不对称情绪分享过程中情绪反应自我指向增强效应的初探

主客体之间产生不一致的情绪反应称之为不对称共情(Counterempathy)。在Decety提出的情绪分享过程两阶段及Goubert提出的“指向自己”和“指向他人”两种情绪反应指向的研究基础上, 构建不对称情绪分享过程的两阶段模型, 通过创建竞争环境, 检验在不对称情绪分享过程中是否存在情绪反应自我指向增强效应的这一假设。被试根据竞争对手的情绪表情(皱眉和笑脸)来完成情绪反应自我指向(判断被试者自己的输赢)和情绪反应他人指向(判断竞争对手的输赢)的实验任务。结果表明: 在不对称情绪分享过程中, 存在情绪反应自我指向的增强效应。被试不仅在自我指向任务中产生了不对称共情, 而且在他人指向任务中也产生了不对称共情, 这说明在有意识的不对称情绪分享过程中, 个体会分化出比他人指向更强烈的自我指向的情绪反应。并且, 相较他人指向任务, 个体在自我指向任务中产生了更强烈的不对称共情。尤其当竞争对手获利时, 个体会产生更强烈的指向自我的负性情绪。     

Things online social networking can take away: Reminders of social networking sites undermine the desirability of offline socializing and pleasures

People are beginning to develop symbiotic relationships with social networking sites (SNSs), which provide users with abundant opportunities for social interaction. We contend that if people perceive SNSs as sources of social connection, the idea of SNSs may reduce the desire to pursue offline social activities and offline pleasures. Experiment 1 demonstrated that priming with SNSs was associated with a weakened desirability of offline social activities and an increased inclination to work alone. Felt relatedness mediated the link between SNS primes and reduced desire to engage in offline social activities. Experiment 2 showed that exposure to SNS primes reduced the desirability of offline socializing and lowered the desire for offline pleasurable experiences as well. Moreover, heavy users were more susceptible to this detrimental effect. We provide the first experimental evidence that the idea of online social networking may modulate users’ engagement in offline social activities and offline pleasures. Hence, online social networking may satisfy the need for relatedness but undercut the likelihood of reaping enjoyment from offline social life.     

Effects of Phonetic Similarity in the Identification of Mandarin Tones

Tonal languages differ in how they use phonetic correlates e.g. average pitch height and pitch direction, for tonal contrasts. Thus, native speakers of a tonal language may need to adjust their attention to familiar or unfamiliar phonetic cues when perceiving non-native tones. On the other hand, speakers of a non-tonal language may need to develop sensitivity to tonal correlates absent from their native system. The current study examines and compares five language groups’ perception of two synthesized Mandarin tones: the high level tone and the high falling tone. It aims to examine how listeners from tonal and non-tonal backgrounds identify and categorize acoustically equidistant pitches varying along two phonetic dimensions: pitch onset and slope. Results reveal “universal” perceptual patterns across groups and also tendencies caused by native tonal systems. Our findings confirm that L1 tonal and prosodic systems affect speakers’ sensitivity to novel perceptual cues and their abilities to discern relevant phonetic differences.     

完美主义及其认知-行为治疗研究

完美主义是一种深刻影响人格的心理特征,与心理病理学现象有极为密切的联系。完美主义已经引起了心理界的关注。从完美主义的定义出发,提出完美主义认知和行为特征,总结了完美主义的评估方法及完美主义与心理障碍的关系研究,最后对完美主义的认知-行为治疗的方法和步骤进行了阐述。     

系统论视角下重型急性胰腺炎的治疗

重症急性胰腺炎(severe acute pancreatitis,SAP)是临床上常见的急腹症之一,本文试从系统生物学角度出发,探讨其在SAP营养支持治疗、抗生素的选用以及外科手术治疗中的应用.强调应用整体的、综合的、发展的观点去研究SAP的治疗,从而找到最佳治疗方案.     

《食品安全法》中的惩罚性赔偿责任探析

<食品安全法>第九十六条规定了"损一赔十"的高倍惩罚性赔偿责任,对该规定的正确理解和适用是其发挥阻遏食品违法行为、保障食品安全作用的前提.将从价值目标、责任构成要件以及适用过程中应当注意的几个问题等角度对该法第九十六条进行阐释,以求为将来该条规定的适用提供些许参考.     

非线性思维在流行病学研究中的应用

全新的思维--非线性思维已成为当代科学和公众兴趣中激动人心的课题之一.根据非线性思维的基本特征,试图重点阐述其对流行病学研究中的病因研究、传染性疾病传播模型及非传染性疾病流行趋势等重要方面的指导作用,以弥补线性思维作用下相关流行病学研究的缺陷与不足.     

马融易学探微

马融治《易》用古本,上承费直,使费氏之学得有传承;又下启郑玄易学,使费氏之学得以发扬光大。他以"十翼"解《易经》,同时还以"十翼"互证易理。马融承费直之学,重视以儒理解《易》,这种倾向首先体现在他重视以礼解《易》。其以儒理解《易》的另一个表现是引史注《易》。其在解《易》时十分重视象数学中的卦气说,此外还重视取象和五行说。马融解《易》皆由象数为切入点,而最终归本于人事。马融易学在汉晋易学嬗变中有着承上启下的意义。     

5.12汶川大地震对灾区大学新生入学后心理状况影响的质性研究——基于四川省某大学个案访谈的分析

了解和掌握来自5.12大地震对灾区大学新生心理状况所产生的影响,为下一步做好做好灾区大学生的工作提供借鉴。方法:以四川省某高校来自灾区的部分新生为研究对象,采用定性分析,以校园生活满意度、校园关爱度、惊恐维度、自信维度等多个研究维度选取了5个对象进行个案访谈。结果汶川大地震对灾区大学新生的心理产生了一定的影响。     

雕版印刷术始于后赵道教辟谷方说不可信

学术界依据清初人陈芳生《先忧集》所载后赵刘景先将其得自太白山隐士的道教辟谷方"镂板广传"一事,以证明雕版印刷术始于五胡十六国之后赵。通过对此说的史源进行检讨,可以发现:此辟谷方在宋以前只有传写本,至宋代才有了石本,至元代王祯才将其"镂板广传"。因此,雕版印刷术始于后赵说是不可信的。