Sex differences in expressive drawing

We examined sex differences in expressive drawings produced by 105 boys and 105 girls aged 9-15 years. The drawings were classified according to the type of expressive strategy used to depict emotion (literal, content, abstract, or any combination of these), and rated according to the complexity of that strategy. A creative/divergent thinking task (figural form) was used to assess the relationship between expressive drawing and figural creativity. As predicted, girls scored higher than boys on the expressive drawing task. Specifically, girls relied less often on literal strategies alone and were more likely to combine literal expression with metaphorical (content and abstract) expression than boys. There was a linear relationship between expressive drawing and divergent thinking scores. These results are consistent with the idea that boys and girls differ in the expressive component of emotion, and suggest that these sex differences extend to the expressive drawing domain. They also suggest that divergent thinking may be involved in the ability to draw expressively.     

When an academic culture based on self-enhancement values undermines female students’ sense of belonging,self-efficacy,and academic choices

ABSTRACT

Although overall women are better represented in higher education than men, women’s psychological experience in various academic contexts is qualified by a decreased sense of belonging and academic self-efficacy, including in fields where they are not targeted by a negative stereotype. To clarify this phenomenon, we develop the hypothesis of a mismatch between female students’ values and the values associated with success in the increasingly selective realm of higher education. We argue that, whatever the fields of study, these values are self-enhancement values (competitiveness, self-affirmation, dominance). Three studies showed that when success was depicted in terms of self-enhancement values, women – but not men – expressed a lower sense of belonging, had lower self-efficacy and were less likely to pursue a given academic opportunity both in STEM and non-STEM fields of study. These effects did not appear in an academic context depicting success as being rooted in self-transcendence values (helpfulness, cooperation, benevolence).     

Are young children's drawings canonically biased?

In a between-subjects design, 4- to 6-year-olds were asked to draw from three-dimensional (3D) models, two-and-a-half-dimensional (212D) models with or without depth cues, or two-dimensional (2D) models of a familiar object (a saucepan) in noncanonical orientations (handle at the back or at the front). Results showed that canonical errors were produced mainly by the youngest children in the 3D models copying condition. A large proportion of errors did not, however, reflect biases toward the participants' "own" view of the object; rather, these errors reflected biases toward their "best" view of the object. Drawing from models having fewer than three dimensions resulted in a significant increase in view-specific productions in all children for the back orientation. When a more complex front orientation of the object was proposed, sensitivity to model type developed gradually with age. Results are discussed in terms of the flexibility of the mental model that mediates between children's perception of a model object and the depiction decisions.     

Neural functional organization of hallucinations in schizophrenia: Multisensory dissolution of pathological emergence in consciousness

Although complex hallucinations are extremely vivid, painful symptoms in schizophrenia, little is known about the underlying mechanisms of multisensory integration in such a phenomenon. We investigated the neural basis of these altered states of consciousness in a patient with schizophrenia, by combining state of the art neuroscientific exploratory methods like functional MRI, diffusion tensor imaging, cortical thickness analysis, electrical source reconstruction and trans-cranial magnetic stimulation. The results shed light on the functional architecture of the hallucinatory processes, in which unimodal information from different modalities is strongly functionally connected to higher-order integrative areas.