Ability-performance relationships in education and employment settings: critical tests of the more-is-better and the good-enough hypotheses

The nature of the relationship between ability and performance is of critical importance for admission decisions in the context of higher education and for personnel selection. Although previous research has supported the more-is-better hypothesis by documenting linearity of ability-performance relationships, such research has not been sensitive enough to detect deviations at the top ends of the score distributions. An alternative position receiving considerable attention is the good-enough hypothesis, which suggests that although higher levels of ability may result in better performance up to a threshold, above this threshold greater ability does not translate to better performance. In this study, the nature of the relationship between cognitive ability and performance was examined throughout the score range in four large-scale data sets. Monotonicity was maintained in all instances. Contrary to the good-enough hypothesis, the ability-performance relationship was commonly stronger at the top end of the score distribution than at the bottom end.     

The Motive for Sensory Pleasure: Enjoyment of Nature and Its Representation in Painting,Music, and Literature

ABSTRACT Eight studies assessed the motive for sensory pleasure (MSP) involving a general disposition to enjoy and pursue pleasant nature‐related experiences and avoid unpleasant nature‐related experiences. The stated enjoyment of pleasant sights, smells, sounds, and tactile sensations formed a unitary construct that was distinct from sensation seeking, novelty preference, and need for cognition. MSP was found to be related to (a) enjoyment of pleasant nature scenes and music of high but not low clarity; (b) enjoyment of writings that portrayed highly detailed nature scenes; (c) enjoyment of pleasantly themed paintings and dislike of unpleasant paintings, as distinct from findings with Openness to Experience; (d) choice of pleasant nature scenes over exciting or intellectually stimulating scenes; (e) view duration and memory of artistically rendered quilts; (f) interest in detailed information about nature scenes; and (g) frequency of sensory‐type suggestions for improvement of a museum exhibit.     

The paradox of Alypius and the pursuit of unwanted information

Prior work has found that people occasionally seek useless information, a violation of strict rationality. The present work examined whether and why curiosity can also cause individuals to seek predictably harmful information. In four studies, participants were given the opportunity to gain knowledge of questionable personal value. In each case, participants focused on their curiosity about the information and underweighted its consequences. As a result, participants tended to seek knowledge that they themselves believed they would be better off without. Consistent with Loewenstein’s [Loewenstein, G. (1996). Out of control: Visceral influences on behavior. Organizational Behavior and Human Decision Processes, 65, 272–292] analysis of visceral factors in decision making, these effects diminished with a time delay and when deciding whether to expose someone else to unpleasant information. These results shed light on a common yet paradoxical aspect of human behavior that presents a counterpoint to traditional hedonistic models of human motivation.     

An Expected Error: An Essay in Defence of Moral Emotionism

Axiomathes - This work draws an analogical defence of strong emotionism—the metaethical claim that moral properties and concepts consist in the propensity of actions to elicit emotional...     

Motivating Emotions: Emotionism and the Internalist Connection

Axiomathes - I outline a theory of moral motivation which is compatible with the metaphysical claims of strong emotionism—a sentimentalist account of morality first outlined by Jesse Prinz...     

The Underlying Architecture of the Creative Worlds of Children: Young Persons from the UK and China Unwittingly Generate More Concepts that Violate Ontological Category Structure Than Do Older Adults During an Exemplar‐Generation Task

Is our cognition the underlying architecture of the recurrent and pan‐cultural imaginative ideas of children and adolescents? Recent cross‐cultural studies show that children and adolescents recall proportionally more creative, counterintuitive concepts than older adults. One outstanding concern is that cultural transmission is also constrained by how concepts emerge into culture. Hence, a broad sample of age demographics in UK and China (10–58 years; N = 90) participated in an exemplar‐generation task where participants assembled statements exemplifying conceptual categories of positive and negative emotion, imagery, humor, and inferential potential. Multiple regression analysis considering counterintuitiveness and age revealed young persons generated significantly more imaginative, counterintuitive ideas than older adults, in both UK and China groups. This cross‐cultural support for an underlying cognitive architecture of human creativity builds on Ward's (1994) research on structured imagination.     

Preferences and inferences in encoding visual objects: a systematic comparison of semantic and affective priming

The authors systematically compared semantic and affective priming in five studies involving words and pictures. In Studies 1 (lexical decision task) and 2 (evaluation task), irrelevant short duration (200 ms) primes were briefly flashed before relevant targets. The authors orthogonally varied both the semantic and affective relations between primes and targets. In both studies, semantic priming but not affective priming was found. Study 3 revealed that the same stimuli can produce affective priming, but only when words come from a single semantic category. Studies 4 and 5 used pictures rather than words to examine automatic encoding tendencies. The results conceptually replicated those from Studies 1 and 2. In sum, the findings suggest that affective priming may be a relatively fragile phenomenon, particularly when the semantic properties of objects vary in a salient manner.