唯识与般若中观所说十六空之异同——以《辩中边论》、《大般若经》第二会和《大智度论》为中心

本文以《辩中边论》、《大般若经》第二会卷488和《大智度论》为中心,对瑜伽行派和《般若经》以及中观派所说之十六空的含义进行了具体的比较,并从四个方面对三者阐释的异同做了细致的分析和总结,指出唯识学者对十六空的阐释侧重于有情能所的角度来说,对于空性、真如则侧重于有的角度加以诠释;而《般若经》和中观派则偏重于从一切法平等和空的角度来说。另外,本文还特别指出了龙树在其《大智度论》中也从有情妄执的角度来谈论空,对于第一义空也从肯定和真实有的角度加以阐释。由此可略窥唯识与中观在空义阐释上的会通与歧异之处。     

客体及其位置记忆的眼动研究(中文)

In this paper we briefly describe preliminary data from two experiments that we have carried out to investigate the relationship between visual encoding and memory for objects and their locations within scenes. In these experiments, we recorded participants′ eye movements as they viewed a photograph of a cubicle with 12 objects positioned pseudo-randomly on a desk and shelves. After viewing the photograph, participants were taken to the actual cubicle where they undertook two memory tests. Participants were asked to identify the 12 target objects(from the photograph)presented amongst 12 distractors. They were then required to place each of the objects in the location that they occupied in the photograph. These tests assessed participants′ memory for identity of the objects and their locations. In Experiment 1, we assessed the influence of the encoding period and the test delay on object identity and location memory. In Experiment 2 we manipulated scanning behaviour during encoding by "boxing"some of the objects in the photo. We showed that using boxes to change eye movement behaviour during encoding directly affected the nature of memory for the scene. The results of these studies indicate a fundamental relationship between visual encoding and memory for objects and their locations. We explain our findings in terms of the Visual Memory Model(Hollingworth & Henderson, 2002).     

泰文和中文阅读过程中的眼动控制(中文)

This paper analyses some aspects of the eye movement behaviour of readers of Thai and Chinese. The main focus is on readers′landing site distributions on words and how these are affected by the lack of clear word boundary information due to the absence of inter-word spaces. Empirical evidence from Thai and Chinese readers suggest that readers can relatively accurately target word centres. We make the case that this accuracy can be accounted for by a default targetting model(effectively, the prior landing site distribution, in Bayesian terms)modulated by statistical cues about word beginnings available from word-initial character frequencies.     

语言期望概率、不确定性输入及其对阅读的眼动研究启示(中文)

One nearly ubiquitous assumption in models of linguistic comprehension and of eye movement control in reading alike is of partial modularization between word-level and sentence-level processing: that the outcome of word recognition, and thus the input to sentence-level comprehension, is a categorial representation. Yet such a partial modularization throws away residual uncertainty regarding word identity that might potentially be of value to the comprehender further downstream in the sentence. Here I describe a line of research combining computational modeling with experimental eye-tracking work to explore the consequences of removing this partial modularity assumption.     

预防患者术中知哓的早期心理干预——颅内动脉瘤介入栓塞术患者中的研究

探讨早期心理干预在预防颅内动脉瘤栓塞术患者术中知晓的效果。将100例患者按入院先后顺序随机分为观察组和对照组,各50例,均实行整体护理,对照组给予常规的术前、术后护理,观察组在常规护理的基础上给予一系列针对术中知晓的心理护理干预措施。观察组干预前后焦虑程度明显减轻（P〈0．01）,对护理质量满意度均优于对照组（P〈0．05）,差异有统计学意义。针对不同患者心理状态进行系统的早期心理干预可减轻脑血管介入患者术前焦虑情绪,从而积极有效地预防颅内动脉瘤栓塞术患者术中知晓的发生,提高护理质量满意度。     

预防患者术中知晓的早期心理干预——颅内动脉瘤介入栓塞术患者中的研究

探讨早期心理干预在预防颅内动脉瘤栓塞术患者术中知晓的效果.将100例患者按入院先后顺序随机分为观察组和对照组,各50例,均实行整体护理,对照组给予常规的术前、术后护理,观察组在常规护理的基础上给予一系列针对术中知晓的心理护理干预措施.观察组干预前后焦虑程度明显减轻(P＜0.01),对护理质量满意度均优于对照组(P＜0.05),差异有统计学意义.针对不同患者心理状态进行系统的早期心理干预可减轻脑血管介入患者术前焦虑情绪,从而积极有效地预防颅内动脉瘤栓塞术患者术中知晓的发生,提高护理质量满意度.     

《观》卦的祭祀内涵与儒家哲学的关系

《观》卦卦爻辞记述的是古代祭祀的情景。在后来的学术流变中,儒家学者不断把自己的哲学思想附加进去,对这一祭祀活动做出种种合乎人伦哲理的解释和分析,从而使之成为儒家思想培育的沃土。这一理论阐释的发展变化过程,不仅体现了儒家哲学学术思想发展流变的理趣,更显示了儒家思想和宗教祭祀之间的密切关系。     

高师声乐教学中应该重视的几个问题

高师声乐教学的培养目标是综合型的音乐教学人才,所以在声乐教学中,要重视学生综合能力的培养,突出师范性特点,要重视声乐基础理论学习、中声区声音的训练、审美能力的培养以及学生教学能力的培养,培养能够学为所用的人才,适应基础音乐教育的实际需要。     

浅谈钢琴踏板的使用

在钢琴演奏中踏板起着非常重要的作用,踏板的正确运用可以丰富钢琴演奏的色彩并且增添音响效果的表现力和感染力。在钢琴演奏时,根据乐谱的提示和演奏者对作品的理解先要设计、想象乐句的音响效果,然后再根据三个踏板不同的功能和踏板法有的放矢地进行演奏。