Sensorimotor synchronization: Motor responses to regular auditory patterns

Subjects (N = 32) were asked to synchronize a motor response with tones in auditory patterns. These patterns were created from six tones and six intertone intervals of equal duration. The pitch of the first tone differed from the others. It was found that subjects used three types of timing in their motor response: (1) the first intertone interval was prolonged and the second interval was shortened, (2) the second intertone interval was prolonged and the first interval was shortened, and/or (3) the first interval and the second interval were of approximately the same length. The prolongation of the fifth interval was observed during all three types of timing. The results are explained using the concept of suprasegmental control of timing, which explains a prolongation of intervals at critical control point of the patterns. The occurrence of three different strategies of timing is discussed in connection with similar principles in musical performance.     

Organization by modality,language, and category compared

Summary An experiment was presented to test a functionalistic interpretation of the modality effect. This shows a superior recall performance for auditorily as opposed to visually presented verbal information. A total of 60 subjects were presented with mixed-mode (auditory-visual words), mixed-language (Swedish-English words), or mixed-category (category-unrelated words) lists, and were asked to recall the words of each list in any preferred order. The degree of organization according to modality, language, or category and the recall performance were measured. Organization by modality was significantly higher than organization by language or category as predicted by the functionalistic view proposed. The recall performance obtained for auditory and visual words differed in a way predicted by the functionalistic view.     

Perception of autonomic reactions and actual heart rate in phobic patients

The relationship between perceived physiological arousal and actual heart-rate reactions was studied in two behavioral test situations. The subjects were 70 phobic patients (34 social phobics and 36 claustrophobics) who were given the general form of the Autonomic Perception Questionnaire about 1 month before the respective behavioral test and the specific form immediately after the test. The results showed significant correlations between APQ and actual heart rate for the social phobics, while the picture was more complicated for the claustrophobics. The implications of these results are discussed.This research was supported by Grant 05452 from the Swedish Medical Research Council.     

The general psychophysical differential equation: A comparison of three specifications

The general psychophysical differential equation, dy/dx = W₂(y)/W₁(x), with the solution y = f(x), where x and y are subjective variables and W₁ and W₂ their subjective Weber functions, is (a) compared with a corresponding functional equation, and (b) studied from a stochastic point of view by error calculus, Methods for evaluating and handling divergences are proposed and illustrated for a number of combinations of Weber functions. It is shown that either the differential: and the functional equations have the same solution or the difference between the solutions is negligible compared to empirical scatter. The error calculus gives the same result: either no error at all or a negligible one.     

“Motority” in three functional domains of word meaning

This article deals with relations between mental motor evoking capacity (motority, Putnoky, 1975a, b) and the sensory and affective connotations, as well as certain denotations, of words. Sensory connotation is indexed by degree of visual auditory, and tactual imagery, as assessed on a 7-point scale, while affective connotation is indexed by the usual three factors tapped by the semantic differential. The aspect of denotation used here is the abstractness value of words, also based on rating by scales. The general conclusions about motority are as follows: (1) the finding that its sensory connotations are mainly via theauditory modality of imagery, and especially in correlation with abstract words, suggests that it has a specific function that may have originated in the processing of heard language; (2) it correlates with thepotency andactivity factors of affective connotation, which suggests the existence of a nonspecific function or component in it; (3) correlations with abstractness reflect that motority must have a denotative function or component, especially in case of abstract verbal stimuli. On the basis of the results, motority is supposed to play a regulative role at higher levels of the organization of word meaning in particular.Computation of SD data was carried out under the direction and according to the programming of Professor William H. May in the Center for Comparative Psycholinguistics (Director: Charles E. Osgood), University of Illinois, Urbana-Champaign, with support provided by the National Institute of Mental Health (NIMH 07705) and National Science Foundation (NSF GS 360 and 2012-X).     

Time errors and differential sensation weighting

Sixteen pairs of successive tones, with different amplitude combinations, were presented with 16 combinations of tone duration and interstimulus interval. A separate group of 12 subjects was assigned to each presentation condition and made comparative loudness judgments for each of the pairs. Perceived within-pair loudness differences were scaled by a Thurstonian method using the subjective width of the "equal" category as the unit. The scale differences were well described by weighted linear combinations of the sensation magnitudes of the tones in the pairs. The time error can be regarded as an effect of this differential weighting. For the longer interstimulus intervals, the weight of the second tone was the greater, causing the usual inverse relation between time error and stimulus intensity level. For the shorter interstimulus intervals, these effects were reversed. An analysis of the pattern of weights led to the development of two models, one of which is a generalization of Michels and Helson's time error model. The weights could be interpreted as reflecting the differential efficiency of the loudness information from the two compared stimuli.     

Time errors are perceptual

Summary Methods for the measurement of time-errors (TEs) in the comparison of successive stimulus magnitudes are discussed. Combining a Thurstonian scaling method with the assumption of a fixed subjective width of the equal category, independent of stimulus level, a ratio scale for subjective differences within pairs of successive stimuli is derived. In a tone duration comparison experiment, with the TE defined in the terms of these subjective duration differences, data from four experimental groups were compared, the groups using different modes of judging and responding. Only minor effects of this factor were found, and hence it is concluded that the TE is a true perceptual phenomenon rather than an effect of response bias, criterion bias, or mediating verbal responses to the absolute level of stimulation. The quantitative results are interpreted in terms of a general model for the comparison of successive stimuli, employing the concepts of adaptation and differential weighting of sensation magnitudes.This investigation was supported by grants to the author from the University of Stockholm and from the Swedish Office of Administrative Rationalization and Economy (for computer time), and by grants to Mats Björkman and Hannes Eisler from the Swedish Council for Social Science Research, whose free consultation service at the Department of Statistics, University of Stockholm, also benefited the author.     

Correction to: Spiritual Care Needs of Patients in Oncology Units and Nursing Practices in Turkey: A Qualitative Study

Journal of Religion and Health -