Big secrets do not necessarily cause hills to appear steeper

Slepian, Masicampo, Toosi, and Ambady (Journal of Experimental Psychology: General, 141, 619–624, 2012, Study 1) found that individuals recalling and writing about a big, meaningful secret judged a pictured hill as steeper than did those who recalled and wrote about a small, inconsequential secret (with estimates unrelated to physical effort unaffected). From an embodied cognition perspective, this result was interpreted as suggesting that important secrets weigh people down. Answering to mounting calls for the crucial need of independent direct replications of published findings to ensure the self-correcting nature of our science, we sought to corroborate Slepian et al.’s finding in two extremely high-powered, preregistered studies that were very faithful to all procedural and methodological details of the original study (i.e., same cover story, study title, manipulation, measures, item order, scale anchors, task instructions, sampling frame, population, and statistical analyses). In both samples, we were unsuccessful in replicating the target finding. Although Slepian et al. reported three other studies supporting the secret burdensomeness phenomenon, we advise that these three other findings need to be independently corroborated before the general phenomenon informs theory or health interventions.     

Aging and the segmentation of narrative film

The perception of event structure in continuous activity is important for everyday comprehension. Although the segmentation of experience into events is a normal concomitant of perceptual processing, previous research has shown age differences in the ability to perceive structure in naturalistic activity, such as a movie of someone washing a car. However, past research has also shown that older adults have a preserved ability to comprehend events in narrative text, which suggests that narrative may improve the event processing of older adults. This study tested whether there are age differences in event segmentation at the intersection of continuous activity and narrative: narrative film. Younger and older adults watched and segmented a narrative film, The Red Balloon, into coarse and fine events. Changes in situational features, such as changes in characters, goals, and objects predicted segmentation. Analyses revealed little age-difference in segmentation behavior. This suggests the possibility that narrative structure supports event understanding for older adults.     

From Social Burden to Support Elicitation: Development and Validation of a New Measure of Workplace Support Elicitation Experiences

Journal of Business and Psychology - Receiving social support is widely considered a positive workplace phenomenon, but what about the employees from whom the support is being sought? Following...     

Stressors and Social Resources at Work: Examining the Buffering Effects of LMX,POS, and Their Interaction on Employee Attitudes

Journal of Business and Psychology - Numerous advancements have been made regarding how aspects of job roles and organizational environments affect work attitudes. However, less attention has been...     

Emotion Dysregulation and Eating Disorder Symptoms: Examining Distinct Associations and Interactions in Adolescents

Research on Child and Adolescent Psychopathology - Emotion dysregulation has been posited as a key transdiagnostic factor of mental health difficulties, including eating disorders. However, how...     

Examining the Relations between Preschooler’s Externalizing Behaviors and Academic Performance Using an S-1 Bifactor Model

Research on Child and Adolescent Psychopathology - Externalizing behaviors are associated with poor academic outcomes in community-based samples of children as young as preschool-age. However,...     

The Impact of Brief Interventions on Functioning Among those Demonstrating Anxiety,Depressive, and Adjustment Disorder Symptoms in Primary Care: The Effectiveness of the Primary Care Behavioral Health (PCBH) Model

Journal of Clinical Psychology in Medical Settings - Limited scalability combined with limited opportunities for patients to receive evidence-based interventions in traditional behavioral health...     

Memory rehabilitation: restorative,specific knowledge acquisition,compensatory, and holistic approaches

Cognitive Processing - Memory impairment following an acquired brain injury can negatively impact daily living and quality of life—but can be reduced by memory rehabilitation. Here, we review...     

Constraint-evading surrogacy: the missing piece in Radical Embodied Cognition’s non-representationalist account of intentionality?

Phenomenology and the Cognitive Sciences - Radical Embodied Cognition (REC) is an anti-representationalist approach to the nature of basic cognition proposed by Daniel Hutto and Erik Myin. While...     

Kant and the creation of freedom: a response to Terry Godlove

In his review of my book, Terry Godlove raises some robust objections to the exegesis of Kant that I present in my recent book, Kant and the Creation of Freedom: a Theological Problem (Oxford/New York: Oxford University Press, 2013). I respond to these criticisms in this article. Properly to locate Godlove’s exegetical objections, I dedicate the first section to setting out the arc of the argument I trace. I then set out and treat in turn Godlove’s main objections to my exegesis: that it depends upon an interpretation of transcendental idealism which makes the doctrine ‘flatly inconsistent and probably just silly’; that I neglect the most plausible account interpretation of Kant’s various statements about transcendental idealism; and that I ‘pick and choose’ supporting texts too narrowly, leading to an unbalanced presentation, which is too convenient to my thesis. I conclude with some general methodological reflections—stimulated by Godlove, but not aimed at him—about how historical philosophical texts are often treated. I express some anxieties about the principle of charity that underlies much current exegesis, and ‘rational reconstruction’ of historical texts, and I propose a case for what might be called ‘creative decomposition’ (not of the text, but of the self).