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61.
JAMES P. SAMPSON ROBERT O. STRIPLING LARRY C. LOESCH 《Journal of Employment Counseling》1977,14(3):103-109
This study investigated seven factors relating to personal preferences in choosing a career. Differences between male and female preferences were also studied. While males and females express similarities relating to the seven factors, they also reveal differences that should be considered by counselors helping individuals explore career choices. 相似文献
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W. JAMES POTTER 《人类交流研究》1991,18(1):92-113
In the research literature on the cultivation hypothesis, there are two types of measures: first order and second order. First-order measures require respondents to provide estimates of occurrences. Second-order measures assess respondents’ attitudes. This study seeks to determine whether this measurement distinction results in operationalizations that are independent or related to one another. It was found that the two are related to a weak degree at a general level, but stronger relationships are found on a contingent analysis. Subgroups defined by relevant situational variables and certain general variables (such as IQ and especially age) reveal significant differential patterns of relationships. Also, evidence was found of an asymmetric pattern on several topics where first-order estimates usually form a basis for second-order beliefs. 相似文献
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Test–retest reliability is a common indicator of response consistency. It is argued that using regression coefficients for detecting systematic response error is less appropriate than testing for shifts in the mean (median) and variance. This procedure is exemplified using probability response data. For this data, shifts in centrality were found to be about 2.5 times more likely than shifts in variability. The shifts in centrality did not favor any particular direction; however, variability tended to decrease over time in early sessions. 相似文献
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KEES VAN DEN BOS RIËL VERMUNT HENK A. M. WILKE 《European journal of social psychology》1996,26(3):411-428
In procedural justice research it has frequently been found that allowing people an opportunity to voice their opinion enhances their judgements of the fairness of a decision-making procedure. The present study investigated how this voice effect is affected by the consistency over time rule, which dictates that, once people expect a certain procedure, deviation from the expected procedure will lead to a reduction in procedural fairness. Two experiments were conducted. In both experiments the independent variables manipulated were whether subjects were explicitly told to expect a voice procedure, were explicitly told to expect a no-voice procedure, or were told nothing about a subsequent procedure, and whether or not subjects subsequently received an opportunity to voice their opinion. The manipulations were induced by means of scenarios in Experiment 1, and by means of the Lind, Kanfer and Early (1990) paradigm in Experiment 2. In both experiments it was found that subjects who expected a voice procedure or who expected nothing judged receiving the voice procedure as more fair than receiving the no-voice procedure, but that subjects who expected a no-voice procedure judged receiving the voice procedure (inconsistency) as less fair than receiving the no-voice procedure (consistency). Furthermore, effects of the manipulated variables on subjects' task performance were found in Experiment 2. 相似文献
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JAMES O. YOUNG 《美学与艺术评论杂志》2020,78(2):171-182
According to the orthodox view of Kant's philosophy of music, Kant is the founder of musical formalism, the view that music is pure, contentless form, and appreciated as such. On this orthodox view, Kant is an innovator in philosophy of music, though his views are confused and sometimes contradictory. Sometimes, we are told, Kant indicates that music is a fine art and sometimes that it is merely an agreeable art. None of the orthodox position is correct. Kant's views on music are familiar, even a little old fashioned for their time. His views are consistent. He believes that some music is fine art and that the fine arts are imitative arts. Imitative arts have content, and Kant believes that at least some music has content. Our views on Kant's philosophy of music ought to be thoroughly revised. 相似文献
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