A schema for common cents

Drawings from memory of a penny, nickel, dime, and quarter were obtained from 125 undergraduates. The modal recalls for the heads of all four coins were identical, suggesting that a schema for coins exists. In an attempt to have the schema produced directly, another 75 students designed either a 2-, 7-, or 20-cent piece that would fit into our present currency. The modal drawing for this task was identical to the modal recalls. The schema for the heads derived from these experiments differs from existing coins and is not an average of them.     

Correction to: Half a Century of Stereotyping Associations Between Gender and Intellectual Ability in Films

Sex Roles - The original version of the article unfortunately contained errors.     

Contemporary Art and Contemporary Sport in the Arabian Peninsula

ABSTRACT

This paper explores the relationship between the development of art and sport in the Arabian Peninsula. In particular, it will be argued that both sport and art can be understood in terms of a trajectory from the ‘modern’ to the ‘contemporary’. Modernity and modernism are introduced through an interpretation of Paul Delaunay’s series of paintings ‘The Cardiff Team’ (1912–22) which may be read as an expression of modernity. The content of the paintings documents core elements of European modernist culture, including technology and science, leisure, consumerism and advertising, and crucially (international) sport. Delaunay’s work provides a background from which to reflect upon the development of sport into something like its contemporary form, in early 20th Europe. By drawing on Terry Smith’s analysis of the difference between modern and contemporary art, and applying this to sport, in order to suggest that there is a distinctive contemporary form of sport, the core tensions within both artistic and sporting practices are argued to lie in the movement from a conception of sport as an expression of modernity, where this is conceived as a universal movement, exemplified by Western humanism, towards a conception of sport as something particularised, expressive of local cultures. The promotion of art institutions and sports events within the Arabian Peninsula highlights the resultant tensions between the neo-colonial influence of Western culture and the reinterpretation of that culture, locally, in order to reflect upon and articulate communal identity within the contexts of globalism and transnationalism.     

Talking about ‘Fairness’ in Football and Politics: The Case of Navad

ABSTRACT

We argue that sport in general, and association football in particular, are activities that invite spectators and players alike to talk about them. Using a Wittgensteinian approach, we argued more precisely that football, like any sport, may be understood as a form of life, and as such that it enables speakers to talk about it in quite specific ways, not least in the manner in which normative terms, such as fairness and bias, are used. Football thereby creates a metaphorical space, we suggest, in which there is a freedom to explore and play with language, and in particular normative language, even if that language-use is repressed in the wider political society. Using the example of the Iranian television programme Navad as a case study, we explore the ways in which talk about fairness in the context of football can develop and sustain a competence in the use of political and moral language-use even when that competence is under-threat elsewhere.