IV—Kant's Argument for Transcendental Idealism in the Transcendental Aesthetic

This paper gives an interpretation of Kant's argument for transcendental idealism in the Transcendental Aesthetic. I argue against a common way of reading this argument, which sees Kant as arguing that substantive a priori claims about mind-independent reality would be unintelligible because we cannot explain the source of their justification. I argue that Kant's concern with how synthetic a priori propositions are possible is not a concern with the source of their justification, but with how they can have objects. I argue that Kant's notion of intuition needs to be understood as a kind of representation which involves the presence to consciousness of the object it represents, and that this means that a priori intuition cannot present us with a mind-independent feature of reality.     

The Context of Current Content Analysis of Gender Roles: An Introduction to a Special Issue

The aim of this paper is to provide context for the quantitative content analyses of gender roles that are to be included in both parts of this special issue. First, a timeline of historical uses of the content analysis methodology is presented. Second, research objectives that frequently drive content analysis of gender roles are described; these include: to support feminist claims, to compare media with real life, to predict effects on audiences, and to detect effects of media producers on content. Third, previous content analyses published in Sex Roles and other gender-focused journals are reviewed and categorized in terms of medium, genre, time span, gender, and nationality. Finally, contributions of each of the articles in this special issue are outlined.     

Look who's talking? Sound changes gaze behaviour in a dynamic social scene

Humans often look at other people in natural scenes, and previous research has shown that these looks follow the conversation and that they are sensitive to sound in audiovisual speech perception. In the present experiment, participants viewed video clips of four people involved in a discussion. By removing the sound, we asked whether auditory information would affect when speakers were fixated, how fixations between different observers were synchronized, and whether the eyes or mouth were looked at most often. The results showed that sound changed the timing of looks—by alerting observers to changes in conversation and attracting attention to the speaker. Clips with sound also led to greater attentional synchrony, with more observers fixating the same regions at the same time. However, looks towards the eyes of the people continued to dominate and were unaffected by removing the sound. These findings provide a rich example of multimodal social attention.     

Arendt and Augustine: More Than One Kind of Love

Although Hannah Arendt is not usually read as a philosopher of religion, her political philosophy is noticeably filled with references to religious figures and thinkers, including Jesus of Nazareth, Augustine and Duns Scotus. Also notable is the implicit centrality in her thought of amor mundi, or love of the world. The difficulty is that although she spoke to her students about it, she rarely wrote about amor mundi. In this article, I seek to provide a plausible explanation of the meaning of amor mundi in Arendt’s thought, drawing in particular upon the influence of Augustine on Arendt’s unique development of the ethical and political principle of love for the world. Specifically, through a close reading of Arendt’s doctoral dissertation, Love and Saint Augustine, I identify the relationship between Augustine’s conception of cupiditas and Arendt’s conception of amor mundi.     

Transfer across Form and Modality in Implicit and Explicit Memory

Three experiments examined transfer across form (words/pictures) and modality (visual/ auditory) in written word, auditory word, and pictorial implicit memory tests, as well as on a free recall task. Experiment 1 showed no significant transfer across form on any of the three implicit memory tests,and an asymmetric pattern of transfer across modality. In contrast, the free recall results revealed a very different picture. Experiment 2 further investigated the asymmetric modality effects obtained for the implicit memory measures by employing articulatory suppression and picture naming to control the generation of phonological codes. Finally, Experiment 3 examined the effects of overt word naming and covert picture labelling on transfer between study and test form. The results of the experiments are discussed in relation to Tulving and Schacter's (1990) Perceptual Representation Systems framework and Roediger's (1990) Transfer Appropriate Processing theory.