A dyadic assessment of how couples indicate their commitment to each other

This study investigated the behaviors couples use to indicate their commitment in romantic relationships and explored the complex ways in which these behaviors are interconnected. Survey data were collected from 121 romantically involved couples in the United States. Dyadic analysis of the data revealed that the greater the levels of commitment, the more frequent the use of certain behaviors to indicate commitment. In addition, couples were similar in their use of the indicators, tended to project their self‐perceptions onto their partners, and had a degree of accuracy in perceiving their partners’ use of indicators. The research sheds light on some of the complex ways intimate couples experience and express commitment in the everyday lives.     

Responsible Relationship: Imago Dei and the Moral Distinction between Humans and Other Animals

In light of modern evolutionary science, some theologians have criticized using the image of God to distinguish humans from other animals. This concept, however, still offers rich theological insight into the natures of both humans and other animals. Following the relational interpretations of Emil Brunner and Karl Barth, this article explores how the imago Dei may be used to distinguish human creatures without necessarily implying a division in kind between humans and other animal creatures. Humans are distinguished not by any superior abilities they might possess, but by the character of their relationship to God and other creatures.     

HOBBES AND GAME THEORY REVISITED: ZERO‐SUM GAMES IN THE STATE OF NATURE

The aim of this paper is to critically review the game‐theoretic discussion of Hobbes and to develop a game‐theoretic interpretation that gives due attention both to Hobbes's distinction between “moderates” and “dominators” and to what actually initiates conflict in the state of nature, namely, the competition for vital goods. As can be shown, Hobbes's state of nature contains differently structured situations of choice, the game‐theoretic representation of which requires the prisoner's dilemma and the assurance game and the so‐called assurance dilemma. However, the “state of war” ultimately emerges from situations that cannot be described by any of these games because they represent zero‐sum games in which the outcome of mutual cooperation does not exist.     

Do Confucians Really Care? A Defense of the Distinctiveness of Care Ethics: A Reply to Chenyang Li

Chenyang Li argues, in an article originally published in Hypatia, that the ethics of care and Confucian ethics constitute similar approaches to ethics. The present paper takes issue with this claim. It is more accurate to view Confucian ethics as a kind of virtue ethics, rather than as a kind of care ethics. In the process of criticizing Li's claim, the distinctiveness of care ethics is defended, against attempts to assimilate it to virtue ethics.     

The Japanese Tea Ceremony and Pancultural Definitions of Art

Dominic McIver Lopes and Yuriko Saito claim that the Japanese tea ceremony, or chadō, is a non‐Western art form. Stephen Davies also defends that claim. In this article, I utilize the tea ceremony as a test case for pancultural definitions of art that claim to be inclusive of non‐Western cultures without relying on Western ethnocentrism to justify their status as artworks. I argue that Davies's (2015) hybrid definition is not justified in assuming a homogenous art tradition and/or a unified conception of artistic practices in a non‐Western culture. Moreover, the cladistic structure of his definition fails to accommodate the spontaneous instantiation of new art traditions. Additionally, Jerrold Levinson's Intentional‐Historical definition cannot satisfactorily accommodate chadō. First, the nonart origins that were formative for the regard that is required for appreciation of the tea ceremony mean that the relational interpretation of the definition fails. Second, Rikyū’s tea ceremony does not count as art incidentally, as it is not a form of mimesis nor does the Japanese wabi aesthetic that is central to chadō have a precursor in known Western art. Third, if chadō does satisfy Levinson's extended theory, it comes at the cost of embracing Western ethnocentrism.