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The two-year treatment of a girl, aged 6–8, as described in Henry Kronengold’s “Hey Toy Man,” was conducted mainly through patient-led, but co-constructed dramatic play. Co-constructed here is meant to convey that it was improvisational and sometimes a reciprocal, even spontaneous, improvisation. Often the girl controlled the therapist, insisting on her story, while therapist tried to introduce ameliorative changes in the storyline. The therapist did not verbally interpret the play. The contribution of this commentary is a close study of the two-person dramatic play sequences, in line with theoretical interests in play in child treatment and co-construction as a lens on the adult analytic process. How did the sequences evolve? What may have been communicated and have been therapeutic in and through the playing itself? What relational dilemmas were explored or evaded? What implicit realizations and mutual recognitions may have occurred? Was there also disowning of unwanted self states and experiences in the play? The child’s perceptions of the therapist’s counter-transference is one line of interest. Perspectives from psy- choanalytic field theory (Baranger, M. &; Baranger, W. (2008), Ferro, A. (1999) are applied.  相似文献   
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The growing trend of introducing robots into employees' work lives has become increasingly salient during the global COVID-19 pandemic. In light of this pandemic, it is likely that organisational decision-makers are seeing value in coupling employees with robots for both efficiency- and health-related reasons. An unintended consequence of this coupling, however, may be an increased level of work routinisation and standardisation. We draw primarily from the model of passion decay from the relationship and clinical psychology literature to develop theory and test a model arguing that passion decays as employees increasingly interact with robots for their work activities. We demonstrate that this passion decay leads to an increase of withdrawal behaviour from both the domains of work and family. Drawing further from the model of passion decay, we reveal that employees higher in openness to experience are less likely to suffer from passion decay upon more frequent interactions with robots in the course of work. Across a multi-source, multi-wave field study conducted in Hong Kong (Study 1) and a simulation-based experiment conducted in the United States (Study 2), our hypotheses received support. Theoretical and practical implications are discussed.  相似文献   
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Abstract

This brief introduction serves as an opening to the monographic issue on cultural psychology. We will begin this introduction by providing an overview of the main features of this branch of psychology. Heavily influenced by Vygotsky’s concept of mediation, cultural psychology centres on how we use different cultural tools or mediational artefacts to make sense of the world and guide our actions within it. On the basis of this approach, the nine articles of which this monograph is comprised are briefly introduced: articles which are eminently empirical in nature and which relate to areas such as creativity, collective memory, identity and developmental shifts, as well as migration and mobility in a globalized world.  相似文献   
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Psychiatric inpatient admission of three nondepressed young men who escaped deadly self-injury provided an opportunity to study their character organization. Defects in affect-regulatory functions and evidences of pathological narcissism were identified and explored. Each patient had a specific suicide-risk consultation and a psychotherapy evaluation. Each denied intent to kill himself, and none acknowledged experience of depression or the wish to die. Each also denied his suicidal behavior involved significant risks, and each discounted the importance of obvious, identifiable stressors as triggers for it. The interrelation between pathological narcissism and this particular suicidal behavior is discussed. These observations can assist in the assessment of suicide risk in nondepressed patients.  相似文献   
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Abstract

This article documents the case studies of two Brazilian children aged 10 and 11, for whom drawing is a symbolic tool of self-meaning. Semi-structured interviews were methodologically carried out from drawings they had created previous to and during the interview. Using semiotic cultural psychology as a reference, the concept of Self-imaging is put forward as an alternative to the self-image construct, highlighting the active role of the subject in the construction of his/her life trajectory. Results suggest that the transition process to adolescence represents a challenge in which young people recreate images of themselves by projecting new possibilities of action in the world through their imagination.  相似文献   
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