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Between three serial two-choice reaction-time tasks, the response-stimulus interval (RSI), stimulus-response compatibility, and practice were varied in order to examine two determinants of sequential effects — subjective expectancy and automatic aftereffect. It appears that subjective expectancy is absent when the RSI is below a critical minimum. In an incompatible task, however, this minimum is greater. This is interpreted in support of the single-channel hypothesis: the subject only builds up expectancies when the “central processor” is unoccupied. The automatic aftereffect increases as the RSI decreases. The decay of the aftereffect seems to take place mainly during the RSI and only to a minor degree during the reaction process. Normally, a strong aftereffect operates in a general way, but after extensive practice it becomes stimulus specific. A model is presented, which assumes that only at the initial stages of practice is the unused “neural pathway” inhibited each time the stimulus is an alternation.  相似文献   
35.
Louis R. Ormont 《Group》1980,4(4):17-26
This article presents an experiential approach to supervision which evolved over a 15 year period. Through the use of the feelings induced in a group of colleagues, the countertransferential difficulties of the presenter can be ascertained. From there the dynamics of the group under discussion can be sorted out, and interventions can be developed. Various forms of countertrans-ferential reactions are described. Examples are offered to link practice with theory.Address delivered at the Boston Institute for Psychotherapies Conference on Supervision: Theory and Process on November 3, 1979.  相似文献   
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Five subjects were required in each trial to directly compare two pairs of tones and indicate which pair of tones had the greater loudness difference. Ten 1,200-Hz tones differing only in intensity were employed. Subjects made binary comparisons among the 45 tone pairs that can be formed from these 10 tones. The loudness difference comparisons of each subject were found to satisfy two properties (transitivity and monotonicity) that are required for an interval scale representation of loudness. Therefore, individual loudness scales were constructed using a nonmetric scaling technique designed for comparisons of sensory intervals. These loudness scales differed significantly from subject to subject. Since a nonnumerical scaling procedure was employed, these individual differences could not be attributed to biases in the way in which observers use numbers or numerical concepts to describe the loudness of tones. Hence, they suggest strong individual differences in the coding of sound intensity.  相似文献   
37.
A model is developed which holds that pure-tone intensity discrimination and suprathreshold loudness judgments are based on the same sensory representation. In this model, loudness is a power function of sound intensity. When two tones are presented sequentially, each gives rise to a loudness value along the sensory continuum. In intensity-discrimination experiments, threshold is reached when the loudness difference between the tones exceeds a criterial value. For suprathreshold presentations of tone pairs, judgments of loudness differences are based on the loudness difference between the two tones. The model is shown to accord well with data from both classes of experiments.  相似文献   
38.
Patterns varying in form goodness and size were presented for 15, 30, and 45 msec. The experiment included three independent groups of subjects. Half of the first group were presented size variations with good figures, while the other half were shown size variations with poor figures. Half of the second group were presented goodness variations with small figures, while the other half were shown goodness variations with large figures. A third group experienced variations in both goodness and size. The major findings were: (1) poor figures and large figures were judged “longer” than good or small figures when varied within a session; (2) this effect vanished when the different levels of size or goodness were presented to separate groups of subjects; (3) the magnitude of the difference in temporal estimation was the same for size and goodness when each was varied in isolation; (4) when size and form goodness were varied orthogonally in the same session, both dimensions produced reliable changes in temporal estimation. These data are discussed in light of current theoretical explanations of the filled duration illusion.  相似文献   
39.
The purpose of this essay is to explore the symptom of the denial of feelings and the subsequent recovery of feelings in relation to the task of uniting the human self. The spiritual, emotional, and physical implications of an exemplary narrative from the collection edited by Jacob and Wilhelm Grimm are discussed in relation to the telescoping of the emotion of fear, the sensation of shuddering, and the experience of anxiety about the integrity of the self. The reader is cautioned that the study of folktales enriches our telling of them and is itself justified by that telling.  相似文献   
40.
In a study designed to test Patterson's arousal model of nonverbal intimacy, the heartrate, gaze, smiles, body orientation, and body lean of each of 40 female subjects who interacted with an accomplice were measured. Within a factorial design, subjects were induced to view more or less favorably the accomplice, who subsequently increased or maintained the same level of nonverbal immediacy as she did in an earlier session. It was hypothesized that (1) an increase in the accomplice's immediacy would effect an increase in subjects' arousal (heartrate) which, in turn, (2) would lead to either reciprocal or compensatory nonverbal adjustments by subjects, depending on whether they viewed the accomplice more or less favorably, respectively. The results supported the first but not the second hypothesis. However, interpretation of the results suggests, nevertheless, that they may be consistent with the arousal model.  相似文献   
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