EMPLOYEE COPING WITH ORGANIZATIONAL CHANGE: AN EXAMINATION OF ALTERNATIVE THEORETICAL PERSPECTIVES AND MODELS

This longitudinal study seeks to determine the appropriate theoretical structure for how employees cope with organizational change. A model based on the appraisal theory of emotion is compared to competing theoretical structures of coping found in the literature: stimulus–response, partial mediation, and moderated. Structural equation model results showed that coping with organizational change is a completely mediated process best represented by the stimulus–response theoretical structure, whereby negative appraisal is associated with reduced control and increased escape coping, which are positively related to positive and negative emotions, respectively. Negative emotions predicted sick time used and intentions to quit, which then predicted voluntary turnover. Implications for coping theory and organizational change management are discussed.     

Two Dogmas'–All Bark and No Bite? Carnap and Quine on Analyticity1

Recently O'Grady aigued that Quine's “Two Dogmas” misses its mark when Carnap's use of the analyticity distinction is understood in the light of his deflationism. While in substantial agreement with the stress on Camap's deflationism, I argue that O'Grady is not sufficiently sensitive to the difference between using the analyticity distinction to support deflationism, and taking a deflationary attitude towards the distinction itself; the latter being much more controversial. Being sensitive to this difference, and viewing Quine as having reason to insist on a non‐arbitrary analyticity distinction, we see that “Two Dogmas” makes direct contact with Carnap's deflationism. We must look beyond “Two Dogmas” to Quine's other critiques of analyticity to understand why the arbitrariness of the distinction threatens to undermine or overextend Carnap's deflationism, collapsing it into a view much like Quine's. Quine is then seen to achieve many of Carnap's ends, with the important exception of deflationism.     

The Influence of Priests on the Political Attitudes of Roman Catholics

For years, scholars in religion and politics have worked under the assumption that clergy wield significant political influence with their congregations. Until recently, however, this assumption had gone largely uninvestigated and undemonstrated. This article helps correct this shortcoming by analyzing the Notre Dame Study of Catholic Parish Life for evidence of priestly influence on the political attitudes of Catholic parishioners. Though the data indicate that Catholic priests do, indeed, appear to influence the political attitudes of their parishioners, the nature of this influence is more complex than previously demonstrated. Specifically, pastor ideology is the key predictor of both parishioners' issue positions and political ideology, and influence appears to be restricted to politically liberal pastors.     

Can Narrative Christology Be Orthodox?

Abstract:  Questions raised about the coherence of narrative Christology in the work of James Wm McClendon, Jr, raise questions about the orthodoxy of narrative Christology on the whole. An exploration of these questions identifies at least two possible narrative formulations of the identity of Jesus Christ: in him we acknowledge two agents in one narrative and two narratives in one agent. This bending of concepts for bearing witness to the singularity of Jesus Christ follows the conciliar rules and establishes the orthodoxy of narrative Christology.     

The Japanese Tea Ceremony and Pancultural Definitions of Art

Dominic McIver Lopes and Yuriko Saito claim that the Japanese tea ceremony, or chadō, is a non‐Western art form. Stephen Davies also defends that claim. In this article, I utilize the tea ceremony as a test case for pancultural definitions of art that claim to be inclusive of non‐Western cultures without relying on Western ethnocentrism to justify their status as artworks. I argue that Davies's (2015) hybrid definition is not justified in assuming a homogenous art tradition and/or a unified conception of artistic practices in a non‐Western culture. Moreover, the cladistic structure of his definition fails to accommodate the spontaneous instantiation of new art traditions. Additionally, Jerrold Levinson's Intentional‐Historical definition cannot satisfactorily accommodate chadō. First, the nonart origins that were formative for the regard that is required for appreciation of the tea ceremony mean that the relational interpretation of the definition fails. Second, Rikyū’s tea ceremony does not count as art incidentally, as it is not a form of mimesis nor does the Japanese wabi aesthetic that is central to chadō have a precursor in known Western art. Third, if chadō does satisfy Levinson's extended theory, it comes at the cost of embracing Western ethnocentrism.