The scapegoat archetype

Summary Relying on some of the principles of Jung's analytical psychology, the writer has presented a hypothesis of the primordial image of the scapegoat, tracing its origins in antiquity and in the collective unconscious of man, its associations with the God-image and its development in the history of Judaeo-Christian religion, of the administration of justice and of the treatment of mental illness. The conclusion is reached that the scapegoat is an anachronism that the human race has outgrown, a luxury we can no longer afford to keep, and that a realization of this fact is important for the times in which we live.     

Conditioned reinforcement in second-order schedules

Pigeons responded under a schedule in which food was presented only after a fixed number of fixed-interval components were completed. Two such second-order schedules were studied: under one, 30 consecutive 2-min fixed-interval components were required; under the other, 15 consecutive 4-min fixed-interval components were required. Under both schedules, when a 0.7-sec stimulus light was presented at completion of each fixed interval, positively accelerated responding developed in each component. When no stimulus change occurred at completion of each fixed interval, relatively low and constant rates of responding prevailed in each component; a similar result was obtained when a 0.7-sec stimulus change occurred at completion of each fixed interval except the one which terminated with primary reinforcement. The 0.7-sec stimulus correlated with food delivery was an effective conditioned reinforcer in maintaining patterns of responding in fixed-interval components despite low average frequencies of food reinforcement.     

The concept of the fully functioning person

Conclusion Here then is my theoretical model of the person who emerges from therapy—a person functioning freely in all the fullness of his organismic potentialities; a person who is dependable in being realistic, self-enhancing, socialized and appropriate in his behavior; a creative person, whose specific formings of behavior are not easily predictable; a person who is ever changing, ever developing, always discovering himself and the newness in himself in each succeeding moment of time. This is the person who in an imperfect way actually emerges from the experience of safety and freedom in a therapeutic experience, and this is the person whom I have tried to describe for you in pure form.My purpose has not been to convince you of the correctness of this view. Indeed I would have to confess that I have written this paper primarily for my own satisfaction, to clarify the thoughts which have been stirring in me. But if this presentation causes you to formulate your view of the person who emerges from therapy, or enables you to point out flaws in my own thinking which I have not yet seen, or arouses in you the desire to put to objective test either this picture or one which you paint for yourself, then it will have fully served both its primary and its secondary purpose.Reprinted by permission from Psychotherapy: Theory, Research and Practice, Vol. 1, No. 1, August, 1963.     

Extrasensory perception,near-death experiences,and the limits of scientific knowledge

If mental state can influence the external world, or if alternate dimensions of reality are accessible only in certain mental states, then important aspects of the universe are unknowable with current scientific tools. Near-death studies suggest that both those conditions may occur. Thus the exploration of NDE-like phenomena requires a radically new scientific paradigm.     

Graphic precision: Controlling stimulus displays on IBM PC-compatible computers

Tachistoscopic presentation of stimuli on IBM PC-compatible computers is limited by a number of factors, including video retrace rates, screen scrolling, and the shape and density of picture elements. A method is presented for overcoming these difficulties through the use of enhanced graphic adapters or video graphic arrays. A C-language program demonstrates (1) synchronous scroll-free displays achieved by writing alternating images to “hidden” pages of video memory, (2) alternative techniques for erasing images, and (3) use of an empirically derived aspect ratio to produce symmetrical figures.