪京房援《易》立律的思想,对后世的相关论说产生较大的影响,是两汉至魏晋隋唐时期音律理论发展、演变过程中重要的一环。本文对"爻辰"与十二律吕相值配的体系进行梳理、探析,探究其学说渊源,并揭示其思想文化的深沉意蕴。     

The prosodic expression of anger: Differentiating threat and frustration

A theory relating aggression and the pitch of vocalizations [Ohala, 1983, 1984] predicts that the expression of anger in humans should have a low pitch; however, experimentally anger is found to have a high pitch. A possible resolution of this discrepancy is that there are two different prosodic expressions of anger, one with low pitch and one with high pitch. To investigate this possibility, 27 different expressions of the phrase “Don't do that” were tape-recorded. Subjects first rated how angry each utterance sounded and then categorized each utterance as expressing either frustration, threat, disgust, advice, or emotional neutrality. Some utterances were rated as angry and categorized as frustration; other utterances were also rated as angry, but categorized as threat. Frustration correlated with higher fundamental frequency (F₀). Threat did not correlate with lower F₀, but it correlated with lower perceived pitch.     

Discrimination of pitch contours by neonates

With the high-amplitude sucking procedure, newborns were presented with two lists of phonetically varied Japanese words differing in pitch contour. Discrimination of the lists was found, thus indicating that newborns are able to extract pitch contour information at the word level.