Unconscious phantasy and its conceptualizations: An attempt at conceptual integration

That there is a lack of consensus as to how to decide between competing, at times even contradictory theories, and about how to integrate divergent concepts and theories is well known. In view of this situation, the IPA Committee on Conceptual Integration (2009–2013) developed a method for comparing the different versions of any given concept, together with the underlying theories and fundamental assumptions on which they are based. Only when situated in the same frame of reference do similarities and differences begin to appear in a methodically comprehensible and reproducible form. After having studied the concept of enactment followed by the publication of a paper in this Journal in 2013, we proceeded to analyze the concept of unconscious phantasy while at the same time continuing to improve our method. Unconscious phantasy counts among the central concepts in psychoanalysis. We identified a wide range of definitions along with their various theoretical backgrounds. Our primary concern in the present paper addresses the dimensional analysis of the semantic space occupied by the various conceptualizations. By way of deconstructing the concepts we endeavoured to establish the extent to which the integration of the different conceptualizations of unconscious phantasy might be achieved.     

A matter of time: actual time and the production of the past

In psychoanalytic theory, space metaphors are frequently used to describe the psychic apparatus. As for time, it is traditionally invoked under the heading of timelessness of the unconscious, more aptly described as the resistance of the repressed to wearing away with time. This paper examines how the insertion of time into psychic events and structural differentiation form a single process. After looking into the parallelism between phenomenological and psychoanalytic views of time and differentiation, the author draws a distinction between two time categories: chronological versus actual. A clinical example is presented.     

The Time Before Us (The Unpast in W. S. Merwin,W. Benjamin,and V. Woolf)

Freud and Winnicott have expressed the opinion that if their psychoanalytic ideas are correct, then poets and writers will have thought of them first. The author of the present article, who, in a previous work, has developed the concept of “actual time” on metapsychological grounds, concurs with their opinion by showing that variants of “actual time” can be found in the works of the American poet W. S. Merwin, the British writer Virginia Woolf, and the German philosopher Walter Benjamin. Their poetry, literary prose, and philosophy, respectively, are shown to resonate with the time dimension of the psychoanalytic process.