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Two experiments are described which were designed to test the possible involvement of two operations in developmental auditory serial short-term memory (SSTM), namely rehearsal proficiency and item identification. The experiments provided mainly negative support for the notion that these operations are critical in developmental SSTM. As an alternative, the possibility that developmental differences in SSTM might have their origins in the processing of speech sound patterns was discussed. 相似文献
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The claim that overselectivity in feature processing underlies the disorders that aphasics display in processing both visual and verbal material was directly tested by exploring the relationships between the behavior of brain-injured subjects on three experimental tasks: classification learning, categorical decision making, and feature production. From each of these tests a score selected as being indicative of overselective responding was entered into a principal components analysis, together with measures of visual recognition and memory, visual reasoning, naming skills, and severity of aphasia. This analysis supported the assumption that feature-processing disability is a specific and separable deficit, although related both to naming ability and to severity of aphasia. The relevance of the overselectivity hypothesis to naming difficulties following brain injury is discussed. 相似文献
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Alexander King 《World Futures: Journal of General Evolution》2013,69(2-4):177-184
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Tom Trabasso 《Developmental Review》1984,4(1):72-76
Research on the underlying nature of reading disability, exemplified in the present papers, is essentially correlational. Differences in acoustic memory skills, partial cue utilization, or symbol-sound knowledge may be a result rather than a cause of reading skill differences. Suggestions are made on how to untangle the cause-effect problem through longitudinal investigation and careful analysis of some possible interactions between cognitive skills and reading ability. 相似文献
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Matthias Pauwels 《Journal of the British Society for Phenomenology》2020,51(4):366-380
ABSTRACT This article assesses some recurrent criticisms based on respect for traditional culture levelled at artworks that thematise non-heteronormative gender positionalities in South Africa. More specifically, it reconsiders the stormy, local reception of the South African movie Inxeba (The Wound), a queer love story set in the context of the male initiation rites of the Xhosa community. The article focuses on criticisms of the movie based on the alleged misrepresentation and misappropriation of indigenous cultural practices. It aims to reflect on the complicated knot of problems that queer artists and activists have to navigate in South Africa, including entrenched heteronormative traditions, but also multiculturality and racial privilege. New ways of negotiating these problems are proposed through the development of a more complex topographical account of the intersections of multiple forms of marginality, as well as through the application of multiculturalist theories regarding ways to assist oppressed minorities in traditional cultures. 相似文献