The therapeutic role of Khmer mediums (kru borameï) in contemporary Cambodia

In describing the ritualized practices of Cambodian mediums, we want to demonstrate their social and therapeutic role in Cambodian society. We examine the development of mediumnic cults within the context of the restructuring of Cambodian society after several years of war and turmoil. From their names and history in relation to Buddhism, which reinforces their power and credibility, spirits called borameï, who possess the medium, can provide the clients and patients with information about, and solutions to, the problems they are facing. The medium’s practices allow the patient to come into contact with these supernatural entities, and as such the medium can be viewed as performing a role not unlike that which psychotherapists play in contemporary Western society. Providing care and support, these mediums act as dynamic and effective healers of mental health.     

Interaction effects of perceived gaze direction and dynamic facial expression: Evidence for appraisal theories of emotion

Appraisal theorists suggest that the face expresses cognitive processes involved both in the orienting of attention (primarily gaze direction) and in the evaluation of emotion-eliciting events. Contrary to the assumption of direct emotion recognition by basic emotions theorists, this implies an interaction effect between “perceived gaze direction” and “perceived facial expression” in inferring emotion from the face. These two theoretical perspectives were comparatively tested by requesting participants to decode dynamic synthetic facial expressions of emotion presented with either an averted or a direct gaze. Confirming the interaction predicted by appraisal theories, the perceived specificity and intensity of fear and anger depended on gaze direction (direct gaze for anger and averted gaze for fear).     

Confidence and accuracy of lineup selections and rejections: Postdicting rejection accuracy with confidence

Correlation and calibration approaches show meaningful, positive confidence-accuracy relations for witnesses making selections from lineups, but rarely for rejections (Brewer and Wells, 2006, Sauerland and Sporer, 2009). This disparity may reflect the difference between selecting a single photo versus rejecting a set of photos. Participants (N = 101) in two experiments made selections from and rejections of lineups in situations requiring either a single confidence rating about a single face (typical of “choosers”) or a single confidence rating about multiple faces (typical of “nonchoosers”). Mean confidence ratings were significantly higher for accurate versus inaccurate decisions for both selections and rejections when decisions were based on single faces. Single decisions about multiple faces produced no significant difference in confidence between correct and incorrect rejections but a significant difference for selections.     

Precipitation anxiety

Therapy with autistic and psychotic children led the author to introduce the concept of precipitation anxiety. Freud's first theory of the instincts was expressed in the dynamics of conflict, but his subsequent development of life and death instincts is better understood in terms of a gradient of energy between two extremities of the same axis. Object relations result from a caesura (Bion) which creates a gradient of psychic energy experienced initially as a precipice which, if left unregulated, generates intolerable anxiety. Satisfactory emotional encounters with the mind of the object bring about the necessary adjustments to the slope of the gradient. Autistic mechanisms may block off precipitation anxiety, but they also prevent mental growth. Both the dynamics of conflict and the dynamics of the gradient are vital for psychic development, but the very existence of the former is contingent on successful negotiation of the energy gradient (working through). After illustrating his thesis with clinical material drawn from a group therapeutic setting, the author discusses points of convergence and divergence with two other fundamental notions: the aesthetic conflict (Meltzer) and premature psychic birth (Tustin). The proposed model furthers our understanding of the therapeutic process and stresses the importance of the containing object in the transference situation.     

Jung's “Multicolored Arabesques”: Their Renderings and Intentions in the Pictorial Vocabulary of The Red Book

Paintings say more than what they seemingly show. Jung's pictorial vocabulary as a painter and illustrator is not gratuitous and deserves close study. At first Jung tried various styles, naïve or academic. Then he developed “multicolored arabesques” quite extensively, obviously enjoying drawing and painting virtuoso variations on the theme. These beautiful artistic forms can possibly be analyzed as pictorial representations of the unconscious, of the archetypes and their ever-flowing energies. For such vivid subjects that are impossible to describe or portray in either words or images, Jung, in his precious Red Book, has achieved a creation, by pencil and brush, of a superb array of “good-enough” renderings in images of their psychological reality.