THEME AND TRADITION IN AESTHETICS

Professor Cua has presented a very illuminating analysis of moral attitudes and of the implications of such commitments for moral agents. While his paper is restricted to an explication of Confucian and Classical Taoist approaches to morality, it is obvious that the analysis he provides is equally applicable to Western traditions of morality. In this paper I would like to suggest that his account also serves as a useful model for elucidating certain problems in aesthetics. For the purpose of my analysis, I shall approach these problems in aesthetics from the perspective of a practicing critic who seeks to establish a reflective basis for his judgments. My discussion focuses on three issues: the distinction between ideal norm and ideal theme, the place of tradition and convention in the critic's practice, and the critic's appeal to paradigms.     

Reliability, Justification, and the Problem of Induction

According to the main tradition in epistemology, knowledge is a variety of justified true belief, justification is an undefinable normative concept, and epistemic principles (principles about what justifies what) are necessary truths. According to the leading contemporary rival of the tradition, justification may be defined or explained in terms of reliability, thus permitting one to say that knowledge is reliable true belief and that epistemic principles are contingent. My aim here is to show that either of these approaches will yield a solution to the problem of induction. In particular, either of them makes it possible to ascertain the reliability of induction through induction itself. Such a procedure is usually dismissed as circular, but I shall argue that it cannot be so dismissed if either approach is correct.
As one would expect, the solution based on the traditional approach differs from the one based on the reliabilist alternative, but they have important features in common. The common elements are presented in sections I, II, and III, the elements specific to the reliabilist approach in sections IV, V, and VI, and those specific to the traditional approach in section VII.     

Male/Female Gaze in Same-Sex and Mixed-Sex Dyads Gender-Linked Differences and Mutual Influence

In this study, 108 university students (54 men and 54 women) were each videotaped in two 8-minute problem-solving dyadic interactions: (1) same-sex, and (2) mixed-sex. Trained observers coded the interactions for simultaneous, moment-to-moment gaze and talk behavior of both interactants. MANOVA results for three dyad types (male/male, female/female, and male/female) measured on 10 dyad gaze/talk variables showed that F/F dyads exhibited more mutual gaze/mutual talk and mutual gaze/mutual silence than either M/M or M/F dyads. F/F dyads exhibited less one gazes/same talks and mutual avert/one talks than either M/M or M/F dyads. No differences were found between M/M and M/F dyads on any variable. Analyses of individual change scores from same-sex to mixed-sex dyads indicated that the women in the M/F dyads converged to the male behavior in that dyad condition, whereas the men remained unchanged. The results are discussed in terms of speech accommodation theory.     

Is the truth in the details? Extended narratives help distinguishing false “memories” from false “reports”

The present study examined the effects of fantasy proneness on false "reports" and false "memories", of existent and non-existent footage of a public event. We predicted that highly fantasy prone individuals would be more likely to stand by their initial claim of having seen a film of the event than low fantasy prone participants when prompted for more details about their experiences. Eighty creative arts students and 80 other students were asked whether they had seen CCTV footage preceding the attack on Swedish foreign minister Anna Lindh up to, and including, non-existent footage of the actual moment of the attack. If affirmative, they were probed for extended narratives of what they claimed to have seen. Overall, 64% of participants provided a false "report" by answering yes to the initial question. Of these, 30% provided no explicit details of the attack, and a further 15% retracted their initial answer in their narratives. This left 19% of the sample who appeared to have false "memories" because they provided explicit details of the actual moment of the attack. Women scored higher than men and art students scored higher than other students on fantasy proneness, but there was no effect on levels of false reporting or false "memory". Memories were rated more vivid and clear for existent compared to non-existent aspects of the event. In sum, these data suggest a more complex relationship between memory distortions and fantasy proneness than previously observed.     

Memory Structures for Relational Escalation A Cognitive Test of the Sequencing of Relational Actions and Stages

On the basis of memory structure research, a series of four studies was conducted in order to determine whether individuals (1) could generate memory structures for escalating relationships, (2) agree on the rank ordering of expected actions, (3) distinguish between the perceived typicality of such actions and how necessary the behaviors were in order for a relationship to develop, and (4) segment prototypical scenes of escalating relationships in a time-ordered linear sequence. A number of hypotheses dealing with the generation and processing of expectations for relationship growth are offered and discussed. Additionally, gender differences are posited in which women generate more escalating actions, process relationship memory structures faster, and rate common actions as being more typical than men do. Results revealed a prototypical escalating memory structure containing 13 behaviors that could be processed and understood in terms of four underlying factors. Gender differences were also observed, and these are discussed in terms of females closely monitoring relational trajectories. Implications of memory structure research for analyzing relational stages are discussed as well.