Threshold exposure duration as a function of luminance for visual recognition

Threshold exposure duration was measured at set luminances for recognition at successively higher criteria of 1, 2, 3, 4, and 5 correct letters in nonsense words. Two sizes of letters were used and triads of Landolt “Cs” were compared with letters. Tachistoscopic procedures were the typical ascending seriesin the method of limits and pre- and postexposure light adaptation. Obtained log t vs log I functions were two-part straight line curves both describable by the equation, log t + log I^k = log C, but with k and C abruptly changing at a certain I. Reciprocity (k = 1) held only for low Is and the low criterion; as criterion was raised at low Is k became less negative (about ?.60 at five correct) for both sizesand for “Cs.” At higher Is, k shifted from ?.25 to ?.40 with increasing criterion for large letters, but variedaround ?.45 at all criteria for small. The lower the criterion, the lower the / and t at which k and C abruptly changed for large letters, but only t was lower for small. Changes in t with acuity requirement change, and from one criterion level to the next, were not uniform over all Is. Results may reflect obscuring procedural factors or basic properties of visual recognition processes. Some interpretations in terms of procedural variables are offered. It appears more likely that visual recognition involves central processes for which time is needed in excess of that for summation of luminances for mere detection by sensory processes, as expressed in Bloch s’ reciprocity law.     

Toward meaningful noise research

The present review considers a series of studies of noise conducted in collaboration with Dr. Michel Loeb. This review attempts to provide a theoretical perspective as well as to summarize the most important findings of those studies. The work reviewed shows that noise effects interact with other variables, such that a noise effect on one sex is reversed for the other, and is also reversed at different times of the day. A second experiment confirmed this finding with a different arithmetic task. Further work indicated parallels between noise and fatigue, with aftereffects depending upon both work and noise. The final experiment repeated some of these findings with a different task battery of information processing tasks while showing that noise effects further depend on the meaningfulness of the noise background.     

A hierarchy of sexual harassment

Undergraduate students (143 males, 100 females) and working women (n = 48) read 18 scenarios depicting a wide range of types of sexual harassment behaviors and indicated whether they personally perceived each type of behavior to be sexual harassment. A hierarchy of harassment was developed on the basis of the subjects' perceptions. Potential differences between the perceptions of working women and female students and between the perceptions of male and female students were also investigated. Although a general consensus emerged regarding the relative perceived severity of the different types of sexual harassment, the percentage of working women who considered the behaviors to be sexual harassment was greater than the percentage of female students who considered them so.     

The Mezzich MMPI regression formula revisited

In a sample of depressed psychiatric inpatients, the Mezzich regression formula, based on five MMPI scales, correlated moderately with clinicians' judgments and yielded few false negative diagnoses in identifying patients with unipolar Major Depressive Disorder, but was less effective in eliminating false positives.     

Behavior analytic studies of creativity: A critical review

Studies that treat creativity as operant behavior were critically reviewed. Of the twenty studies, most met minimal requirements for methodological adequacy; all provided at least some evidence for increased creative responding. Major difficulties involved potential confounds between instructions and contingencies, lack of an independent record of the training interaction, lack of social validation data, and very limited evidence for generalization. Several issues were discussed: problems in the behavioral definition of creativity, objections to the use of contingent reinforcement, and the need for empirical analysis of the creative process.     

An Absolutist Theory of Faultless Disagreement in Aesthetics

Some philosophers writing on the possibility of faultless disagreement have argued that the only way to account for the intuition that there could be disagreements which are faultless in every sense is to accept a relativistic semantics. In this article we demonstrate that this view is mistaken by constructing an absolutist semantics for a particular domain – aesthetic discourse – which allows for the possibility of genuinely faultless disagreements. We argue that this position (Humean absolutism) is an improvement over previous absolutist responses to the relativist's challenge and that it presents an independently plausible account of the semantics of aesthetic discourse.