Acomparison of the musical scales of the ancient Chinese bronze bell ensemble and the modern bamboo flute

We compare over a two-octave range the tonal, interval, and scale relationships of an ancient Chinese bell ensemble of the Zhou Dynasty and a modern bamboo flute. By using subjective pitches, a tonal system with simple harmonic partials (the flute) could be compared with a tonal system with complex inharmonic partials (the bell). We argue that the underlying musical scales of the bell ensemble and the flute are closely related and lie between an unequal-interval pure-system scale and the just-intonation scale. There is some evidence that a least interval of 60 or 66 cents figures in the flute scale, that both flute and bell scales include a 90-cent interval and a true (1,200-cent) octave, and that neither scale includes a 100-cent interval. Since there is a true octave, the scales cannot be cycles of fifths, and since there is no equal-temperament half-tone (100 cents), the scales cannot be equal in temperament. We conclude that the flute and Zhou bell scales are very similar if not the same. Apparently, strong cultural traditions and human perceptual constancies united to sustain a common flexible musical scale during 2,400 years.     

Grading the ‘cultural literacy’ project

The essay examines the argument advanced by E.D. Hirsch, Jr., for instituting ‘cultural literacy’ as a fundamental priority of schools. A number of confusions and equivocations in Hirsch's reasoning are identified, and the propensity of his project to indoctrinate is exposed. Among the features of Hirsch's argument shown to be troubling are his shifting construal of ‘language’, his inconsistency about the requirements of cultural literacy, and his uncritical relation to traditional images of the American past and present. The upshot is to raise the question why Hirsch's project has elicited wide support and praise.     

Referenzsemantik in der Partnermodellierung

How can we explain that an assertion on something perceived can be understood in the same manner by somebody who cannot perceive that scene? This problem bases the interest in computational linguistics in how listener modeling could possibly be harmonized with reference semantics. Mental images substituting real perception appear as a way out. The architecture of the listener model has to be adapted to the creation and use of such pictorial data structures. Furthermore, the relation between the latter and a verbal (i. e., propositional) representation must be understood. The resulting architecture of a listener model with reference semantics can be employed to solve communicational problems from three general classes in a better way, as is demonstrated by an example implementation.     

Auditory processing of brain-damaged adults under competitive listening conditions

Right CVAs, mild left CVAs, and non-brain-damaged adults received the Token Test under three conditions: quiet, white noise, and speech babble. Left CVAs performed most poorly of all groups in all conditions experiencing difficulty with subtests III, IV, and V. Right CVAs were inferior to controls on each of these three subtests in the speech babble condition only. Thus, right CVA difficulty with both memory and syntactic tasks was demonstrated in speech babble. These results are explained by the hypothesis that both hemispheres are necessary to process auditory information under complex listening conditions. Total brain capacity of right CVA patients may be overloaded if either memory load or linguistic complexity is increased in the presence of certain types of listening competition.