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Two experiments were run to investigate the locus of selectivity in a visual memory task involving differential payoff for letters correctly recalled: Major variables consisted of value instructions given before or after the exposure of a display, the ratio of high to low value, and exposure duration. The results showed that Ss make more correct reports of higher value than of lesser value, whether value instructions are given before or after the display. Furthermore, overall performance and extent of selectivity increase with increasing exposure time, but more for the before than the after conditions of instruction. These results suggest that selectivity occurs both during perception and retention and during recall.  相似文献   
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Subjects were presented with simultaneously visual and auditory material. They were instructed to attend to only one modality but were required to recall materials from both modalities, one before the other. Results supported a previous suggestion that visual recall is minimum under conditions of simultaneous presentation. That is, in situations where S is allowed to divide his attention between both inputs, visual recall was no greater than when his attention was directed away from visual input and to auditory input. It was noted that this difference in recall between the two modalities was limited to verbal material, as other data indicate the opposite effect for nonverbal material.  相似文献   
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Two methods for training the absolute judgment of pitch, reference training and series training, were studied. Reference training concentrated during training on the identification of three reference tones in a set of nine pure tones, while series training gave equal weight during training to the identification of all nine tones. Results of pre- and posttraining tests, scored for the number of correct judgments, showed that reference training was more effective than series training for listeners with musical experience. In addition, discriminability (d′) scaling of pre- and posttest performance indicated that reference training was particularly effective for training listeners with musical experience when the nine tones of a set were grouped into three pitch classes—high, medium, and low pitch. Listeners without musical experience benefited from both training methods, but their overall improvement was less than that for musical listeners.  相似文献   
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Group sessions with wives of aphasic patients   总被引:1,自引:0,他引:1  
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