Acceleration of the therapeutic process with group

This paper deals with the impact of adding group to individual treatment of patients with neurotic character problems and attempts to illustrate the efficacy of this dual approach. The formidable task for the individual therapist is to make these patients see that their habitual ways of reacting are pathological and stem from repressed intrapsychic conflicts. This task is facilitated in a group in a number of ways since the group setting becomes an arena that affords wider therapeutic scrutiny. Having become aware that behavioral characteristics disguise anxiety, other group members initiate independent efforts to extract the underlying meanings for their fellow members. Their interventions are often more effective and acceptable because they are less likely than the therapist to be perceived in the projected image of the bad parent.Copyright, 1980, Washington Square Institute for Psychotherapy and Mental Health, which published this paper in No. 7 of the Group Psychotherapy Monograph Series, after the paper had been presented at the Seventh Annual Conference of the Group Psychotherapy Department.     

Engaging families in therapy: A pilot study

Engagement is reviewed as a central component of marriage and family therapy and presented as a viable means of assessing the nature and outcome of therapy. A tentative model containing six differentiated engagement categories is described and documented with clinical data and case examples. Conclusions drawn indicate engagement has merit as a construct for evaluating marriage and family therapy and as a means of generating process hypotheses in research. Recommendations to validate, refine and revise the model are posited and further research relative to engagement is advocated.James P. Trotzer, Ph.D. is Professor of Counselor Education at the University of Visconsin-River Falls, River Falls, Wisconsin 54022, marriage and family therapist in private practice     

The role of imagery in the representation of linear orderings

Two experiments were carried out to investigate whether visual imagery was used in representing transitive linear ordering relationships. Subjects were presented with passages describing either a linear ordering or a set inclusion relationship, while being subjected to either visual or verbal interference. Performance was tested by asking subjects to judge the truth or falsity of statements concerning both the information presented in the passages and inferences that could be drawn from this information. In neither experiment was there any evidence for the linear ordering material being selectively disrupted by the visual interference task, as would have been predicted by the imagery theory. Thus it is concluded that linear orderings are probably not represented as visual images.     

Relationships between judgements of the complexity,pleasingness and interestingness of music

Forty unfamiliar, one-minute samples of modern jazz were rated by 132 undergraduates for judged complexity, pleasingness and interestingness, in a between-subjects design. Pleasingness and interestingness were positively correlated and both were decreasing linear functions of complexity, although the correlation between interestingness and complexity was low and only marginally significant. It appears that pleasingness acts as a suppressor on the interestingness/complexity correlation: with pleasingness partialled out the correlation was positive and highly significant. Partialling had only small effects on the other correlations. Results suggest that techniques used previously to study non-musical stimuli may also be applicable to music.     

Visual comparison processes: Identity and similarity decisions

In the first experiment, in which two successively presented free-form visual patterns varied in their similarity to each other, subjects had to decide, in one condition, if the patterns were “identical” and in two other conditions if the patterns were “similar.” Qualitative individual differences in the effect of similarity on the time required to make a decision were found in the “identity” condition, and these differences interacted with the “similarity” conditions. The individual differences and the experimental effects are interpreted in terms of a two-process model of the visual comparison process—a holistic matching process that is sometimes accompanied by an analytic difference detection process. In the second experiment, the same subjects repeatedly categorized subsets of the free-form visual patterns on the basis of similarity. There appeared to be no individual differences in the subjects’ perceptions of similarity, but subjects’ perceptions did differ from the assumptions made by the experimenters when they established the response criteria for the first experiment.     

Stimulus intensity effects on auditory and visual reaction processes.

Literature on the effect of stimulus intensity on reaction processes was reviewed. It was shown that there is no agreement as to whether intensity effects are limited to encoding or whether they are extended to later processing stages. The situation can be characterized as an asymmetry between modalities: vision is consistent with the first alternative and audition with the second.Chronometric analysis was used to bear on the question. It was shown that the effects of visual intensity and foreperiod (FP) are additive in a simple RT situation both for constant and mixed blocks FP. Auditory intensity and FP interact in both simple and two-choice situations. In a control experiment visual intensity and S-R compatibility were found to be additive. The asymmetry was accounted for by auditory alerting, previously discussed by several authors.The framework of stimulus intensity research utilizing RT measures was briefly evaluated.     

The contribution of relaxation and expectancy to fear reduction via graded, imaginal exposure to feared stimuli

Speech phobic subjects received five treatment sessions under either positive or neutral expectancy set. Therapy conditions included hierarchy exposure with contiguous relaxation (desensitization), exposure with noncontiguous relaxation, exposure only, and no-treatment. Expectancy had virtually no outcome effects. Desensitization was superior to the other conditions on subjective outcome measures. In contrast to the two exposure conditions without contiguous relaxation, desensitization resulted in increased imagery vividness, greater cardiovascular response to the first visualization of the initial hierarchy scene, and greater declines in cardiovascular response within repetitious visualizations of scenes and across initial visualizations of increasingly anxiety-provoking scenes. Expectancy significantly influenced both fear ratings and cardiovascular response to scenes during the first session, the latter effect disappearing after the first session. The results are discussed in terms of recent theorizing regarding the role of relaxation and expectancy in desensitization.