The Propulsion Model of Creative Contributions Applied to the Arts and Letters

This article applies a propulsion model of creative contributions to the arts and letters. The basic notion is that creative contributions differ not only in the amounts of creativity they display but also in the types of creative contributions they make. The article opens with a general discussion of creative contributions and next considers some existing models of creative contributions. It then describes the propulsion model for understanding creative contributions and suggests eight types of contributions that follow from the propulsion model. Next the article describes some contributions in the arts and letters and shows how the propulsion model can be applied to understanding them. Finally the article discusses why such a model can be useful in evaluating the status of creative work, of individuals, and of a domain.     

Plans and the Initiation of Social Relationships

Researchers interested in cognitive approaches to relational communication have typically sought explanations for how cognition influences the interpretation of social actions. Few attempts have been made to understand how cognitive structures guide action production. This study extends the work of such researchers by demonstrating the relationship of plans to two social outcomes, loneliness and shyness. College students described how they would request a date from a member of the opposite sex and how they would ingratiate themselves to a new roommate. Each plan was judged for its effectiveness (i.e., likelihood of success) and analyzed for the types of actions represented within it. As hypothesized, loneliness and shyness were inversely related to plan effectiveness in the date-requesting domain for males but not for females. Loneliness and shyness were inversely related to plan effectiveness in the roommate ingratiation situation for both sexes. Results are discussed in terms of their implications for theories of planning and action production in social interactions.     

THE DISCOURSE OF REQUESTS

A corpus of transcribed, oral requests used in a previous study of compliance-gaining strategies (Tracy, Craig, Smith, & Spisak, 1984) is examined interpretively from the perspective of the politeness theory of Brown and Levinson (1978). Findings include the following: (1) politeness strategies occur in great abundance and variety; (2) superstrategies are mixed in varyingly skillful ways; (3) goals are accomplished through multifunctional discourse; (4) the interpretation of politeness strategies confronts several kinds of indeterminacy; (5) facework strategies that fall outside the scope of the politeness theory, including aggravation and speaker-oriented strategies, are much in evidence. In response to the several theoretical problems that emerge in the course of the analysis, six tenets on which to build a new theory of facework are proposed.