LYNNE GUILLOT MILLER  JASON M. McGLOTHLIN  JOHN D. WEST 《The Journal of Humanistic Counseling》2013,52(1):106-121

This article provides ideas for teaching suicide assessment and intervention according to differing student learning styles and preferences. The authors discuss how considering the learning styles and uniqueness of counselors‐in‐training while assessing the complexity of suicidality can contribute to the literature on humanism and lead to more effective counselor instruction.  相似文献   

    

JOHN WATSON  DREW NESDALE 《Journal of applied social psychology》2012,42(8):1984-2005

Rejection sensitivity (RS) has significant negative impacts on individuals' social cognitions, feelings, and interpersonal behaviors. The present research assessed the hypothesis that the effect of RS on young adults' loneliness is mediated by their tendency to withdraw from social contact so as to avoid possible rejection. Participants completed measures of their RS, their tendencies to engage in social withdrawal to avoid rejection, and their loneliness; as well as measures of their social avoidance and distress, self‐esteem, and social self‐efficacy. Results confirmed the main hypothesis and also indicated that RS is positively related to social avoidance and distress, and negatively related to self‐esteem and social self‐efficacy. Implications of the findings for understanding and counteracting RS are discussed.  相似文献   

    

CHARLES R. McADAMS  JOHN A. DEWELL  ANGELA R. HOLMAN 《The Journal of Humanistic Counseling》2011,50(1):27-41

The concept of chronic sorrow offers a fresh perspective for understanding the negative emotional impact of parental rejection on children. Additionally, it provides a clinical alternative to coercion for breaking through children's emotional defenses against further rejection in caregiving relationships.  相似文献   

    

JOHN S. GERO 《创造性行为杂志》2011,45(2):108-115

This paper introduces the notion that fixation and commitment while designing can be measured by studying the protocol of the design session. It is hypothesized that the dynamic entropy of the linkograph of the protocol provides the basis for such a measurement. The hypothesis is empirically tested using a design protocol and the results demonstrate that the dynamic entropy of the design protocol's linkograph may form the basis of the measurement of fixation and commitment.  相似文献   

    

JOHN E. THIEL 《Modern Theology》2011,27(1):1-13

This article explores the methodological choices that shape David Kelsey's magnum opus Eccentric Existence: A Theological Anthropology (2009). These choices are explicit, and elucidated by Kelsey primarily in the introductory sections of this work. Considered in turn are Kelsey's rejection of a modern, apologetical approach to the theological task, his recovery of a premodern commitment to explaining the logic of beliefs rather than the logic of coming to belief, his explication of theological anthropology through a God‐centered, Trinitarian, understanding of the biblical plot, and his decision to elucidate the human person theologically through an appreciation of the canonical Wisdom literature, which valorizes humanity's created goodness. It concludes by assessing Kelsey's project as an unsystematic systematic theology, a notion he develops as well in his earlier Imagining Redemption (2005).  相似文献   

    

JOHN TURRI 《Theoria》2010,76(3):197-206

This article accomplishes two closely connected things. First, it refutes an influential view about the relationship between perception and knowledge. In particular, it demonstrates that perceiving does not entail knowing. Second, it leverages that refutation to demonstrate that knowledge is not the most general factive propositional attitude.  相似文献   

    

JOHN W. de GRUCHY 《Modern Theology》2010,26(1):53-60

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JOHN DYCK 《美学与艺术评论杂志》2016,74(3):291-302

In this article I consider the relationship between natural sounds and music. I evaluate two prominent accounts of this relationship. These accounts satisfy an important condition, the difference condition: musical sounds are different from natural sounds. However, they fail to meet an equally important condition, the interaction condition: musical sounds and natural sounds can interact in aesthetically important ways to create unified aesthetic objects. I then propose an alternative account of the relationship between natural sounds and music that meets both conditions. I argue that natural sounds are distinct from music in that they express a kind of alterity or “otherness,” which occurs in two ways. It occurs referentially, because the sources of natural sounds are natural objects rather than artifactual objects, such as instruments; it also occurs acoustically, because natural sounds tend to contain more microtones than macrotones. On my account, the distinction between music and natural sounds is both conventional and vague; it therefore allows music and natural sounds to come together.  相似文献   

    

JOHN KULVICKI 《美学与艺术评论杂志》2016,74(4):335-346

Long‐exposure photographs present distinctive philosophical challenges. They do not quite look like things in motion. Experiences of such photos take time, but not in a way that mimics the time of the motion depicted. In fact, it would not be off base to worry that these photos fail, strictly speaking, to depict motion or things‐in‐time. And if they fail to depict motion, then it is an interesting question what, if anything, they succeed in depicting. These timeless traces of temporal patterns are thus a challenge to how we understand pictures. In addition to being representations, however, such photographs are recordings. They witlessly register aspects of scenes in a manner that can be replayed. The following shows that recording is a valuable and neglected tool for investigating representational practices. Aspects of what photos record also figure in their representational contents, and this provides a way of approaching the photography of events in time. This article proceeds by framing, and then answering, three questions. First, what do photos record about temporal patterns? Second, which aspects of such recordings also show up in photos’ representational contents? And third, do these pictures depict, rather than merely represent, such temporal patterns?  相似文献   

    

JOHN J. SOSIK  SURINDER S. KAHAI  BRUCE J. AVOLIO 《创造性行为杂志》1999,33(4):227-256

ABSTRACT Prior research indicates that flow, a psychological state characterized by concentration, enjoyment, and intrinsic motivation, may be linked to creativity of individuals participating in computer-mediated meetings. A laboratory experiment was conducted to evaluate the effects of leadership style (transactional contingent reward and transformational) and anonymity level (identified and anonymous) on flow and creativity of 159 undergraduate students working in groups performing a creativity task using a Group Decision Support System (GDSS). Results demonstrated that flow mediated effects of leadership on creativity in a GDSS context, and its role may be moderated by anonymity. Results also indicated that both flow and anonymity were required for enhancing creativity in a GDSS context. Implications for practice and research are discussed.  相似文献