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11.
Individuals express their creativity through a variety of thinking and creating styles (Wechsler, 2006, 2007). These constructs underlie the Thinking and Creating Styles Scale (TCSS), which is used to identify individuals' creating styles. The aim of this research is to assess the factorial structure of the Portuguese version of the TCSS. Two studies were performed using 414 and 369 Portuguese participants with mean ages of 29.25 and 29.35 years, respectively. Study 1 consisted of an exploratory factor analysis that yielded a three‐factor solution. Study 2 consisted of a confirmatory factor analysis used to test the fit and compare the suitability of several factorial solutions. The three‐factor model (Non‐Conforming/Transformer, Cautious/Reflexive, and Logical/Objective) with the best statistical fit was called the Troika Model. In this model, each factor had five items and showed good and acceptable indices of fit. This new three‐factor structure results in a more efficient and attractive version of the TCSS: the Creating and Thinking Styles‐Troika Scale (CTS‐TS). Future studies should use the CTS‐TS and other creativity assessment instruments to explore the creativity level and style dichotomy.  相似文献   
12.
The Test for Creative Thinking-Drawing Production (TCT-DP, Urban & Jellen, 1986) is one of the most used instruments for the assessment of creative potential. Few studies exist regarding its factorial structure, and all of them were limited to using an exploratory approach. The aim of this research was to assess the factorial structure of the TCT-DP (Form A) for undergraduate and postgraduate Portuguese students. Two studies were performed, where Study 1 (967 participants) consisted of an exploratory factor analysis (EFA) that yielded a 2-factor solution and Study 2 (920 participants) consisted of a confirmatory factor analysis (CFA) used to test the fit and compare the suitability of the 2 factorial solutions with alternative models. The 2-factor model exhibited good and acceptable indices of fit. The factors represented Innovativeness and Adaptiveness. This model was called Two Tracks of Thought (TTT). Its structure suggests the importance of both non-conventional and conventional thinking for the creative process.  相似文献   
13.
Research has shown that exposure to violent media increases aggression. However, the neural underpinnings of violent-media-related aggression are poorly understood. Additionally, few experiments have tested hypotheses concerning how to reduce violent-media-related aggression. In this experiment, we focused on a brain area involved in the regulation of aggressive impulses—the right ventrolateral prefrontal cortex (rVLPFC). We tested the hypothesis that brain polarization through anodal transcranial direct current stimulation (tDCS) over rVLPFC reduces aggression related to violent video games. Participants (N = 79) were randomly assigned to play a violent or a nonviolent video game while receiving anodal or sham stimulation. Afterward, participants aggressed against an ostensible partner using the Taylor aggression paradigm (Taylor Journal of Personality, 35, 297–310, 1967), which measures both unprovoked and provoked aggression. Among those who received sham stimulation, unprovoked aggression was significantly higher for violent-game players than for nonviolent-game players. Among those who received anodal stimulation, unprovoked aggression did not differ for violent- and nonviolent-game players. Thus, anodal stimulation reduced unprovoked aggression in violent-game players. No significant effects were found for provoked aggression, suggesting tit-for-tat responding. This experiment sheds light on one possible neural underpinning of violent-media-related aggression—the rVLPFC, a brain area involved in regulating negative feelings and aggressive impulses.  相似文献   
14.
The hypothesis that awareness of phonemic segments influences the way in which speech is perceived was examined. Illiterate adults, who generally lack awareness of segments, were compared with literates, who are aware of the segmental structure of speech, on the recognition of words presented dichotically. A group of people who learned to read and write but who do it only occasionally was also tested. The results indicated much better performance in literates than in illiterates or semiliterates. In addition, literates made proportionally more single-segment errors, especially those limited to the first consonant, and fewer global errors, i.e. on all the segments of a syllable, than illiterates. On the other hand, phonetic feature blendings were as frequent in illiterates as in literates. It is suggested that awareness of segments allows attention to be focused on the phonemic constituents of speech and thus contributes to better recognition in difficult listening conditions. However, awareness of segments does not influence the preattentive extraction of phonetic information.

The hypothesis that awareness of phonemic segments influences the way in which speech is perceived was examined. Illiterate adults, who generally lack awareness of segments, were compared with literates, who are aware of the segmental structure of speech, on the recognition of words presented dichotically. A group of people who learned to read and write but who do it only occasionally was also tested. The results indicated much better performance in literates than in illiterates or semiliterates. In addition, literates made proportionally more single-segment errors, especially those limited to the first consonant, and fewer global errors, i.e. on all the segments of a syllable, than illiterates. On the other hand, phonetic feature blendings were as frequent in illiterates as in literates. It is suggested that awareness of segments allows attention to be focused on the phonemic constituents of speech and thus contributes to better recognition in difficult listening conditions. However, awareness of segments does not influence the preattentive extraction of phonetic information.  相似文献   
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