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The development of the understanding of affective meaning in music was investigated. Subjects aged 4, 5, 6, and 19 assigned verbal labels to musical segments previously determined by adults to be representative of one of four affects (happy, sad, angry, afraid). Analysis of correct interpretations and errors revealed a pattern of interactions among age, sex, and affect indicating that the ability to verbalize an understanding of affective meaning in music consistent with that of adult subjects is present during the preschool years. Age-related similarities in performance, as well as differences favoring both younger and older subjects, were observed and were discussed in relation to recent research in, and theories of, affective development and communication.The authors thank H. Julia Hannay, Edward Kemery, Shiela MacDonald, and Robert McGrath for their assistance in this research. The conceptual inspiration of Joseph Intrieri is gratefully acknowledged. We also thank Leslie Brody, Robin Hornik, and several anonymous reviewers for their comments on an earlier draft of the paper. Portions of this research were presented at the Southeastern Conference on Human Development, Baltimore, April 1982. 相似文献
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Fourth- and seventh-grade children and college-age adults proofread passages typed either in lowercase or in all capital letters. Words were misspelled by deleting one of four letters, s, c, k, or p, that have similar features in lowercase and uppercase. Proofreading errors decreased with age and increasing reading ability, but all of the subjects were sensitive to changes in word shape--they missed more words with deletions of s or c than k or p in the lowercase passage but not in the all-capitals passage. These findings indicate that word shape is an important variable in recognizing familiar words, even for young readers. 相似文献