Religion and Suicide in Patients with Mental Illness or Cancer

In Switzerland, the highest rates of suicide are observed in persons without religious affiliation and the lowest in Catholics, with Protestants in an intermediate position. We examined whether this association was modified by concomitant psychiatric diagnoses or malignancies, based on 6,909 suicides (ICD‐10 codes X60‐X84) recorded in 3.69 million adult residents 2001–2008. Suicides were related to mental illness or cancer if codes F or C, respectively, were mentioned on the death certificate. The protective effect of religion was substantially stronger if a diagnosis of cancer was mentioned on the death certificate and weaker if a mental illness was mentioned.     

Effects of sad mood on time-based prospective memory

Very little is known about the influence of emotional factors on prospective memory (PM) performance. We used a mood induction (neutral or sad) to examine the effects of sad mood on time-based PM performance. Based on Ellis and Ashbrook's (1988) resource allocation model, we hypothesised an adverse effect of sad mood on PM performance. Results revealed that participants who responded to the sad mood induction procedure showed reduced PM performance that mainly resulted from a decreased timeliness of PM responses, but only in the first half of the task. Mood effects on PM could be explained in terms of reduced and less accurate monitoring. Implications for concepts of PM and the assessment of emotional after-effects are discussed.     

Intersections of Queer art and African Indigenous Culture: The Case of Inxeba (The Wound)

ABSTRACT

This article assesses some recurrent criticisms based on respect for traditional culture levelled at artworks that thematise non-heteronormative gender positionalities in South Africa. More specifically, it reconsiders the stormy, local reception of the South African movie Inxeba (The Wound), a queer love story set in the context of the male initiation rites of the Xhosa community. The article focuses on criticisms of the movie based on the alleged misrepresentation and misappropriation of indigenous cultural practices. It aims to reflect on the complicated knot of problems that queer artists and activists have to navigate in South Africa, including entrenched heteronormative traditions, but also multiculturality and racial privilege. New ways of negotiating these problems are proposed through the development of a more complex topographical account of the intersections of multiple forms of marginality, as well as through the application of multiculturalist theories regarding ways to assist oppressed minorities in traditional cultures.