What's the subject? Brexit and politics as articulation

This paper focuses on the moment of Brexit and its political aftermath in order to challenge dominant academic and popular conceptions of the political subject as singular and coherent. Instead, we suggest that there is an urgent political and analytical need for a view of the subject as multiple, contradictory, and dialogic. As interdisciplinary scholars working on the borders of policy studies and cultural studies, we think this is a critical site for transdisciplinary conversations about such conceptions of the subject. In the political field, such subjects are selectively and unevenly addressed and mobilized by political projects—such as Vote Leave—that invite them to recognize themselves as part of an imagined collective identity. In the twin disturbances of the European Union referendum and the 2017 general election, we suggest that it is possible to see that other voicings, other identifications, and other projects remain possible. Specific political mobilizations are neither singular nor stable.     

Locke on the Idea of Substratum

Locke's treatment of substratum is notoriously difficult. Accordingto one commentator, 'nothing else in the writings of any philosopher matches the doubleness of attitude of the passages about substratum in Locke's Essay' (Bennett 1987, 197). The aim of the present paper is to render consistent Locke's seemingly divergent strands on the subject. My efforts are organized around three levels of apparent duplicity. At each level, I argue that the doubleness of attitude in Locke's treatment is merely apparent. I argue further that Locke means to ground an empiricist-friendly idea of substratum in the customary experience of simple ideas that 'go constantly together.'     

Interacting plans

The paper explores certain phenomena which arise in stories, conversations, and human activity in general when the plans of two individuals are formed and carried out in an interactive situation. A notation system for representing interacting plans is introduced and applied in the analysis of a small portion of “Hansel and Gretel.” The analysis illustrates how a single actor plan can be modified by the needs of cooperative interaction with others and how cooperative interactive episodes can be transformed and used deceptively by one party in achieving his or her own covert goals.