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51.
We here study the predictability of eye movements when viewing high-resolution natural videos. We use three recently published gaze data sets that contain a wide range of footage, from scenes of almost still-life character to professionally made, fast-paced advertisements and movie trailers. Inter-subject gaze variability differs significantly between data sets, with variability being lowest for the professional movies. We then evaluate three state-of-the-art saliency models on these data sets. A model that is based on the invariants of the structure tensor and that combines very generic, sparse video representations with machine learning techniques outperforms the two reference models; performance is further improved for two data sets when the model is extended to a perceptually inspired colour space. Finally, a combined analysis of gaze variability and predictability shows that eye movements on the professionally made movies are the most coherent (due to implicit gaze-guidance strategies of the movie directors), yet the least predictable (presumably due to the frequent cuts). Our results highlight the need for standardized benchmarks to comparatively evaluate eye movement prediction algorithms. 相似文献
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This paper reports an exploratory study of potential correlates of Exner's Rorschach Egocentricity Index, a measure of self-focusing, in a sample of 70 psychiatric inpatients. We examined the relationship of the Index of the MMPI Ego Strength scale and to other MMPI and Exner Comprehensive System Rorschach variables, using Pearson Product-Moment correlations with partialling of the number of Rorschach responses. There were seven meaningful significant correlations between the Index and Rorschach variables: M, FM, X +%, F +%, Lambda, D, and A%. The Index-MMPI correlations were not significant. Sex differences and differences between these intercorrelations and some reported by Exner (1983) are discussed. 相似文献
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This paper reviews the cases of two addicted physicians. One is dead and the other alive and well as a result of the heroic and compassionate effort of his friends. We offer speculations regarding the physicians' special vulnerabilities and the role of a tough love in transcending these vulnerabilities. 相似文献
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Previous experiments have shown that when a slightly mistuned harmonic of a complex tone starts more than about 80 msec before the remaining components, it makes a reduced contribution to the pitch of the complex. This contribution decreases to zero by about 300-msec onset asynchrony. In vowel perception, however, analogous experiments have shown that a much shorter asynchrony (around 40 msec) is enough to ensure that a component does not influence a vowel’s phonemic category. The three experiments reported here demonstrate that this difference in the utility of onset time as a grouping cue does not arise because of differences in stimulus structure, but rather is due to the perceptual task. They show that the onset asynchrony needed in a pitch-matching experiment to remove the contribution that a mistuned component makes to the pitch of a vowel is the same as that needed to remove the contribution to the pitch of a flat-spectrum complex tone. They further show that a much smaller onset asynchrony is needed to perceptually remove the same harmonic from a vowel for the calculation of vowel quality. The implication of this result for models of auditory grouping is discussed. 相似文献
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Mothers posed happy, sad, or neutral still-faces (SFs) between periods of normal interactions. Lowered infant attention and affect and increased grimacing occured during SF regardless of emotional expression posed during the SF period. Different static expressions elicited differential smiling; infants smiled slightly but significantly more to happy SFs. Greater differences occured with changes in contingent aspects of interactions. 相似文献
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Darwin CJ 《Perception & psychophysics》2005,67(8):1384-1390
Are the conditions for illusory auditory continuity entirely local in frequency, or are judgments of continuity made on auditory objects? Listeners made continuous/pulsating judgments on a variety of complex tones that repeatedly alternated with a 100- to 500-Hz bandpass noise. A sufficiently quiet complex tone was heard as continuous when all its harmonics fell within the frequency range of the noise. Adding harmonics outside the noise's frequency range substantially reduced the impression of continuity, which was largely restored when these additional components were given a different fundamental frequency. Judgments of auditory continuity thus appear to be based on entire simultaneously grouped objects, rather than being determined solely by local criteria based on individual frequency channels. 相似文献
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