Central integration effects with stabilized afterimages

Prolonged patterned afterimages were used to study integration effects in stabilized images. Seven Ss were presented with various configurations of a pattern through a prism stereoscope, both monocularly and binocularly. Some of the fragmentations and regenerations reported in the binocular condition could only have resulted as a function of organization of the inputs to the two eyes, suggesting that postretinal processes are operative in stabilized image phenomena.     

Simultaneous electronic recording of video and digital information on the video channel of a VTR or VCR

A technique is described that permits precise synchronization of video recorded behavior with discrete stimuli and responses. These discrete events are recorded as digital data on the video channel of a video recorder on a horizontal line that lies above the visible video information. These data may be observed in single-frame playback mode by underscanning the playback monitor. A circuit is described for computerized decoding of the digital data. Because each video field is uniquely coded, an updating of the data is possible 60 times each second. The described technique has several advantages over current approaches for synchronizing discrete stimulus and response events with video recorded behavior.     

Intonation and meaning

A general theory of meaning is introduced, based on a distinction between the content of a mental act and its mode of arousal. The distinction is extended to speech acts and to the role of intonation in determining their mode of utterance. Difference judgments based on intonation are used to produce a mode space with dimensions of Credence, Option, Salience, Arousal, and Weak Belief. It is argued that the modal function of intonations should not be restricted to the enrichment of declarations. The distinction between mode and content is used to separate the specficially linguistic content of intonations from other contents which they convey perceptually and by implication.This research was supported by a Canada Council Doctoral Fellowship) (W70 3030, W71 4373).     

Symposium on Ripstein's Force and Freedom: Introduction

This introduction provides a very brief sketch of the fundamental claims of Arthur Ripstein's Force and Freedom before locating the criticisms of his interlocutors in relation to those claims. Valentini and Sangiovanni are situated as critics of the Kantian frame, while Ronzoni and Williams are critics situated within that frame.     

Bias-free improvement in wine discrimination.

Over three test sessions alternated with two training sessions, accuracy of 'same'/'different' judgments of four dry, white wines improved 14%. Confidence ratings were obtained so that the area under the isosensitivity curve could be computed as a bias-free measure of accuracy while the wine used for same pairs was held constant. An initial bias for 'different' judgments persisted, rather than disappearing as Walk found. While perceptual learning did occur, the problem of attending to irrelevant differences was not overcome.     

Using cultural theory to analyze psychotherapy

This paper introduces cultural theory, which used to be called Grid-Group theory, as a useful model to provide a basis for ordering research, for understanding face-to-face relationships and linking together various levels of human experience.     

Winnicott's invitation to ‘further games of Jung‐analysis’

Winnicott signs off his celebrated review of Jung's (1963) autobiography Memories, Dreams, Reflections with the warning that translation of ‘erreichten’ as ‘attained’ (implying assimilation) rather than as ‘reached to’, could ‘queer the pitch for further games of Jung‐analysis’. This subtly underscores his view that Jung—who he described earlier as ‘mentally split’ and lacking ‘a self with which to know’—remained essentially dissociated. However, Winnicott, whilst immersed in this work on Jung, wrote a letter to Michael Fordham describing himself as suffering ‘a lifelong malady’ of ‘dissociation’. But this he now reported repaired through a ‘splitting headache’ dream of destruction, dreamt ‘for Jung, and for some of my patients, as well as for myself’ (Winnicott 1989, p. 228). Winnicott's recurrent concern during his last decade was with ‘reaching to’—that quintessential Winnicottian term—some reparative experience that could address such difficulties in constellating a ‘unit self’. This is correlated with his engagement with Jung and tracked through his contemporaneous clinical work, particularly ‘Fear of Breakdown’ (1963). Themes first introduced by Sedgwick (2008) and developed by the author's earlier ‘Winnicott on Jung; destruction, creativity and the unrepressed unconscious’ (2011) are given further consideration.