The roles of order,distance, and interstitial items in temporal visual statistical learning

Humans are adept at learning regularities in a visual environment, even without explicit cues to structure and in the absence of instruction—this has been termed “visual statistical learning” (VSL). The nature of the representations resulting from VSL are still poorly understood. In five experiments, we examined the specificity of temporal VSL representations. In Experiments 1A, 1B, and 2, we compared recognition rates of triplets and all embedded pairs to chance. Robust learning of all structures was evident, and even pairs of non-adjacent items in a sequentially presented triplet (AC extracted from a triplet composed of ABC) were recognized at above-chance levels. In Experiment 3, we asked whether people could recognize rearranged pairs to examine the flexibility of learned representations. Recognition of all possible orders of target triplets and pairs was significantly higher than chance, and there were no differences between canonical orderings and their corresponding randomized orderings, suggesting that learners were not dependent upon originally experienced stimulus orderings to recognize co-occurrence. Experiment 4 demonstrates the essential role of an interstitial item in VSL representations. By comparing the learning of quadruplet sets (e.g., ABCD) and triplet sets (e.g., ABC), we found learning of AC and BD in ABCD (quadruplet) sets were better than the learning of AC in ABC (triplet) sets. This pattern of results might result from the critical role of interstitial items in statistical learning. In short, our work supports the idea of generalized representation in VSL and provides evidence about how this representation is structured.     

Death by 1000 ‘true fans’: Do marketing laws apply to music listening?

The advice to musicians and marketers is to focus on what they love: a truism for practitioners is to find 1000 ‘true fans’ and make $100 from each of them (Kelly, 2008. 1000 True fans. The Technium). If this advice is correct, we should see musicians with loyal user bases engaging more with their favourite artists and less with other music, suggesting a narrow targeting strategy would suffice. On the other hand, the established marketing laws indicate that the listeners of very different genres should overlap more than conventional wisdom would suggest, supporting the need for a much broader approach to targeting potential audiences. Given these conflicting views, musicians need to know if they should market to their existing listeners, the listeners of music similar to theirs (i.e., the same genre), or if they should try to reach a much wider audience. We turn to established choice patterns from the marketing literature to address these questions in the music context. This study examines 84,000,000 observations of music listening from 27,000 unique global users between 2013 and 2014 and survey data from 2019 containing music listening from over 1000 representative respondents in the United States. The results show that listening follows the Duplication of Purchase law for genres, artists, albums, and songs, at an annual, 6-months, 3-months, 1-month, and 1-week period, with no indication of partitioned music listening. The implication is that musicians should try to reach all potential listeners, regardless of what they already listen to. These findings contribute to the theoretical knowledge about duplication analyses of various durations, extend the contexts of choice behaviour that exhibit this pattern, and managerially, to knowledge about the extent of potential audiences and ‘share of ear’ competition.     

知道感与不知道感：两种不同的认知加工过程——一项来自行为实验的证据

脑成像研究表明,准确的知晓感（FOK）可以分为知道感和不知道感,两者可能依赖不同的大脑机制实现。该研究通过两个实验,检验了线索和靶子的频率对FOK判断准确性的影响,并在行为水平上考察了“知道感和不知道感可能通过不同的认知过程来实现”的假设。实验一表明：靶子字的频率对FOK判断的准确性有影响,即靶子为低频字时,FOK判断的准确性降低;同时,线索和靶子的字频对知道感和不知道感判断的等级没有影响。实验二显示：线索熟悉性只影响准确的不知道感判断等级,而靶项目强度只影响准确的知道感判断等级,即产生了非交叉的双重分离。综上,我们发现了靶子的字频对FOK判断准确性的影响,并从行为实验的角度证实,知道感和不知道感依赖不同的认知加工过程。     

不确定性、情绪对公正判断的影响

本研究以不确定管理模型为理论来源,采用实验法探讨了公正判断中的情绪效应。实验1采用2（两种情绪状态：愉快/愤怒）×4（四种结果：比自己多/一样多/比自己少/不知道）被试间设计。实验2采用2（两种情绪状态：愉快/愤怒）×3（三种程序：有发言权/外显无发言权/无发言权信息）被试间设计。分别考察了分配公正与程序公正判断中的情绪影响。结果发现：不确定性调节了情绪与公平判断之间的关系。当用于公平判断的外部信息不明确时,情绪充当了公平判断的线索。     

同时线索化条件下儿童返回抑制的容量

返回抑制是对先前注意过的目标再次做出反应的时候反应时延长的一种现象。返回抑制具有一定的生物学意义,忽略已经注意过的位置(或客体),使得有机体可以更加有效的注意新的内容。基于这一点,返回抑制现象应该可以在多个已经注意过的位置出现,这便是返回抑制的容量问题。在本研究中,采用同时呈现的线索化方式,考查8岁、10岁儿童在不同的实验任务——觉察任务和辨别任务——中的返回抑制容量。结果发现觉察任务中,10岁组儿童和8岁组儿童最多在5个线索化位置上出现返回抑制,但8岁年龄组的返回抑制容量缺乏稳定;辨别任务中,10岁年龄组只在一个位置上出现返回抑制,而8岁年龄组并没有明显返回抑制现象出现。年龄因素和任务类型对儿童返回抑制容量都产生了一定程度的影响。     

Immigration and Democratic Principles: On Carens’ Ethics of Immigration

Carens has done more than any other political theorist or philosopher to develop the normative perspective of prospective migrants from within the liberal democratic tradition, but he has not sufficiently engaged with the other side of the argument – in particular, with the value of political community and the principle of collective self‐determination. What is at stake for the immigrant‐receiving country that might justify its claim to control immigration? I first examine Carens’ theory of social membership and its connection to political community. I then discuss his method of ‘political theory from the ground up’ and his interpretation of democratic principles. I conclude with a discussion of the principle of collective self‐determination.     

Conceptualizing Creativity: General and Cultural Biases in Gough's Creative Personality Scale

This study analyzes the validity of Gough's Creative Personality Scale (CPS) for the Adjective Check List (ACL) by using 1773 Swiss, South Korean, and Mainland Chinese students as a sample. Four sources of potential bias were identified in Gough's CPS, two of which are general and two cultural in nature. The two general biases were investigated by conducting correlation analyses and evaluating alternative scoring methods for the CPS. As a result of the first bias, checking a large number of adjectives was found to be more important for achieving a high score than checking the relevant ones. Due to the second bias, the CPS score mostly depends on the number of positive adjectives checked while negative items have little impact. The two cultural biases were analyzed using an implicit version of the CPS (iCPS) and factor analysis. The latter revealed three different clusters of creativity type: exploratory‐type, socially responsible‐type, and intellectual‐type creativity. Based on cultural background, they are all weighted differently, causing a potential experiential bias in the CPS. Findings indicate that in South Korea and Mainland China socially responsible‐type creativity dominates whereas in Switzerland exploratory‐type creativity prevails. Findings from the iCPS suggest the second cultural bias, the socially desirable responding bias arising from differences in responding styles among the three cultures.     

Culture,psychological proximity to the past and future,and self-continuity

The present research explores how culture influences individuals’ psychological proximity to the past and future, which may predict differences in perceived self-continuity across time. In Studies 1 and 2, we hypothesized and found that Chinese participants saw the past and future as more connected and subjectively closer to the present compared to Euro-Canadians. Following this, we expected and found in Studies 3 and 4 that Chinese participants perceived greater self-continuity over time than Euro-Canadians. Additionally, perceived closeness to the past mediated the effect of culture on past–present self-continuity, which subsequently predicted present–future self-continuity. Study 5 further documented a causal effect of perceived distance to the past on self-continuity. These results suggest that cultural differences in temporal attention to the past and future play a pivotal role in people's sense of self-continuity across time. This has important implications for temporal focalism, intertemporal discounting, and social interactions between Chinese and Euro-Canadians.     

中国背景下自我效能感与心理健康的元分析

社会认知理论指出自我效能感对心理健康具有重要意义,但两者的关系在以往的研究中尚不一致。当前研究采用元分析技术分析自我效能感对心理健康影响的主效应,并重点考察各调节变量在两者关系中的调节效应。通过文献检索和筛查,最终符合元分析纳入标准的文献有117篇。结果表明,自我效能感与心理健康积极因素呈显著正相关,而与心理健康消极因素呈显著负相关。此外自我效能感与心理健康的关系受自我效能感层级、社会发展和性别的调节;而年龄阶段仅调节了自我效能感与心理健康积极因素的关系。以上结果说明,高自我效能感个体的心理健康水平更高,同时还要考虑年龄阶段、自我效能感层级、社会发展和性别在两者关系中的作用。