A Mimetic Reading of the Passover

The use of sacrificial animal blood in the Hebrew Bible has generated much discussion. While various scholars have attempted to explain the significance of these blood rites, each of these attempts has proved problematic. The current paper employs mimetic theory to develop a more robust and plausible model for exploring biblical animal sacrifice. Using the Passover ritual as a model, I develop a model of sacrificial blood rites as pantomimes of mimetic violence. These pantomimes re-create a violent yet transformative crisis from the community's collective memory. Such rituals allow the community to enter into and re-experience the cleansing violence of a mimetic crisis, albeit in a more controlled manner. Through these pantomimes, the community attempts to appease the primitive sacred's blood lust and re-discover the divine blessing secured through the original crisis. This model may prove helpful when applied to more opaque examples of biblical blood manipulation.     

ADAPTATION EFFECTS AND AFTER EFFECTS OF MOVING PATTERNS VIEWED IN THE PERIPHERY OF THE VISUAL FIELD

Different patterns of figures moving behind a window were viewed by subjects while fixating a point 8.5–11° visual angle NW of the display. With prolonged viewing and small figures, the motion appeared to stop completely. With moving figures which stretched the whole way across the field, perpendicular to the direction of motion, a pulsating or wave motion was experienced. A reduction in the number of moving figures was also reported with all the patterns. When the stimulus motion was stopped, the expected after effect of motion in the opposite direction was usually experienced, although in many cases the stopping of the stimulus motion led to an immediate disappearance of the stimulus figures.